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            <title>The Savoy, Volume VII.&#8212;November 1896</title>
            <title type="Savoyv7_symons_sligo"/>
            <editor>Lorraine Janzen Kooistra</editor>
            
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                  <editor>Symons, Arthur</editor>
                  <author>Symons, Arthur</author>
                  <title level="j">In Sligo: Rosses Point and Glencar</title>
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                     <publisher>Leonard Smithers</publisher>
                     <pubPlace>London</pubPlace>
                     <date>November 1896</date>
                     <biblScope>Symons, Arthur. "In Sligo: Rosses Point and Glencar." <emph rend="italic">The
                        Savoy</emph> vol. 7, November 1896, pp. 55-61.
                        <emph rend="italic">Savoy Digital Edition</emph>,
                        edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv7-symons-sligo/
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         <head>
            <title level="a"><emph rend="bold"><emph rend="indent4">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;IN SLIGO </emph></emph></title>
        
         </head>      
         
         <p><emph rend="indent3">ROSSES POINT AND GLENCAR</emph></p>  
         
         <p>ROSSES POINT is a village of pilots and fishing people,<lb/>  
         stretching out seawards in a long thin single line of thatched<lb/>  
         and whitewashed houses along the branch of the sea which <lb/> 
         goes from the little harbour of Sligo to broaden out into the <lb/> 
         bay beyond the edge of Dorren's or Coney Island, and the <lb/> 
         rocks of Dead Man's Point. It is a lazy village, where no <lb/> 
         one is very rich or very poor, but all are able, without too much exertion, to <lb/> 
         make just enough not to need to work any harder. The people are slow, <lb/> 
         sturdy, contented people, with a singular dislike of doing anything for money, <lb/> 
         except that they let rooms during the summer to the people of Sligo, who <lb/> 
         make it their watering-place ; going in and out daily, when needful, on the <lb/> 
         little paddle-steamer which plies backward and forward between Sligo and <lb/> 
         the Point, or on the long car which takes in their messages and their market- <lb/> 
         ing-baskets. Very few people from the outer world ever find their way here ; <lb/> 
         and there are peasants living at the far end of the village who have never been <lb/> 
         so far as the village of Lower Rosses, on the other side of the green lands. They <lb/> 
         know more of the coast of Spain, the River Plate, and the Barbadoes, than <lb/> 
         they know of the other side of their own mountains ; for sea-faring men go far. <lb/> 
         I have just been talking with a seaman, now a pilot here, who has told me of <lb/> 
         Venice, and of the bull-fights he saw at Huelva, and of Antwerp, and the Riga, <lb/> 
         and Le Havre ; and of the coast of Cornwall, and Milford Haven, and the <lb/> 
         Firth of Forth ; and of America, and the West Indies. Yesterday I saw a <lb/> 
         bright green parrot on a child's hand ; they have been telling me of "the <lb/> 
         black girl" who came here from some foreign ship, and lived here, and knew <lb/> 
         better than anyone else where to find the plovers' eggs ; and I have seen the <lb/> 
         rim of a foreign ship, rising out of the sand at low tide, which was wrecked <lb/> 
            here seventy years ago, and is now turning green under the water. </p> 
         
         <p>Men and women, here at the Point, loiter about all day long ; there are <lb/> 
            benches outside most of the cabins, and they sit there, or on the low, rough </p> 
         
         
         
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         <p>wall which skirts the road, or on the big stones at the edge of the water, or <lb/> 
         upon the green lands. Most of the women are bare-headed, none go barefoot, <lb/> 
         and only a few of the poorer children. And the children here are very proud. <lb/> 
         They will row you about all day for nothing, but they will not bring you a can <lb/> 
         of water from the well if you pay them for it. That is a point of view they <lb/> 
         have learnt from their parents, and it seems to me a simple and sufficing one. <lb/> 
         For these people have attained comfort, a certain dignity (that dignity which <lb/> 
         comes from concerning yourself only with what concerns you), and they have <lb/> 
         the privilege of living in a beautiful, harmonious place, without any of the <lb/> 
         distractions which harass poorer or less contented people in towns, and keep <lb/> 
         them from the one thing worth living for, the leisure to know oneself. This <lb/> 
         fine laziness of theirs in the open air, with the constant, subduing sense of <lb/> 
         the sea's peril, its hold upon their lives and fortunes, moulds them often into <lb/> 
         a self-sufficing manliness, a hardy womanhood ; sometimes it makes them <lb/> 
            dreamers, and they see fairies, and hear the fairy piper calling in the caves.</p>  
         
