<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Yellow Nineties 2.0</title>
<title>The Savoy</title>
<title type="Savoyv2_macdonald_poor"/>
<editor>Lorraine Janzen Kooistra</editor>
</titleStmt>
<editionStmt>
<edition>
<date>2019</date>
</edition>
</editionStmt>
<publicationStmt>
<idno>SAVOYV2_32po</idno>

<publisher>Yellow Nineties 2.0</publisher>
<pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
<address>
<addrLine>English Department</addrLine>
<addrLine>350 Victoria Street,</addrLine>
<addrLine>Toronto ON,</addrLine>
<addrLine>M5B 2K3</addrLine>
<addrLine>Canada</addrLine>
</address>
<availability>
<p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                        Non-commercial Share-alike</ref>.</p>
</availability>
</publicationStmt>
<sourceDesc>
<biblStruct>
<monogr>
<editor>Symons, Arthur</editor>
<author>Macdonald, Leila</author>
<title level="j">The Savoy</title>
<imprint>
<publisher>L. Smythers</publisher>
<pubPlace>London</pubPlace>
<date>April 1896</date>
    <biblScope>MacDonald, Leila. "The Love of the Poor." <emph rend="italic">The Savoy</emph>, vol. 2 April 1896, pp. 139-144. <emph rend="italic">Savoy Digital Edition</emph>,
        edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv2-macdonald-love-poor/</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<p>Our editorial method is informed by social-text editing principles. By “text” we mean
verbal and visual printed material, including non-referential physical elements such as
bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
processes that have specific manifestations at precise historical moments.
The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
siècle aesthetic periodicals, together with paratexts of production and reception such as
cover designs, advertising materials, and reviews. This historical material is enhanced
by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
contributors and associates; and critical introductions to each title and volume by
experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
reviewed by them and/or an international board of advisors. The site as a whole is peer-
reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
Scholarship). Contributors to the site retain personal copyright in their material. The
site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
license. Both primary and secondary materials, including all visual images, are marked
up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
Language). To ensure maximum flexibility for users, magazines are available on the site
as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
downloading and collecting; and in XML for those who wish to review and/or adapt our
tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
completed and Phase Two (2016-2021) is underway.</p>
</editorialDecl>
</encodingDesc>
<profileDesc>
<creation>
<date>1896</date>
</creation>
<langUsage>
<language ident="en">English</language>
</langUsage>
<textClass>
<keywords scheme="#lcsh">
<list>
<item>English literature -- 19th century -- Periodicals</item>
<item>Great Britain -- Periodicals</item>
</list>
</keywords>
<keywords scheme="ninesGenre">
<list>
<item>Fiction</item>
<note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
"Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
(intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
"Travel Writing," "Music, Other,")
<!--Add items as necessary. Remove items not used.-->
</note>
</list>
</keywords>

<keywords scheme="ninesType">
<list>
<item>Periodical</item>
<note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
prospecti)</note>
<!-- only choose one item-->
</list>
</keywords>

<keywords scheme="ninesDiscipline">
<list>
<item>Book History</item>
<item>Literature</item>
<note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
"Musicology," "Philosophy," "Anthropology," "Science"</note>
<!--Add items as necessary. Remove items not used.-->
</list>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<text>
<body>
<div n="SAVOYV2_32po" type="prose">
<head>
<title level="a"><emph rend="bold">THE LOVE OF THE POOR</emph></title></head>
<div type="drama">
<castList>
<head><emph rend="note">PERSONAGES</emph></head>
<lb/>
<castItem>
<role>The Old Man.</role><lb/>
</castItem>
<castItem>
<role>The Old Woman.</role><lb/>
</castItem>
<castItem>
<role>The Soul of their Dead Child.</role><lb/>
</castItem>
</castList>
<div n="SAVOYV2_32po" type="scene">
<p>SCENE.&#x2014; <stage type="setting"><emph rend="italics">The interior of a small cottage, almost devoid of furniture. Two <lb/>
                        chairs drawn tip to a fireless grate. Time : twilight.</emph></stage></p>
<p><stage type="entrance"> THE OLD WOMAN <emph rend="italics"> enters, walking feebly, carrying a few twigs.</emph></stage></p>
<sp>
<p>
<emph rend="italics">The Old Woman.</emph><lb/>
                    FAR, far have I wandered in my search for wood. <lb/>
                My arms are stiff, my eyes are dim <lb/>
                From cold and want of food. <lb/>
                But soon dear God will give us help, <lb/>
                I know that God is good. 
                </p>
</sp>
<sp>
<p><emph rend="italics">The Soul of the Dead Child.</emph> Yes, God is good.</p>
</sp>
<sp>
<p><emph rend="italics">The Old Woman.</emph> My foolish brain seems all to reel,</p>
</sp>

