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            <title>The Savoy, Volume V.&#8212;September 1896</title>
            <title type="Savoyv5_rhys_romance"/>
            <editor>Lorraine Janzen Kooistra</editor>
            
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                  <editor>Symons, Arthur</editor>
                  <author>Rhys, Ernest</author>
                  <title level="j">A Romance of Three Fools</title>
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                     <publisher>Leonard Smithers</publisher>
                     <pubPlace>London</pubPlace>
                     <date>September 1896</date>
                     <biblScope>Rhys, Ernest. "A Romance of Three Fools." <emph rend="italic">The
                        Savoy</emph> vol. 5, September 1896, p. 70.
                        <emph rend="italic">Savoy Digital Edition</emph>,
                        edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv5-rhys-romance/
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         <head>
            <title level="a"><emph rend="bold"><emph rend="indent3">A ROMANCE OF THREE FOOLS</emph></emph></title>
         </head>

<p>IT was the year when Marie Barrone sang for a season at the <lb/>
"Folly," never to be forgotten by those who heard her ; <lb/>
when London, or the idler part of it, was very much in love <lb/>
with her, and her spirit of waywardness and all mischief. <lb/>
It was a year of romances ; and of them all, that in which <lb/>
Marie played the part of amused heroine and our famous <lb/>
three were the heroes, was quite the most entertaining. </p>

<p>At this time, the leader of the three, Jack Barry, or as most of us knew <lb/>
him, "Jack Momus," that being the name under which he wrote the little <lb/>
comedies and lyrical burlesques chiefly associated with him,&#x2014;was at the height <lb/>
of his singular career. The success of his latest work, "Sweet Cinderella," at <lb/>
the "Folly," thanks to Marie's delightful singing and dancing, had for once filled <lb/>
his pockets to overflowing ; and it must be said they overflowed excessively. <lb/>
He was reckless in his extravagance of good-luck now, as he had been reckless <lb/>
before from ill-luck ; and he showed his quality in nothing more than in the <lb/>
choice of his two companions, who did not tend, on the whole, to restrain <lb/>
him. </p>

<p>Young Pavier&#x2014;the Hon. Tom Pavier&#x2014;was certainly not the kind of young <lb/>
man to be an economical factor in anybody's equation. A thrice mortgaged <lb/>
peer's third son, who has been disowned by his noble father, who has com- <lb/>
promised more than his purse because of his infatuation for the turf, and who <lb/>
has taken, half out of bravado, to driving a hansom for a living before he is <lb/>
thirty, is not likely to be over much in love with respectability, and the social <lb/>
virtues, for their own sake. His name, in truth, was by this become something <lb/>
   of a byword with the latest incarnation of Mrs. Grundy&#x2014;Lady Kyo : "Like <lb/>
young Pavier !" she would say, and close her eyes. As for the third of the <lb/>
   three, "Sinister" Smith,&#x2014;him we know better now as John Smith, R.A. ; but <lb/>
at this time he chiefly drew comic pictures for that short-lived paper, the <lb/>
" Babbler," besides occasionally painting extraordinary portraits of modern <lb/>
people in a medi&#xe6;val manner. </p>

<p>A more excellent trio for the amusement of a spirited heroine could not </p>


            <fw type="runningHead">
               <fw type="pageNumLeft">58</fw><fw type="head">THE SAVOY</fw> 
            </fw>

<p>well be imagined. All three were of accord in their devotion to Miss Marie. <lb/>
Almost every other night, for Jack Momus, to call him so, was never tired of <lb/>
hearing his jokes in their histrionic setting, they arrived, sooner or later, at the<lb/> 
theatre. They usually came in the hansom which Momus had purchased in <lb/>
the exuberance of his pockets, and had leased to Tom Pavier on very un- <lb/>
businesslike terms. This remarkable vehicle was suggested by that which <lb/>
appeared nightly on the stage in "Sweet Cinderella," and like that, was always<lb/> 
at Marie's service ; she greatly appreciated it, and often drove home in it to <lb/>
her lodgings in Westminster, after theatre. It was not, indeed, until she had <lb/>
twice running experienced the sensation of a street collision, under Tom <lb/>
Pavier's reckless driving, that she showed any hesitation about it. Thereafter,<lb/> 
one night, when Tom drove Barry to the stage-door to meet her, they found a <lb/>
suspicious private brougham waiting there. When Miss Marie at length <lb/>
tripped out, she gave an odd little glance at the two vehicles, and at Barry <lb/>
bowing at her elbow ; and then turning towards the brougham, she stammered <lb/>
out a naive explanation that she felt it was not at all right, "you know, to be<lb/> 
always taking your hansom ; though, to be sure, a hansom was better fun <lb/>
than anything !" </p>