         <p>How, indeed, is it possible that they should not see more of the other <lb/> 
         world than most folk do, and catch dreams in their nets ? For it is a place of <lb/> 
         dreams, a gray, gentle place, where the sand melts into the sea, the sea into <lb/> 
         the sky, and the mountains and the clouds drift one into the other. I have <lb/> 
         never seen so friendly a sea, nor a sea so full of the ecstasy of sleep. On one <lb/> 
         of those luminous gray days, which are the true atmosphere of the place, it is <lb/> 
         like being in an eternal morning of twilight to wander over the undulating <lb/> 
         green lands, fringed at the shore by a soft rim of bent, a pale honey-coloured <lb/> 
         green, and along the delicate gray sands, from Dead Man's Point to the point <lb/> 
         of the Third Rosses. The sea comes in softly, rippling against the sand with <lb/> 
         a low plashing, which even on very warm days has a cool sound, and a certain <lb/> 
         gentleness even on days of rough weather. The headland of Roughley <lb/> 
         O'Byrne runs on, a wavering line of faint green, from the dark and cloudy<lb/>  
         masses of the Lissadell woods into the hesitating line of the gray waters. On <lb/> 
         the other side of the bay Dorren's Island curves around, almost like part of <lb/> 
         the semicircle of the mainland, its sickle-point leaning out towards the white<lb/> 
         lighthouse, which rises up out of the water like a phantom, or the stone image <lb/> 
         of a wave that has risen up out of the sea on a day of storm. Faint mountains <lb/> 
         glimmer out to sea, many-coloured mountains close in upon the land, shutting <lb/> 
         it off from the world of strange cities. And if you go a little in from the sea- <lb/> 
         edge, over the green lands, you will come to a great pool, where the waters <lb/> 
         are never troubled, nor the reeds still ; but there is always a sighing of wind <lb/> 
         in the reeds, as of a very gentle and melancholy peace. </p> 
         
         
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         <p>Go on a little further still, and you come to the fighting village of <lb/> 
         Magherow, where the men are red-bearded, fierce, great shouters, and not <lb/> 
         readier to row than to do battle with their oars. They come into Rosses <lb/> 
         Point, generally, at the regatta ; and at that time the Point is at its liveliest, <lb/> 
         there is much whiskey drunk, and many quarrels flame up. There is a great <lb/> 
         dance, too, most years, at the time of the regatta. It is known as the cake <lb/> 
         dance, and not so long ago a cake and a bottle of whiskey were hung out of <lb/> 
         a window by green ribbons, the cake for the best woman dancer, and the <lb/> 
         bottle of whiskey for the best man dancer. Now there is no cake at all, and <lb/> 
         if there is much whiskey, it is handed over the counter in big glasses, and not <lb/> 
         hung out of the window by green ribbons. The prize now is money, and so <lb/> 
         the people of the Point, with their fine, independent objection to doing any- <lb/> 
         thing for money, are less ready to show off their notable powers of dancing ; <lb/> 
         and the women, who, besides, are getting to prefer the waltzes and quadrilles <lb/> 
            of the towns, will not take part in the dance at all. </p> 
         
