<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../1890s.ca/Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title>Yellow Nineties 2.0</title>
                <title>The Savoy, Volume VI.&#8212;October 1896</title>
                <title type="Savoyv6_toc-combined"/>
                <editor>Lorraine Janzen Kooistra</editor>
            </titleStmt>
            <editionStmt>
                <p>
                    <date>2019</date>
                </p>
            </editionStmt>
            <publicationStmt>
                <idno>SAVOYV6_7toc</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
                </address>
                <availability>
                    <p>Usable according to the Creative Commons License <ref
                            target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                            Non-commercial Share-alike</ref>.</p>
                </availability>
            </publicationStmt>
            <sourceDesc>
                <biblStruct>
                    <monogr>
                        <editor>Arthur Symons</editor>
                        <author>Unknown</author>
                        <title>Literary Contents</title>
                        <imprint>
                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W.C.</pubPlace>
                            <date>October 1896</date>
                            <biblScope>"Table of Contents." <emph rend="italic">The Savoy</emph>, vol. 6 October 1896, pp. 7-8. <emph rend="italic">Savoy Digital
                                    Edition</emph>, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. Ryerson University Centre for Digital
                                Humanities, 2019. https://1890s.ca/savoyv6-toc/</biblScope>
                        </imprint>
                    </monogr>
                </biblStruct>
            </sourceDesc>
        </fileDesc>
        <encodingDesc>
            <editorialDecl>
                <p>Our editorial method is informed by social-text editing principles. By “text” we
                    mean verbal and visual printed material, including non-referential physical
                    elements such as bindings, page layouts, and ornaments. We view any text as the
                    outcome of collaborative processes that have specific manifestations at precise
                    historical moments. The Yellow Nineties Online publishes facsimile editions of a
                    select collection of fin-de- siècle aesthetic periodicals, together with
                    paratexts of production and reception such as cover designs, advertising
                    materials, and reviews. This historical material is enhanced by two kinds of
                    peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
                    and associates; and critical introductions to each title and volume by experts
                    in the field. All scholarly material on the site is vetted by the editor(s) and
                    peer- reviewed by them and/or an international board of advisors. The site as a
                    whole is peer- reviewed by NINES (Networked Infrastructure for
                    Nineteenth-Century Electronic Scholarship). Contributors to the site retain
                    personal copyright in their material. The site is licensed with a Creative
                    Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
                    secondary materials, including all visual images, are marked up in TEI-
                    (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To
                    ensure maximum flexibility for users, magazines are available on the site as
                    virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in
                    PDF for downloading and collecting; and in XML for those who wish to review
                    and/or adapt our tag sets. In order to make ornamental devices, such as initial
                    letters, head- and tail- pieces, searchable, we have developed a Database of
                    Ornament in OMEKA, and linked it to the relevant pages of each magazine edition.
                    As a dynamic structure, a scholarly website is always in process; Phase One of
                    The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is
                    underway.</p>
            </editorialDecl>
        </encodingDesc>
        <profileDesc>
            <creation>
                <date>1896</date>
            </creation>
            <langUsage>
                <language ident="en">English</language>
            </langUsage>
            <textClass>
                <keywords scheme="#lcsh">
                    <list>
                        <item>English literature -- 19th century -- Periodicals</item>
                        <item>Great Britain -- Periodicals</item>
                    </list>
                </keywords>
                <keywords scheme="ninesGenre">
                    <list>
                        <item>Paratext</item>
                        <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry,"
                            "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage),
                            "Review" (older reviews), "Criticism" (including critical
                            introductions), "Visual Art" (images, bio images), Historiography
                            (bios),"Bibliography" (intros, crit, bios, anything with a bibliography
                            attached), "Drama," "Ephemera," "Translation," "Religion," "Travel
                            Writing," "Music, Other,")
                            <!--Add items as necessary. Remove items not used.-->
                        </note>
                    </list>
                </keywords>

                <keywords scheme="ninesType">
                    <list>
                        <item>Periodical</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff),
                            "Interactive Resource" (current writing, biographies, not old reviews),
                            "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
                        <!-- only choose one item-->
                    </list>
                </keywords>