<p>This was the beginning of disaster. She had always been rather mys- <lb/>
terious in her comings and goings ; but after this she became more and more <lb/>
elusive, while the attentions of other admirers were nightly more obvious. <lb/>
The brougham itself did not long remain a mystery : it was only one of many <lb/>
attentions from the same admirer, Lord Merthen ; while the bouquets of <lb/>
   Captain Jolywell made it like a <emph rend="italic">pot-pourri</emph> on wheels. So time went, and<lb/> 
the pleasant early summer began to lose its greenness in London, while <lb/>
Marie Barrone still drew tears by her song of the country flowers which, in a <lb/>
state of nature, her audience might have cared for much less. One evening, <lb/>
late in June, Momus, who grew more dejected as Marie grew more elusive, <lb/>
made a desperate effort to get her to come to a little supper at Fantochetti's.<lb/> 
But no ! not even that ; though as she said "No !" her voice had the sympathetic <lb/>
thrill which was so effective in "Sweet Cinderella," and her eyes looked sorrow- <lb/>
fully at him where he stood, hat off, his cherubic visage absurdly wrinkled <lb/>
in his wistful anxiety. However, on the following Saturday, after performance, <lb/>
when Sinister was present, she seemed to relent. Momus and Sinister had <lb/>
been driven up by Tom, and stood at the brougham step a moment, while Tom <lb/>
looked on from his driver's perch, a few yards off. </p>

<p>"I'm going to have two days' holiday," said Marie. "I'm rather<lb/> 
tired ; my voice was like a crow's to-night. Didn't you notice in my </p>

            <fw type="runningHead">
               <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">59</fw> 
            </fw>

<p>primrose song ? My doctor says I may have to give up singing, if I don't <lb/>
take care !" </p>

<p>"You never sang better, I swear !" responded Momus, and Sinister <lb/>
corroborated with his lips. But she went on gaily : </p>

<p>"I'm so sorry I can't come to Fantochetti's ! Ah, you've been so kind, all <lb/>
   of you,"&#x2014;here her voice had that little quiver again. "Well, I suppose <lb/>
   Thomas,&#x2014;my Thomas I mean, not yours," she explained, with a mischievous <lb/>
   smile at Tom Pavier,&#x2014;" is impatient, and wants to be off. You know, I never <lb/>
   like to say good-bye, even only for a day or two. <emph rend="italic">Au revoir</emph> is better !" </p>

<p>"<emph rend="italic">&#xc0; Demain</emph> is better still," ingeniously interposed Momus. She shook <lb/>
her pretty head. </p>

<p>"No, I'm afraid it will have to be good-bye London to-morrow, for a while <lb/>
at least." </p>

            <p>"And Olva's f&#xea;te?" asked Momus. The f&#xea;te was a fancy dress ball, at<lb/> 
Count Olva's, which among certain less particular sections of frivolous <lb/>
society was to be a great event in its way. </p>

<p>"Ah, Olva's f&#xea;te," said Marie, adjusting her flowers, "I had forgotten : <lb/>

it will be fun to meet there. But in case&#x2014;&#x2014;;" she hesitated, putting the <lb/>

flowers to her face, as it might be to hide a furtive smile, "in case my voice is <lb/>
still hoarse ?" </p>

            <p>"No, no," interposed Momus, "you must come ! So <emph rend="italic">au revoir !</emph>" </p>

            <p>"<emph rend="italic">Au revoir !</emph>" she echoed. And the brougham drove off. </p>

            <p>Some days later Momus heard from Mrs. Harriet at the Folly&#x2014;Mrs. <lb/>
               Harriet being Miss Marie's tire-woman&#x2014;that Marie was likely to resume her <lb/>
part on the very evening of the fete, and was having a new frock, very pretty <lb/>
and fantastic, in white and blue and gold, no doubt for the Olva occasion. <lb/>
At this, he decided to give her a bouquet, simple and costly ; which he <lb/>
ordered forthwith at Centifiori's. His plans were, to see the last act of <lb/>
"Cinderella" that evening, present Marie with the bouquet as she left the <lb/>
theatre, humbly begging her to bear it to Count Olva's ; then don his own <lb/>
               fancy-dress&#x2014;a clown's motley, very carefully copied from an old Italian print<lb/> 
               &#x2014;and so meet Marie at the f&#xea;te at midnight. The chief lion of the occasion, <lb/>
               it should be explained, was an African one,&#x2014;the black Prince of Xula. It <lb/>
struck him as an ingenious idea, which Marie would appreciate, that they <lb/>
should make the Prince himself the point of assignation in the crowd at <lb/>
Olva's. </p>

<p>"The Prince at midnight !" He was so pleased with the idea, that he <lb/>
kept repeating the words to himself in his excitement. </p>

            <fw type="runningHead">
               <fw type="pageNumLeft">60</fw><fw type="head">THE SAVOY</fw> 
            </fw>