         <p>The regatta this year was not too well managed, having passed out of the <lb/> 
         hands of the village pilots ; and it was unwisely decided that the dance should <lb/> 
         be held the same evening, outside the door of a public-house where the crews <lb/> 
         of the losing boats had been drinking at the expense of the captains of the <lb/> 
         winning boats. It was very dark, and there was a great crowd, a great <lb/> 
         confusion. A somewhat battered door had been laid down for the dancing, <lb/> 
         and the press of people kept swaying in upon the narrow limits of the door, <lb/> 
         where only a few half-tipsy fellows pounded away, lurching into one another's <lb/> 
         arms. Everybody swayed, and yelled, and encouraged, and expostulated, and <lb/> 
         the melodion sounded fitfully ; and presently the door was pulled from under <lb/> 
         the feet of the dancers, and the police shouldered into the midst of what would <lb/> 
         soon have been a very pretty fight. The dance was postponed to Monday, <lb/> 
            when some of the boats were to race again. </p> 
         
         <p>On Monday, at about half-past six, I met eight small boys carrying a <lb/> 
         large door upon their shoulders. They were coming up through the village <lb/> 
         to the green lands, where they laid down the door on the grass. About an <lb/> 
         hour afterwards, as it began to get very dark, the people came slowly up from <lb/> 
         the village, and a wide ring was made by a rope carried around stakes set in <lb/> 
         the earth, and the people gathered about the ring, in the middle of which lay <lb/> 
         the door, lit on one side by a ship's lantern and on the other by the lamp of <lb/> 
         a bicycle. A chair was put for the judge, who was a pilot and a publican, and <lb/> 
         one of the few Gaelic speakers in the village, and a man of few words, and a <lb/> 
            man of weight ; and another chair was put for the musician, who played on </p> 
         
         
         
         <fw type="runningHead">
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         </fw>
         
         <p>the melodion, an instrument which has long since replaced the fiddle as the <lb/> 
         national instrument of Ireland. A row of very small children lay along the <lb/> 
         grass inside the rope, the girls in one place, the boys in another. It was so dark<lb/>   
         that I could only vaguely distinguish, in a curve of very black shadow, the <lb/>
         people opposite to me in the circle ; and presently it began to rain a little ; <lb/>
         and still we waited. At last a man came forward, and the musician began to play <lb/>
         a lively tune on his melodion, keeping time with his feet ; and there was a <lb/>
         great cry of "Gallagher ! Gallagher !" and much shouting and whistling. <lb/>
         It was a shepherd from Lower Rosses, a thin and solemn young man, who <lb/>
         began to dance with great vigour and regularity, tapping heavily on the rough <lb/>
         boards with very rough and heavy boots. He danced several step-dances, and <lb/>
         was much applauded. Then, after a pause, an old man from the Point, Red- <lb/>
         mond Bruen by name, a pilot, who had very cunningly won the duck-hunt at the <lb/>
         regatta, stepped forward unevenly, and began to walk about on the door, <lb/>
         shuffling his feet, bowing to right and left, and waving a stick that he held in <lb/>
         his hand. "When he's sober, he's a great dancer," we were assured. He was <lb/>
         not sober, and at first did no more than shuffle. Then he stopped, seemed to <lb/>
         recollect himself, and the reputation he had to keep up, and with more bowing <lb/>
         to the public, began to sing, with variations, a song popular among the Irish <lb/>
         peasants, "On the Rocky Road to Dublin." It is a dramatic song, and after <lb/>
         every stanza he acted, in his dance, the fight on the road, the passage from <lb/>
         Holyhead, and the other stirring incidents of the song. The old man swayed <lb/>
         there in the vague light, between the two lanterns, a whimsical and pathetic <lb/>
         figure, with his gray beard, his helpless gestures, and the random gaiety of his <lb/>
         legs ; he danced with a wonderful lightness, and one could but just hear his <lb/>
            boots passing over the boards. </p>
         
         <p>We applauded him with enthusiasm, and he came and sat on the grass <lb/>
         inside the ring, near the children, who were gradually creeping closer in ; and <lb/>
         his place was taken by the serious Gallagher, who was quite sober, and who <lb/>
         pounded away like clockwork, holding his body quite stiff, and rattling his <lb/>
         boots with great agility. The old man watched him keenly, and presently <lb/>
         got up and made for the door again. He began to dance, stopped, flung off <lb/>
         his coat, and set off again with a certain elaboration, variety, and even <lb/>
         delicacy in his dancing, which would have won him the prize, I think, if he <lb/>
         had been sober enough to make the most of his qualities. He at least <lb/>
         thoroughly appreciated his own skill. "That's a good reel," he would say, <lb/>
            when he halted for breath and emphasis. </p>
         