<fw type="runningHead">
<fw type="pageNumLeft">140</fw><fw type="head">THE SAVOY</fw>
</fw>

<sp>
<p>And voices murmur in my head ; <lb/>
                I could have sworn to baby's voice, <lb/>
                And yet I know our babe is dead. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph> Yes, mother, she is dead. </emph></p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  Tis strange how lately when my heart has failed, </emph><lb/>
                When life has seemed too hard for folks like me, <lb/>
                A little voice has murmured in my ear, <lb/>
                And whispered comfort for the days to be. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph> Yes, comfort for the days to be ;</emph><lb/>
                Such joys as you have never known, <lb/>
                The songs of all the angel choir, <lb/>
                The sight of God upon His throne. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  I know we must not hope for joys in heaven,</emph>
<lb/>
                To whom on earth no room to live is given. <lb/>
                If God will grant me but His leave to rest. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph>  God will bestow whatever He thinks best.</emph>
</p>
</sp>

<p><stage type="entrance"> THE OLD MAN  <emph rend="italics"> totters into the room.</emph></stage></p>

<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  My dear, they mocked me in the village street,</emph>
<lb/>
                The little boys threw stones and dogged my feet, <lb/>
                The baker laughed, and turned me from his door. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph>  So shall God turn Him from his cry for grace. </emph></p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  There was no soul would give me resting-place.</emph>
</p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  Then we must die, dear heart,</emph>
<lb/>
And hand in hand <lb/>
Seek out the passage to the pleasant land. <lb/>
                As we have lived and toiled, so let us die. <lb/>
                I could not close my weary eyes, <lb/>
                Unless I knew you by. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man. <stage type="gesture"/>[Sits down, and supporting his head with both hands, speaks</emph></emph>
<lb/>
<emph rend="indent2"><emph rend="italics">in a shrill, weak voice, smiling.]</emph> I mind me, wife, when we were young</emph>
<lb/>
                And green and fresh as yonder hills, <lb/>
                The fields and woods we strolled among <lb/>
                Knew more of grief and human ills <lb/>
                Than we poor children dreamed or knew, <lb/>
                When you loved me and I loved you. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman. <stage type="gesture">[Sitting likewise, and smiling to herself.]</stage></emph> Do you mind,</emph>
<lb/>
<emph rend="indent2">James, of one brave day you kissed me in the wheat?</emph></p>
</sp>

<fw type="runningHead">
<fw type="head2">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;THE LOVE OF THE POOR </fw><fw type="pageNumRight">141</fw>
</fw>