<p>Finding on reflection that he would barely have time to prepare for the<lb/> 
   f&#xea;te after theatre, he decided, when the evening in question came, to attire<lb/> 
himself in advance, hide his Italian motley under his great-coat, hear a little <lb/>
of Marie's singing from the back of the first circle, and then go round and <lb/>
intercept her with his bouquet. At a little after ten-thirty, Tom Pavier <lb/>
   drove him to the "Folly"&#x2014;a box containing the precious bouquet by his side&#x2014; <lb/>
through a slow downpour of rain. The hansom drew up at the main entrance <lb/>
with a characteristic dash, just as Sinister was alighting from another cab. <lb/>
It was the hour of Marie's best song, and Momus, in his haste and excitement, <lb/>
after briefly exchanging a friendly word with Sinister, ran upstairs eagerly. <lb/>
From within, the familiar noise of the violins and oboe, playing the opening <lb/>
strains of Marie's song, reached his ears seductively. Another second, and to <lb/>
this boyish access of expectancy there ensued a cold thrill of dismay. On the <lb/>
corridor wall, a square placard, red-lettered, was fastened, which ran thus : </p>

<p><emph rend="italic">In consequence of continued indisposition, Miss Marie Barrone is again </emph><lb/>
   <emph rend="italic">unable to appear this evening. Miss Nelly Cavotte has consented to take the</emph> <lb/>
   <emph rend="italic">part of Cinderella in her unavoidable absence." </emph></p>

<p>He did not wait to see more, not having the heart to look at the stage<lb/> 
itself, where Marie's pretty figure and bright eyes usually faced him. He <lb/>
pointed out the placard to Sinister (who had followed), with a grotesque <lb/>
grimace and an indescribable air of disappointment. </p>

<p>"I wish I may die !" he began, with an hysterical little laugh. But <lb/>
Sinister, whose emotions never showed on his colourless, expressionless face, <lb/>
interposed gently : </p>

<p>"If I were you, I'd go behind and see Mrs. Harriet, my boy ! It's only a <lb/>
cold she has got. You will hear her sing on many a night to come !" <lb/>
Sinister further consoled him by seizing his arm and conducting him round <lb/>
the house until they found Mrs. Harriet, who was hastily putting on a black <lb/>
bonnet over her black curls with the aid of a cracked looking-glass, as she <lb/>
stood at the door of Miss Barrone's dressing room. She told them that <lb/>
Marie had arrived at the theatre half an hour before performance, and had had<lb/> 
an interview with the stage-manager, who had been in a rage ever since. </p>

<p>"Too bad to sing ; not too bad to dance at that what-d'ye-call it to- <lb/>
night, I know !" said Mrs. Harriet, shaking her curls. "I daresay she has a <lb/>
   cold ; but cold or not, she cares for nobody&#x2014;not she, when she takes it into <lb/>
her head !" This was all Mrs. Harriet had to say. </p>

<p>They did not wait to see the angry manager, or inquire further. Momus </p>



   <fw type="runningHead">
      <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">61</fw> 
   </fw>

<p>took the wild resolution of driving off straightway to her rooms, to make sure <lb/>
of her. So he resumed the hansom, parting with Sinister, who did not like <lb/>
these undignified flights. By this time there were other reasons for haste <lb/>
than the fact of their being late. A heavy rain began to come down with <lb/>
great determination. They careered through Palace Yard in a perfect deluge,<lb/> 
and Tom turned into the narrow street where Marie lived, half-blinded by the <lb/>
storm. But here his sense of vision might well be quickened. Under the <lb/>
rainy gas-light, one thing he saw clearly : Marie's familiar brougham ! which <lb/>
was being driven rapidly out of the turning at the other end of the street, an <lb/>
ominous brace of trunks on top. He drew up, and cried through the slit to <lb/>
Momus : </p>

   <p>"There she goes&#x2014;her blessed brougham's just turned the corner."</p> 
      <p>"Nonsense, man !" screamed Momus. " It's not&#x2014;it can't be ! Drive on <lb/>
to the door !" </p>

<p>Tom drove on, and stopped at Marie's door. Momus leapt out, and <lb/>
knocked furiously. After a delay, that seemed hours, a grimy little house- <lb/>
maid opened the door. </p>

<p>"Miss Barrone?" he cried.</p> 

<p>The maid blinked her eyes at him, and drew back : "She've gone <lb/>
aw'y, sir !" </p>

   <p>Momus could have wept. "Why, she said she would be in ;&#x2014;has she <lb/>
just gone ?" He fumbled out half-a-crown.</p> 