         <p>Meanwhile Gallagher was looking for a partner, and one or two young</p>
         
         
         
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         <p>fellows took the boards, and did each a single dance, in pairs or singly. Then <lb/>
         a young man who, like Bruen, was "a grand dancer" when sober, but who was <lb/>
         even less sober than Bruen, reeled across the grass, kicked over one of the <lb/>
         lanterns, and began to dance opposite Gallagher. Then he pushed Gallagher <lb/>
         off the board, and danced by himself. He was in his shirt-sleeves, and without <lb/>
         hat or collar, and much of his dance was merely an unsteady walking. He <lb/>
         stopped frequently, and appeared to think ; and, after much thinking, it <lb/>
         occurred to him that it was the music which would not keep time with his <lb/>
         dancing. So he walked up to the musician, snatched the melodion away from <lb/>
         him, and marched off with it, I suppose to find another player. He passed <lb/>
         into the darkness ; the melodion in his hands squealed out of the darkness. <lb/>
         Then he came back dangling it, and was told to give it back again, which he <lb/>
         did sulkily, with exactly the look and gesture of a naughty child who <lb/>
         has been called to order. And then Gallagher came forward again, and, <lb/>
         taking off his hat, said he would sing a song. He got through a verse <lb/>
         or two, chanting gravely in a kind of sing-song, and then, coming to the <lb/>
            line, "And <emph rend="italic">he</emph> said <emph rend="italic">to</emph> the landlord," paused, and said, "I am not able to <lb/>
         do any more." There was a great laugh, and Gallagher returned to his <lb/>
         dancing, in which he was presently joined by a new rival. Gallagher got <lb/>
            the prize. </p>
         
         <p>I was told that so poor a dance had not been seen before at Rosses Point, <lb/>
         and the blame was laid on new ways, and the coming of the waltzes and <lb/>
         quadrilles, and the folly of young people who think old things not good <lb/>
         enough for them. And the old people shook their heads that night over the <lb/>
            turf fires in their cabins. </p>
         
         <p>Seven miles inland from Rosses Point, the mountains open ; and, entering<lb/> 
         a great hollow called the Windy Gap, you come upon a small lake with green <lb/>
         fields around it, and mountains full of woods and waterfalls rising up behind <lb/>
         it. This is Glencar, and there is a cabin by the side of the lake where I spent <lb/>
         a few enchanted days of rain and sunshine, wandering over the mountain- <lb/>
         side, and among the wild and delicate woods. .Above the cabin there is a <lb/>
         great mountain, and the woods climb from about the cabin to almost the <lb/>
         summit of the mountain. Fir-trees rise up like marching banners, line upon <lb/>
         line ; between them the foliage is softer, green moss grows on the tree-trunks <lb/>
         and ferns out of the moss ; quicken-berries flame on the heights above the <lb/>
         streams ; the many-coloured green of leaves is starred with bright orange, <lb/>
            shadowed with spectral blue, clouded with the exquisite ashen pallor of </p>
         
         
         
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         <p>decaying heather. Rocky steps lead from height to height along the edge of <lb/>
         chasms veiled with leafy branches, and there is always a sound of many <lb/>
         waters, falling in torrents down black stairways of rock, and rushing swiftly<lb/> 
         along narrow passages between grass and ferns. Here and there a bridge of <lb/>
         fallen trunks, set roughly together, and covered with the adventurous soil, <lb/>
         which, in these parts, bears fruit wherever it has an inch to cling to, crosses a<lb/> 
         waterfall, just above the actual descent. Winding paths branch off in every <lb/>
         direction, and in the soft earth of these narrow and precipitous ways one can <lb/>
         see little hoof-prints, and occasionally one meets a donkey going slowly up- <lb/>
         hill, with the creels on its back, to fetch turf from the bog. And always there <lb/>
         is the sound of water, like the cool singing voice of the rocks, above the sound <lb/>
         of rustling leaves, and birds piping, and the flapping of great wings, which are <lb/>
         the voices of the many-instrumented orchestra of the woods. Here one is in <lb/>
         the heart of the mountains, and in the heart of the forest ; and, wandering <lb/>
         along a grassy path at evening, one seems to be very close to something very <lb/>
            ancient and secret. </p>
         
