Yellow Nineties 2.0 The Savoy, Volume II.—April 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV2_7toc-combined</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons</editor> <author>Unknown</author> <title>Literary Contents Leonard Smithers London W.C. April 1896 "Table of Contents." The Savoy, vol. 2 April 1896, pp. 7-9. Savoy Digital Edition, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv2-toc/

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 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Paratext Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
LITERARY CONTENTS

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EDITORIAL NOTE       .       .       .       .       .        .       .        .       .        .        5 A MAD SAINT.   An Article by CESARE LOMBROSO (translated by Havelock         Ellis       .       .       .       .       .        .       .        .       .        .        .       .      13 NEW YEAR'S EVE.   A Poem by ARTHUR SYMONS       .       .        .        .          25 A MERE MAN.   By a NEW WRITER      .        .        .        .        .       .        .      26 SAINT-GERMAIN-EN-LAYE.   A Poem by ERNEST DOWSON        .         .          55 ROSA ALCHEMICA.  A Story by W. B. YEATS       .       .        .       .       .           56 FRIEDRICH NIETZSCHE—I.   An Article by HAVELOCK ELLIS        .       .           79 THE FORGE.  A Poem by JOHN GRAY    .       .        .        .       .        .       .         97 THE DETERIORATION OF NANCY.   A Story by  FREDERICK         WEDMORE        .        .       .       .       .        .       .        .        .        .           99 TWO POEMS CONCERNING PEASANT VISIONARIES —A Cradle         Song: "The Valley of the Black Pig."   By W.B YEATS        .       .       .       .         109 PAUL VERLAINE.         I.—A First Sight of Verlaine.   By EDMUND GOSSE        .        .        .       .        113        II.—Verlaine in 1894.   By W. B. YEATS       .        .        .        .       .        .       117       III.—My Visit to London.   By PAUL VERLAINE (translated by Arthur       Symons)       .        .        .        .       .        .       .        .       .        .       .        119 THE LOVE OF THE POOR.   A Poem by LEILA MACDONALD (illustrated)       .     139 PAGES FROM THE LIFE OF LUCY NEWCOME.   A Story by         ARTHUR SYMONS       .        .       .       .        .       .        .       .        .          147 THE TRUANT'S HOLIDAY   A Poem by SELWYN IMAGE         .       .        .        163 ON THE KIND OF FICTION CALLED MORBID.   An Essay by         VINCENT O'SULLIVAN     .        .       .        .       .        .       .        .       .      167 COUNTESS MARIE OF THE ANGELS.   A Story by ERNEST DOWSON        .       173 UNDER THE HILL.   A Romantic Story by AUBREY BEARDSLEY         (Chapter IV., illustrated by the Author       .        .       .        .       .        .        187 PUBLISHER'S NOTE        .       .        .       .        .       .        .       .        .         197

ART CONTENTS

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COVER       .       .       Designed by AUBREY BEARDSLEY        .       .        .           — TITLE PAGE       .       .       Designed by AUBREY BEARDSLEY        .        .       .   3 SALT WATER.   A Lithograph by CHARLES H. SHANNON      .       .       .       .     11 CLASSIC LONDON.   After a Pen-and-Ink Drawing by JOSEPH PENNELL      .       23 PORTRAIT OF MRS. STERNER.   After a Pencil Drawing by ALBERT         E. STERNER        .       .        .       .        .       .        .       .        .       .          53 THREE VISIONS.  After Pen-and-Ink Drawings by WILLIAM T. HORTON        .    71 THE BACCHANTES   After a Water-Colour Drawing by PH. CARESME       .        95 THE RAPE OF THE LOCK.  After a Pen-and-Ink Drawing by AUBREY         BEARDSLEY    .       .        .        .       .        .       .        .       .        .       .    111 THE DIVE.   A Lithograph by CHARLES H. SHANNON        .        .       .       .      137 A VIGNETTE    By WM. T. HORTON        .        .       .       .        .       .        .     139 A CUL-DE-LAMPE    By WM. T. HORTON        .        .       .        .       .        .     144 THE RIALTO, VENICE.   After a Pen-and-Ink Drawing by WALTER         SICKERT      .       .       .        .       .       .        .       .        .       .        .      145 CARICATURE OF AUBREY BEARDSLEY.   A Wood-Engraving after         the Drawing by MAX BEERBOHM       .        .        .        .       .        .       .    161 TWO LADIES.   After an Oil-Painting by WILL ROTHENSTEIN       .        .          165 THE MERMAID'S CAVE.   By J. LEMMEN       .        .       .       .        .       .     171 A FOOTNOTE.   After Pen-and-Ink Drawings by AUBREY BEARDSLEY    .           185 THE ASCENSION OF SAINT ROSE OF LIMA.          After Pen-and-Ink Drawings by AUBREY BEARDSLEY    .       .       .            189 FOR THE THIRD TABLEAU OF "DAS RHEINGOLD"          After Pen-and-Ink Drawings by AUBREY BEARDSLEY    .       .       .            193 COVER OF NO. 1 OF "THE SAVOY"           After Pen-and-Ink Drawings by AUBREY BEARDSLEY    .       .       .        .     199 COVER OF NO. 2 OF THE "SAVOY"           After Pen-and-Ink Drawings by AUBREY BEARDSLEY    .       .       .        .     201       The Whole of the Reproductions in this Volume, in line and half-tone blocks, and the                                          Wood Engraving, are by MR. PAUL NAUMANN.