<p>The child, who knew him of old, smiled sagaciously. She probable- <lb/>
thought him an actor from the "Folly." "Miss Berewn didn't be at the theeayter<lb/> 

to-night&#x2014;&#x2014;" she was beginning to explain. </p>

   <p>"The devil !" ejaculated he, "I know that,&#x2014;but see ;" he put the coin in <lb/>
      her dirty little hand : "Was&#x2014;that&#x2014;her&#x2014;carriage?" </p>

   <p>She nodded reluctantly, and Momus turned and leapt back into the <lb/>
      hansom. "You're right&#x2014;'twas the brougham," he cried to Tom. "After it<lb/> 
man ! Go it, Peg !"</p> 

      <p>The hansom whirled off furiously in the direction of Whitehall, causing <lb/>
consternation there in the stream of buses and cabs. At the top of Whitehall <lb/>
Tom thought he caught a glimpse at last of the vanished brougham, and <lb/>
whipped up Peg to a still hotter pace. So following along Pall Mall, at the<lb/> 
foot of the Haymarket he made it out distinctly, halfway up that thoroughfare <lb/>
At Piccadilly Circus he was almost within hail, and Momus was chuckling as <lb/>
he saw ; when, lo ! another hansom, crossing at right angles, was surprised <lb/>
by Tom's wild and irresponsible irruption, so that the two vehicles cannoned </p>

<fw type="runningHead">
   <fw type="pageNumLeft">62</fw><fw type="head">THE SAVOY</fw> 
</fw>

<p>with astonishing effect. Peg went down as if she was shot, while the other <lb/>
horse pawed the footboard for a moment in front of Momus, and then, <lb/>
recoiling, went down in turn. Momus, for his part leapt out, slipped, pitched<lb/> 
headlong ; while his hat flew one way, the precious box with the flowers <lb/>
another, where it was hurled under Peg's lively heels, as she lay a-kicking, and<lb/> 
there speedily yielded up its little golden orchids and other rare blossoms to a <lb/>
muddy doom. It was a cruel stroke, which might have upset the quest of a <lb/>
less devoted, or a less mercurial, knight errant. But not so Momus. He still, <lb/>
in all this wreck, had his eye on the brougham, now rapidly disappearing down <lb/>
Piccadilly, all unconscious of the confusions it had wrought behind it. Mopping <lb/>
hastily the mud off his coat and doublet, picking up his volatile crush-hat, he <lb/>
hailed another hansom, and retook the pursuit, leaving Tom to his fate. As <lb/>
he was now whirled along Piccadilly, to add to his misfortunes, a drop that <lb/>
fell from somewhere on his nose, suddenly connected itself with a peculiar <lb/>
sensation in his head and hair, which, he remembered, he had first noticed <lb/>
after his fall. Putting his hand up, he found his well-arranged locks disturbed <lb/>
by a very pretty stream of crimson, which had been all this while slowly <lb/>
trickling through them, and was now combining with the mud to add a new <lb/>
and original adornment to his piebald doublet. But little he cared in his mad<lb/> 
pre-occupation, so long as he did not lose Marie too. Once, at the foot of <lb/>
Bond Street, a block of carriages cost him a profane expense of breath, but he <lb/>
had again come within hailing distance of the fugitives by the time they had <lb/>
reached the top and emerged in Oxford Street. So the pursuit was maintained <lb/>
along Oxford Street, and up Edgware Road, until the brougham turned towards <lb/>
Paddington Station. Here another small delay, caused by two passing <lb/>
omnibuses, allowed the gap between the two to widen again. However, in <lb/>
the end, Momus dashed up, just as Marie, having dismounted, was seen dis- <lb/>
appearing through the portico of the station, a dark blue travelling dress and <lb/>
a veil proving a very transparent disguise. Momus hurled himself, in his mud <lb/>
and motley, a startling figure enough, out of his hansom, and was rushing <lb/>
through after her, intent only on overtaking her, when a strong hand caught <lb/>
his arm, and stopped him violently. He wriggled and turned as if on a pivot, <lb/>
and as he did so, in turning, saw the impassive good-natured face of a <lb/>
Herculean railway policeman. </p>

<p>"Pardon, sir !" said this amiable, irresistible giant. "Afraid you are <lb/>
hurt, sir ! Not so fast !"</p> 

   <p>"Now, by all that's wicked," screamed his captive, "let me go ! See&#x2014;<lb/>
      wait&#x2014;wait ! That lady, see ! O Lord !" </p>



   <fw type="runningHead">
      <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">63</fw> 
   </fw>
   