         <p>The mountains here are whole regions, and when you have climbed to <lb/>
         their summit through the woods, you find yourself on a vast plain, and this<lb/> 
         plain stretches so far that it seems to fill the horizon, and you cannot see any-<lb/> 
         thing on the other side of it. Looking down into the valley, which seems <lb/>
         scooped out of the solid mountains, you can see, on the other side of the <lb/>
         Windy Gap, the thin line of Rosses Point going out into the sea, and the sea <lb/>
         stretches out so far before it reaches the horizon, that you can catch a yellow <lb/>
         glimmer of sunlight, lying out beyond the horizon visible from the shore. <lb/>
         The fields, around and beyond the polished mirror of the lake, seem, in their <lb/>
         patchwork of greens and browns, like a little map of the world. The <lb/>
         mountain-top, which you have fancied from below to be such solid ground, <lb/>
         proves, if you try to cross it, to be a great yielding bog, with intervals of rock<lb/> 
         or hard soil. To walk over it is to move in short jumps, with an occasional <lb/>
         longer leap across a dried-up water-course. I like the voluptuous softness of <lb/>
         the bog, for one's feet sink luxuriously into even the pale golden mounds of <lb/>
         moss which rise between the rusty heather and starveling grasses of the sheer <lb/>
         morass. And it has the treachery which is always one of the allurements of <lb/>
         voluptuous things. Nor is it the bog only which is treacherous on these <lb/>
         mountains. The mist comes down on them very suddenly, and in that white <lb/>
         darkness even the natives sometimes lose their way, and are drawn over the <lb/>
         sheer edge of the mountain. My host has just come in to tell me that last <lb/>
            night there was a great brewing of poteen on Ben Bulben, and that many of </p>
         
         
         
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         <p>the drinkers wandered all night, losing their way in the mist, and that one of <lb/>
         them, not having the drunkard's luck, fell over a rocky place, and is now lying <lb/>
            dead on the mountain.</p>
         
         <p>I had been thinking of such possibilities yesterday, as I climbed, peak <lb/>
         after peak, the mountains on the other side of the lake, Cope's Mountain, <lb/>
         Lugnagall, Cashlagall, Cragnamoona. They are bare and treeless, crossed by<lb/> 
         a few donkey-tracks ; and I sometimes deserted these looped and coiling ways <lb/>
         for the more hazardous directness of the dry water-courses which seam <lb/>
         the mountains from head to foot. Once at the top, you look over almost the <lb/>
         whole county, lying out in a green plain, ridged with hedges, clustered with <lb/>
         woods, glittering with lakes ; here and there a white cabin, a scattered village, <lb/>
         and just below, in the hollow of the land and water, the little curving gray town <lb/>
         of Sligo, with its few ships resting in harbour, and beyond them the long black <lb/>
         line which is Rosses Point, and then the sea, warm with sunlight, and, as <lb/>
         if islanded in the sea, the hills of Mayo. I have never seen anything <lb/>
         resembling the view from these mountains ; I have never seen anything, in its<lb/> 
         way, more beautiful. And when, last night, after a tossed and blood-red sun- <lb/>
         set, the white mist curdled about the heads of Ben Bulben and Knocknarea, <lb/>
         and a faint, luminous mist filled the whole hollow of the valley, there seemed <lb/>
         to be a mingling of all the worlds ; and the world in which ships went out from <lb/>
         the harbour of Sligo, and the poteen-makers wandered over the mountain, <lb/>
         was not more real than the world of embodied dreams in which the fairies <lb/>
         dance in their forts, or beat at the cabin doors, or chuckle among the reeds. </p>
         
         
         <p><emph rend="indent6">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref target="#ASY">ARTHUR SYMONS.</ref></emph></p> 
               
               
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