                <keywords scheme="ninesDiscipline">
                    <list>
                        <item>Book History</item>
                        <note>Possible Disciplines (multiple): "Book History (include for all
                            periodical items)," "Literature," "Art History (use for art, also use
                            for reviews)," "History (don't use in a general sense)," "Theatre
                            Studies," "Musicology," "Philosophy," "Anthropology," "Science"</note>
                        <!--Add items as necessary. Remove items not used.-->
                    </list>
                </keywords>
            </textClass>
        </profileDesc>
    </teiHeader>
    <text>
        <body>
            <div n="Savoyv6_toc" type="tableOfContents">
                <pb n="10"/>
                <!--  what is this??? -->
                <fw type="runningHead">LITERARY CONTENTS</fw>
                <p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        &#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note">PAGE</emph>
                <lb/>
                <lb/>
                <emph rend="italic"><ref target="#SAVOYV6_10pr">THE IDIOTS.</ref></emph>&#160;&#160; <emph rend="note">A Story by <ref
                            target="#JCO">JOSEPH CONRAD</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;.
                    &#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">11</emph><lb/>
                    <emph rend="italic"><ref target="#SAVOYV6_11po">IN SAINT JACQUES.</ref></emph>&#160;&#160; <emph rend="note">A Poem by
                            <ref target="#ASY">ARTHUR SYMONS</ref></emph>
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        <emph
                        rend="note">31</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_14pr">CONCERNING JUDE THE OBSCURE.</ref></emph>
                   &#160;&#160; <emph
                       rend="note">An Essay by <ref target="#HEL">HAVELOCK ELLIS</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    <emph rend="note">35</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_18po">A SOUL AT LETHE'S BRINK
                    </ref></emph>&#160;&#160; <emph rend="note">&#160;&#160; A Poem by <ref target="#ETH"
                            >EDITH M. THOMAS</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;.
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note">55</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_19pr">THE LESSON OF MILLAIS.</ref></emph>&#160; <emph rend="note">An Article by <ref target="#ASY"
                        >ARTHUR SYMONS</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        <emph
                        rend="note">39</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_21po">THE EPITAPHE IN FORM OF A BALLADE.</ref></emph> &#160;&#160; <emph rend="note">A Translation by 
                        <lb/><ref
                            target="#TWR">THEODORE WRATISLAW</ref> into English Verse from the French of 
                        <ref target="#FVI">FRAN&#199;OIS </ref>
                        <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref target="FVI">VILLON</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">61</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_22pr">ELSA.</ref></emph>&#160;&#160; <emph rend="note">A Story by the <ref target="#CSC">Author</ref>
                        of "<ref target="#SAVOYV2_14pr">A Mere Man</ref>"</emph>
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;
                    <emph
                        rend="note">63</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_23po">THE THREE WITCHES</ref></emph>&#160;&#160; <emph rend="note">
                        A Poem by <ref target="#EDO">ERNEST DOWSON</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;<emph rend="note">75</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_24pr">SOME NOTES ON THE STAINED GLASS WINDOWS AND</ref></emph>
                    <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="italic"><ref target="#SAVOYV6_24pr">DECORATIVE PAINTINGS OF THE CHURCH OF ST.</ref></emph>
                        <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="italic"><ref target="#SAVOYV6_24pr">MARTIN'S-ON-THE-HILL, SCARBOROUGH.</ref></emph>&#160;&#160; <emph rend="note">An Article by
                            <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref
                                target="#ODE">OLIVIER GEORGES DESTR&#201;E</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note">76</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_28pr">A CAUSERIE:&#8212;</ref><emph rend="note"><ref target="#SAVOYV6_28pr">From a Castle in Ireland.</ref></emph></emph>&#160;&#160; <emph rend="note">By <ref
                        target="#ASY">ARTHUR SYMONS</ref></emph>
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;<emph rend="note">93</emph>
                    
                </p>
                <fw type="runningHead">ART CONTENTS</fw>
                <p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note">PAGE</emph>
                    <lb/>
                    <lb/>
                    <emph rend="italic"><ref target="#SAVOYV6_icon2"
                        >COVER</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">Designed by <ref target="#ABE">AUBREY BEARDSLEY</ref></emph>
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;.
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    &#160;&#160;<emph rend="note">1</emph><lb/>
                    <emph rend="italic"><ref target="#SAVOYV6_icon3">TITLE
                        PAGE</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">Designed by <ref target="#ABE">AUBREY BEARDSLEY</ref></emph>
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                        >5</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon4">HOLIDAY
                        JOYS.</ref></emph>&#160;&#160; <emph rend="note">From a Water-Colour Drawing by <ref
                            target="#PMA">PHIL MAY
                        </ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;.
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note">9</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon5">THE DEATH OF
                        PIERROT.</ref></emph>&#160;&#160; <emph rend="note">A Pen-and-Ink Sketch by <ref
                            target="#ABE">AUBREY
                            BEARDSLEY</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                                >33</emph>
                    <lb/><emph rend="italic">TWO EIGHTEENTH CENTURY BOOK-PLATES.</emph>
                    <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                        >I.&#8212;<emph rend="italic"><ref target="#SAVOYV6_icon6">The Book-plate of
                            The Bastille</ref></emph></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;.
                    &#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">51</emph>
                    <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                        >II.&#8212;<emph rend="italic"><ref target="#SAVOYV6_icon7">The Book-plate of
                            Marie Antoinette.</ref> by <ref target="#CEI">CH.
                                EISEN</ref></emph></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">53</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon8">BALLADE DES
                        PENDUS.</ref></emph>&#160;&#160; <emph rend="note">A Pen-and-Ink Sketch by <ref
                            target="#WHO">WILLIAM T.
                            HORTON</ref></emph>&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                                >60</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon9">THE
                        ANNUNCIATION.</ref></emph>&#160;&#160; <emph rend="note">After a Painting by <ref
                            target="#DRO">D.G.
                            ROSSETTI</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                        >77</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon10">THE
                        ANNUNCIATION.</ref></emph>&#160;&#160; <emph rend="note">After a Painting by <ref
                            target="#DRO">D.G.
                            ROSSETTI</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;.&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"
                        >81</emph>
                    <lb/><emph rend="italic"><ref target="#SAVOYV6_icon11">A WOMAN'S
                        HEAD.</ref></emph>&#160;&#160; <emph rend="note">A Pen-and-Ink Sketch by <ref
                            target="#WMA">W.B.
                            MACDOUGALL</ref></emph>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph
                        rend="note">91</emph>
                    <lb/>
                    <lb/>&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="note"><emph rend="italic">The
                        Whole of the Reproductions in this Volume, in line and half-tone blocks, and
                        the
                        <lb/>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
                        &#160;&#160;&#160;&#160;&#160;&#160;Wood Engraving, are by MR. PAUL
                        NAUMANN.</emph></emph>
                </p>
            </div>
        </body>
    </text>
</TEI>