<p>With this, Momus fainted. </p>

<p>Next day, about noon, Sinister was roused from a profound sleep, proper <lb/>
to a man who had been up till four that morning, by a loud knocking at his <lb/>
door. This door, it should be said, gave entrance to two small rooms and a <lb/>
large studio at the top of a house in Lincoln's Inn Fields. The knocking <lb/>
proved to be from the vigorous fist of Tom Pavier, who explained last night's <lb/>
pursuit, the upset, and the disappearance of our hero-in-chief after it. Finally , <lb/>
as Tom discovered at Paddington, poor Momus had been conveyed from the <lb/>
station in a state of collapse to a hospital near by. There, suffering from the <lb/>
effects of his accident in Piccadilly Circus, and the excitement of Miss Marie's <lb/>
disappearance under his very eyes, he had spent the night in a fine fever. <lb/>
Sinister lost no time now in getting into his clothes, and making his way <lb/>
there. </p>

<p>He found his friend sitting up in bed in an accident ward, between two <lb/>
much more seriously damaged fellow-patients. When Momus saw him, he <lb/>
held out his hand with a deprecatory gesture. </p>

<p>"We lost her after all, old chap !" he cried, with a half-sob, "A damned <lb/>
railway bobby collared me in the station. I must have been a pretty sight.<lb/> 
I don't know how I came here !" </p>
   <p>After a little comforting philosophy from Sinister, he grew calmer ; and <lb/>
that evening they were allowed to take him home, with one arm in bandages, <lb/>
and some sticking-plaster on his head. Indeed, his condition was not serious, <lb/>
his excitement growing less feverish. Half that night, however, Sinister sat <lb/>
by his bedside, and humoured him when he talked, still half-deliriously, of <lb/>
      following Marie&#x2014;to the world's end if need be. </p>

   <p>This idea was still dominant when Momus had recovered sufficiently to <lb/>
resume his usual ways. The very first thing he did was to set out in quest of <lb/>
Miss Marie's address, which at last he was lucky enough to procure from her <lb/>
landlady in Westminster, in consideration of a certain bribe. The address <lb/>
ran : </p>

   <p><emph rend="indent5"> "Aberduly Arms, </emph><lb/>

      <emph rend="indent6">Aberduly,</emph><lb/> 

         <emph rend="indent7">North Wales." </emph></p>

<p>Procuring next a guide to North Wales, he discovered that Aberduly was a <lb/>
rising seaside place. He discovered, moreover, what he thought significant, <lb/>
that Marie's friend, Lord Merthen, had a seat in the same county. Revolving <lb/>
these things in his inventive mind, he presently evolved a delightful scheme ; </p>


            <fw type="runningHead">
               <fw type="pageNumLeft">64</fw><fw type="head">THE SAVOY</fw> 
            </fw>
            

<p>nothing more nor less than a driving tour across country, and in the hansom <lb/>
   itself, into Wales (<emph rend="indent">&#xe0; la</emph> Jack Mytton, who was one of Momus's favourite <lb/>
heroes), ending with a descent upon Aberduly and Miss Marie. </p>

<p>It was in pursuance of this scheme, that three days later, at the impossible <lb/>
hour of seven in the morning, the early milkmen in Chelsea were startled by <lb/>
an unusual spectacle. This was the arrival at Mr. Barry's door of the hansom, <lb/>
resplendent in black and yellow, drawn tandem by Tom Pavier's mare "Peg," <lb/>
and a well-matched bay horse, while Tom himself, in an amazing suit of light <lb/>
check, a red rose in his button-hole, handled the reins to masterly effect. All <lb/>
this Momus, already up and in the act of shaving his pink cheeks, saw from <lb/>
his window ; and he found the sight inspiring. Meanwhile Tom might have <lb/>
been observed dismounting, when, having found two delighted loafers to hold his <lb/>
horses, he made his way into the house, humming the familiar hunting ditty <lb/>
from "Jack Straw" : </p>

            <lg type="stanza">
               <l><emph rend="indent5">"I hear the horn a blowin', </emph></l>
               <l><emph rend="indent5">And off they'll soon be throwin', </emph></l>
               <l><emph rend="indent5">But first of all I'm goin' </emph></l>
               <l><emph rend="indent6">To taste the hunting cup : </emph></l>
               <l><emph rend="indent5">A cup 'tis, well compounded, </emph></l>
               <l><emph rend="indent5">As I have always found it, </emph></l>
               <l><emph rend="indent5">That many a care have drownded&#x2014;</emph></l>
               <l><emph rend="indent6">But Yoicks ! the hunt is up !" </emph></l></lg>

<p>On arriving upstairs, he found a breakfast table laid for three in Barry's <lb/>
room, but as that hero did not at once appear, he threw up the window, and <lb/>
lighting a pipe, sat himself down on the window-sill. From this point of <lb/>
vantage he regarded with great satisfaction the inspiring sight below, where <lb/>
Peg and her leader stood pawing and fretting to be off, their bright harness <lb/>
and bay coats agleam in the early sun. He was still absorbed in this <lb/>
satisfying contemplation, when Momus, descending, found him there ; where-<lb/> 
upon, as Sinister delayed to appear, they proceeded to breakfast. Ere they <lb/>
finished, another hansom rattled up, and their party was complete ; and as the <lb/>
clock struck eight, they started on their journey, the hansom and its team <lb/>
deploying gracefully on the embankment, ere it went off at a smart pace <lb/>
westward. How their journey thereafter startled Oxford one day, Leamington <lb/>
another, and Shrewsbury on a third, may be better imagined than described. <lb/>
On the fourth day, however, when they had crossed the Welsh border, there <lb/>
befell a climacteric adventure which is essential to their history. </p>

