Yellow Nineties 2.0 The Savoy, Volume III.—July 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV3_7toc-combined</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons</editor> <author>Unknown</author> <title>Literary Contents Leonard Smithers London W.C. July 1896 "Table of Contents." The Savoy, vol. 3 July 1896, p. 9-11. Savoy Digital Edition, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv3-toc/

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 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Paratext Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
LITERARY CONTENTS

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EDITORIAL NOTE       .       .       .        .       .        .       .        .       .        .        7 ANTHONY GARSTIN'S COURTSHIP.   A Story by HUBERT CRACKAN-         THORPE        .       .        .       .        .       .        .       .        .       .        .       15 BRETON AFTERNOON.   A Poem by ERNEST DOWSON       .       .        .        .     40 WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE         COMEDY.                 I. His Opinions upon Art.   (The First of Three Articles by                          W. B. YEATS      .        .        .        .        .       .       .       .        .       41 IN CARNIVAL.  A Poem by ARTHUR SYMONS        .         .        .         .        .      58 THE CLOWN.   A Story by ROMAN MATHIEU-WIERZBINSKI      .       .        .         59 O'SULLIVAN RUA TO MARY LAVELL.  A Poem by W.B. YEATS        .       .        67 FRIEDRICH NIETZSCHE—II.   (The Second of Three Articles by         HAVELOCK ELLIS        .        .       .       .       .        .       .        .        .        .   68 FROM THE "IGNEZ DE CASTRO" OF ANTONIO FERREIRA.         Translated into English Verse by EDGAR PRESTAGE        .       .       .       .    82 BERTHA AT THE FAIR.   A Sketch        .        .        .        .       .        .       .     86 THE BALLAD OF A BARBER.   A Poem by AUBREY BEARDSLEY       .        .        91 THE SIMPLIFICATION OF LIFE.   An Essay by EDWARD CARPENTER       .        94 THE FUTURE PHENOMENON.   A Prose Poem translated from the         French of STÉPHANE MALLARMÉ by GEORGE MOORE       .        .        .          139 A LITERARY CAUSERIE:—On Some Novels, chiefly French.   By ARTHUR         SYMONS       .        .       .        .       .        .       .        .       .        .        .       100 NOTE        .        .       .        .       .        .       .        .       .        .       .        .       103

ART CONTENTS

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COVER       .       .       Designed by AUBREY BEARDSLEY        .       .        .           1 TITLE PAGE       .       .       Designed by AUBREY BEARDSLEY        .         .          5 THE STONE BATH.   A Lithograph by CHARLES H. SHANNON         .        .         13 THE PASSING OF DANTE AND VIRGIL THROUGH THE         PORTICO OF HELL.   After an unpublished Water-Colour Drawing by           WILLIAM BLAKE       .        .       .        .       .        .       .        .       .           43 FRANCESCA AND PAOLO.   After the rare Engraving by WILLIAM BLAKE          47 ANGRY SPIRITS FIGHTING IN THE WATERS OF THE STYX.         After an unpublished Water-Colour Drawing by WILLIAM BLAKE        .        51 ANTAEUS SETTING VIRGIL AND DANTE UPON THE VERGE OF         COCYTUS   After an unpublished Water-Colour Drawing by WILLIAM           BLAKE       .        .       .       .        .       .        .       .        .       .        .       55 CARICATURE OF ARTHUR ROBERTS.  A Wood-Engraving after the         Drawing by MAX BEERBOHM .       .        .        .       .        .       .        .       65 THE COIFFING.   After a Pen-and-Ink Drawing by AUBREY BEARDSLEY             90 A CUL-DE-LAMPE    After a Pen-and-Ink Drawing by AUBREY BEARDSLEY        93       The Whole of the Reproductions in this Volume, in line and half-tone blocks, and the                                       Wood Engraving, are by MR. PAUL NAUMANN.