<p>On that afternoon, it was a Saturday, the last in July, Tom was whipping <lb/>
up his dusty horses with every intention of reaching the village of Croeslwyd </p>



            <fw type="runningHead">
               <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">65</fw> 
            </fw>
<p>in time for dinner. There had been a great fair in the village on the day <lb/>
before, and various waggons of roundabouts, and other such rural amusements, <lb/>
met our adventurers from time to time. They had successfully passed several <lb/>
   of these vehicles&#x2014;a matter of some difficulty in a narrow country by-road&#x2014;<lb/>
when, turning a corner, Tom found before him a steep descent of a quarter of <lb/>
a mile or less, ending at a narrow bridge over a small stream in the hollow. <lb/>
Down this Tom drove, with an insufficient brake, at a somewhat exciting <lb/>
pace, and about half-way down the hill, he and his two companions were <lb/>
startled by a rattle of wheels on the opposite bank, where the road turned <lb/>
sharply and disappeared amid some trees in the middle distance. At this <lb/>
turn now suddenly appeared a descending vehicle, which in colour far outshone<lb/> 
the hansom, and in reckless speed quite equalled it. An ungainly chariot, <lb/>
   with tarnished gold and green and red decorations, and of fantastic shape&#x2014;<lb/>
evidently some part of a travelling show ! Drawn by a wildly galloping white <lb/>
horse, of a gaunt appearance, it was driven by a little rubicund man, in a grey <lb/>
overcoat, with another smaller man, in the grotesque attire and white paint of <lb/>
a circus clown, and an immense negro, clad in irreproachable black, at his <lb/>
side. Thus accoutred, the chariot-in-advance of Mr. Hopkins' "Combination <lb/>
Zoological Circus and Panopticon," dawned on our three heroes in its ungainly <lb/>
descent as a very doubtful apparition indeed. For, obviously, something had <lb/>
gone wrong. The clown was distorting his white paint by his cries, while <lb/>
the grey man tugged desperately at the reins as the caravan charged the <lb/>
bridge. Tom Pavier, for his part, as the hansom, too, neared the bottom <lb/>
of the hill, and the bridge grew imminent, waved them aside with wild <lb/>
gestures. All in vain. He might as well have waved the wayside trees out of<lb/> 
the way. </p>

<p>In another second, as the two vehicles made desperate assay together of the<lb/> 
narrow bridge, there was a frightful crash, and circus-chariot and hansom, men <lb/>
and horses, were chaos under a cloud of dust. At the collision, Tom's leader <lb/>
had swerved, broken the traces, and leapt into the stream below. Peg had <lb/>
gone down heavily, and the hansom, after a wild twirl, had fallen over on its <lb/>
side against the parapet. As for the chariot, it fell into a grotesque rattling <lb/>
ruin of plank and pasteboard, wheel and shaft, amid which the grey, white, and <lb/>
black figures of the unfortunate Mr. Hopkins, the clown, and the gentleman of <lb/>
colour, sprawled disastrously. It was not a dignified catastrophe ; as Sinister <lb/>
felt when, rescuing himself, and feeling his left arm ruefully, he looked round. <lb/>
Except the clown, however, everybody was good-humoured ; he alone fell to <lb/>
a furious vituperation of Tom Pavier, who took no notice as he first liberated </p>

            <fw type="runningHead">
               <fw type="pageNumLeft">66</fw><fw type="head">THE SAVOY</fw> 
            </fw>

<p>his hapless mare from the ruins, and got her on to her feet, and then ran to <lb/>
his other horse, which lay half in the stream below with a broken leg. </p>

<p>"What's to be done ?" he cried out to the party above. </p>

<p>Whereupon the gentleman of colour, who had been bandaging a damaged <lb/>
knee with a great unconcern, limped down from the bridge, and drew a Colt's <lb/>
revolver from his breast-pocket. This he discharged, on a nod from Tom, into <lb/>
the poor beast's brain. In other ways, and in spite of his bandaged and <lb/>
seriously damaged leg, he proved the most capable man of the six. He <lb/>
directed the operation of drawing the cracked shell of the hansom, which was<lb/> 
an irretrievable ruin, off the bridge, and then set to, to throw the ruins of the<lb/> 
circus chariot over the parapet on to the grass below. He, too, it was who <lb/>
intervened when the dispute over the rights and wrongs of the catastrophe <lb/>
had made Momus all but hysterical, and the little grey man irreligious ; and <lb/>
arranged a small transaction by which Momus paid out five yellow coins to <lb/>
the credit of the "Combination Zoological Circus and Panopticon." When, <lb/>
within an hour, Momus and Sinister were setting off as a relief party <lb/>
for Croeslwyd, to further arrange for the disposition of the wreckage, he pre- <lb/>
sented a card to Momus with some ceremony. This card Momus carefully <lb/>
treasured up for possible future use, in case he might come to require such<lb/> 
a functionary some day in some spectacular way. It was inscribed : </p>

            <p><emph rend="indent4">&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;</emph></p>

            <p><emph rend="indent5">Professor Charlie Jonson, </emph><lb/>
               <emph rend="indent6">LION-KING. </emph><lb/>
               <emph rend="indent3"> <emph rend="note">[<emph rend="italic">Hopkins' Circus.</emph>]</emph></emph> </p>


            <p><emph rend="indent4">&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;&#x2014;</emph></p>
                  
<p>Momus and Sinister made a sorry-looking couple enough as they limped <lb/>
up painfully at last to the Castle Inn. When they had repaired their costumes <lb/>
and their nerves a little under its hospitable roof, they must needs, with return- <lb/>
ing energy, fall to quarrelling over their predicament. Sinister, long-suffering <lb/>
as he was, felt mortified for once. Like other humorists, used to serving up <lb/>
other people in a comic dish, he disliked extremely to be made comic himself. <lb/>
A hundred times he confounded himself for having given the fates that make for <lb/>
ridicule such an absurd opportunity. As it was, his precious top-hat, smashed <lb/>
out of all dignity, that had barely served to cover his head on the way from <lb/>
the scene of accident, might well serve as a symbol of his state of mind </p>



   <fw type="runningHead">
      <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">67</fw> 
   </fw>

<p>Momus was unfeeling enough to chuckle over it as he played a dusty tattoo <lb/>
with his fingers on its indented crown. This was the finishing stroke. When <lb/>
now Momus went on to carol forth, with provoking light-heartedness, a <lb/>
favourite stave from "Cinderella" : </p>
            
            <lg type="stanza">
               <l><emph rend="indent5">"The world is full of girls, I know,</emph></l> 
               <l><emph rend="indent5">But only one's the perfect girl, </emph></l>
               <l><emph rend="indent5">To set the sorry world aglow </emph></l>
               <l><emph rend="indent5">With a laughing eye and a golden curl&#x2014; </emph></l>
               <l><emph rend="indent7">Ah, Cinderella !"</emph></l></lg>

<p>Sinister lost patience altogether. </p>

<p>"Damn Cinderella !" he exclaimed, and announced with some spleen that <lb/>
he did not mean to go on any further with the adventure ; in fact, he proposed <lb/>
to go back to town forthwith. Momus scorned the idea. The late catastrophe <lb/>
had only served to excite him, and his blood was up. </p>

<p>"Do as you like !" he said, with a certain impudence of tone, and a <lb/>
characteristic grimace and roll of the head, "I'm going on !" And he sang <lb/>
again, turning Sinister's unfortunate hat over contemptuously on the table :</p>
            <lg type="stanza">
               <l><emph rend="indent5">"With a laughing eye and a golden curl&#x2014;</emph></l>
               <l><emph rend="indent7">Ah, Cinderella !" </emph></l></lg>

<p>When Tom arrived at the Castle Inn, a couple of hours later, conveyed <lb/>
thither, together with sundry relics of the hansom, in an old chaise which had <lb/>
been sent after him, behind which the hapless Peg painfully limped, it was to <lb/>
find Sinister alone. Momus had disappeared, incontinently gone on to Aber- <lb/>
duly, without a doubt. Sinister was still sulky ; for the idea of a Sunday alone <lb/>
with Tom in this uninspiring inn did not tend to restore his equanimity. As <lb/>
   for the rest of the actors lately figuring on the highway&#x2014;the circus proprietor <lb/>
   and his two collaborateurs&#x2014;they had gone off in an opposite direction, to <lb/>
appear no more in these pages. </p>

<p>Sunday broke dull and wet, to add to Sinister's disgust and ennui, and <lb/>
his bruised shoulder had grown painful. But there was no possible escape,<lb/> 
and his only solace lay in an old punch-bowl, which Tom had discovered and <lb/>
filled. But even this proved unsatisfying, and both were in the depths of <lb/>
a profound boredom, listening to the melancholy drip of the rain, when as the <lb/>
clock struck ten, the sound of a horse's hoofs without announced a late <lb/>
arrival. </p>

<p>A few seconds more, and in walked Momus, streaming from the rain. <lb/>
His usual jaunty step was stiff, and his face, beneath its round comic lines, had <lb/>
an expression of utter weariness. </p>



            <fw type="runningHead">
               <fw type="pageNumLeft">68</fw><fw type="head">THE SAVOY</fw> 
            </fw>

<p>"You'd be tired if you were me !" he said, as they exclaimed at his plight. <lb/>
"I've ridden fifty miles in the rain, on a beast bewitched, since breakfast !"</p>

<p>Since his knowledge of the horse as a beast of burden had been confined <lb/>
hitherto to that gained inside a London hansom, this ride of Momus might, in <lb/>
fact, be considered a remarkable performance. </p>

<p>"Oh, poor Momus ! Give him some punch !" cried Sinister. </p>

<p>Tom administered a rousing tumbler, and they set the exhausted hero to <lb/>
steam by the fire. </p>

<p>The ride was, in truth, only one of many singular incidents through which<lb/> 
fate had been educating him since he left this room and Sinister yesterday. <lb/>
While he sat there, with the consciousness that his two companions were <lb/>
waiting to hear his story, these incidents revived themselves, and formed a <lb/>
fantastic jumble in his head. As he had gone out singing, with "Ah <lb/>
Cinderella !" for refrain, unabashed by accident, still following fast on the<lb/> 
heels of romance ; so he had kept his way to the end, though the fates declared <lb/>
against him at every turn. He had taken train, the train was blocked for an <lb/>
hour. That delay over, he had hired a pony for the next stage of his journey, <lb/>
although he did not know how to ride. The pony, in turn, proved an in- <lb/>
corrigible malingerer, and deceived its perplexed rider by pretending to go <lb/>
dead lame. Then, hating walking, Momus had walked ten miles, along moun- <lb/>
tain roads and through mountain solitudes, which, sublime as they really were,<lb/> 
seemed to him only dreary. Thus that fate which, he had been used to <lb/>
say, had learnt something of humour at last from observing his antics, had<lb/> 
played pranks with him all the way, without breaking for a moment his <lb/>
romantic spirit of adventure. He went through with his romance, it must be <lb/>
owned, in a more than comic heroism. It came to an end at last, however, <lb/>
when he reached on the previous evening the "Aberduly Arms," a huge and <lb/>
preposterous modern erection on the seashore at Aberduly, once one of <lb/>
the shyest watering-places on the Welsh coast. At the "Aberduly Arms," <lb/>
you may find, if you will, the famous, the lyrical and loquacious, Mr. John <lb/>
Jones, proprietor of the establishment, formerly, as everyone knows, the <lb/>
leading tenor in the "Imperial English Comic Opera Company," in which, <lb/>
as Momus could not fail to remember, Miss Marie Barrone had made her <lb/>
debut in the provinces some years before the time of our story. </p>

<p>The first thing that caught Momus's eye, in fact, in the entrance-hall of <lb/>
the hotel, was a great red-and-blue placard, announcing "A Grand Concert," <lb/>
in the Aberduly Assembly Rooms, on the following evening. On this poster, <lb/>
the name of the distinguished Mr. John Jones figured conspicuously in large </p>



            <fw type="runningHead">
               <fw type="head2">A ROMANCE OF THREE FOOLS</fw> <fw type="pageNumRight">69</fw> 
            </fw>

<p>red capitals. In still larger blue letters, betokening an even greater musical <lb/>
   fame, was blazoned forth a name that gave Momus a thrill,&#x2014;the name of MISS <lb/>
   MARIE BARRONE : <emph rend="italic">The Celebrated London Soprano, from the Folly Theatre! ! </emph></p>
            <p><emph rend="indent2">*&#160;&#160;*&#160;&#160;*&#160;&#160;*&#160;&#160;*&#160;&#160;*&#160;&#160;*</emph></p>



<p>It was a copy of this poster which Momus, recollecting himself as he <lb/>
sipped his punch, while Sinister and Tom Pavier looked on inquiringly, drew<lb/> 
from his pocket. As he unfolded it, he smiled ruefully. </p>

<p>"I've got a little tale to tell you !" he said ; "but first of all I want you<lb/> 
   to drink the health of&#x2014;&#x2014; " </p>

<p>"Mrs. Momus !" promptly interrupted Tom Pavier, rising and preparing<lb/> 
to drink the toast with unselfish fervour. </p>

<p>But Momus shook his head, and smiled a significant smile. </p>

<p>"Lady Merthen !" said Sinister, then, in his turn, with an accent of <lb/>
inevitable conviction, as he caught up his glass. </p>

<p>"No !" said Momus with a grimace, "Mrs. John Jones !" </p>

   <p><emph rend="indent6"><ref target="#ERH">ERNEST RHYS.</ref></emph></p> 

               
      </body>
   </text>
</TEI>