<sp>
<p>I was afraid the folks would guess, as I walked up the street. <lb/>
                I felt a trembling in my voice, a glistening in my eyes. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  I never yet had kissed a maid who showed such sweet</emph><lb/>
<emph rend="indent2">surprise. </emph><lb/>
                And do you mind this little house, when I brought you home that day <lb/>
                They made us one within the church, and sent us on our way? </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  The honeysuckle was in bloom about the cottage door.</emph><lb/>
                Ah ! it was fine to be in love, we cared not we were poor. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph> I bring to mind we knelt that night, and prayed dear God </emph><lb/>
to bless ; <lb/>
And as we knelt and prayed to Him, we wept for happiness.</p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  Ah ! husband mine, we were so young, how could such </emph><lb/>
<emph rend="indent2">children tell </emph><lb/>
                God has no time to save the rich and love the poor as well ? <lb/>
                Such sinful, humble folk as we, and of such little store, <lb/>
                It were but vain and proud to think God coilld recall us more. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph>  As lilies shining in the woods at night, </emph><lb/>
                As diamonds glittering in a crown, <lb/>
                More radiant and more full of light, <lb/>
                When God shall bring the mighty down, <lb/>
                And set the humble in their place, <lb/>
                The suffering poor shall know His grace. </p>
</sp>
<sp>
<p><emph rend="italics"><emph rend="indent">The Old Man. <stage type="gesture"/>[Passing his hands over his eyes, and staring doubtfully</emph>
<lb/>
<emph rend="indent2"> about the room.]I hear a voice that thrills with love,</emph>
</emph><lb/>
                A voice like the voice of a child </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  A voice like the voice of our child.</emph>
<lb/>
                But she is an angel singing above — <lb/>
<stage type="gesture"><emph rend="indent2">[Bursting into tears.</emph></stage>
<lb/>
                My arms that ache with longing, <lb/>
                My eyes that are lost in tears. <lb/>
Oh ! child, my child, come back to me, <lb/>
                Give me the love you loved with me, <lb/>
                Give back the happy years. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  Hush, hush, my wife, we must obey God's will.</emph>
<lb/>
                We know our little child is happier on His breast.<lb/> 
                Think, think, my dear, if she were with us still, <lb/>
                She would be hungry, too. Yes, wife, God's ways are best. <lb/>
                He knows that we can bear the hunger and the cold : </p>
</sp>

<fw type="runningHead">
<fw type="pageNumLeft">142</fw><fw type="head">THE SAVOY</fw>
</fw>

<sp>
<p>For patience comes with poverty, as comfort to the old. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>
<stage type="gesture"><emph rend="italics">[Still weeping softly</emph>.]</stage></emph> The days were never long to me, 
when she played at my feet ; <lb/>
                The food was never poor to me, while I could see her eat ; <lb/>
                The pains seemed never hard to me that brought her from the womb ; <lb/>
                But life is long and poor and hard since she is in the tomb. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Soul.</emph>  Courage, mother, courage, father, God is on your side :</emph><lb/>
                Seek for help, and seek it bravely, He shall be your guide. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  A voice within me whispers, "Courage, try again."</emph><lb/>
                The world is cruel, but not so cruel as to delight in pain. <lb/>
                I will tell of our hunger, our age, our empty grate, <lb/>
                Wife, the world shall bring you help before it is too late. </p>
</sp>

<p>
<emph rend="italics"><emph rend="indent2"><stage type="exit">He gets up, lays his hand comfortingly on her shoulder, and goes out.</stage></emph>
<lb/>
<emph rend="indent3"><stage type="technical">The room slowly darkens.</stage>
<stage type="gesture">The old woman remains sitting motion-</stage></emph><lb/>
<emph rend="indent3">less, sometimes stretching out her hands towards ttie grate, as</emph><lb/>
<emph rend="indent3">though to warm them.</emph></emph></p>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  My head swims, my heart pants, my hands are cramped</emph><lb/>
<emph rend="indent2">with cold.</emph></p>
<p>Will one be warm and young in heaven, or always poor and old ? <lb/>
                I am tired, tired of life, and the misery that remains ; <lb/>
                Tired of the many struggles, tired of the many pains. </p>
</sp>

<p><emph rend="italics"><stage type="gesture"><emph rend="indent2">[Her head falls forward on her breast, and she seems to sleep.</emph></stage><stage type="entrance"/> The</emph><lb/>
<emph rend="indent3"> SOUL OF THE DEAD CHILD <emph rend="italics">comes forward, a shadowy figure</emph></emph>
<lb/>
<emph rend="italics"><emph rend="indent3">swathed in gray, and kisses her on theforeliead.</emph><lb/>
<emph rend="indent3"><stage type="technical">Then there passes</stage></emph>
<lb/>
<emph rend="indent3">slowly through the room the vision of a woman holding to her breast</emph>
<lb/>
<emph rend="indent3">a young child.<stage type="gesture"> The child claps its hands, and laughs.</stage></emph></emph>
</p>
<sp>
<p>
<emph rend="indent"><emph rend="italics">The Old Woman. <stage type="gesture">[Holding out her arms.]</stage></emph> Baby, dear, I see you, baby,</emph><lb/>
<emph rend="indent2">come to me.</emph>
<lb/>
                Baby, mother calls you, calls you to her knee. </p>
</sp>
<p><emph rend="indent2"><emph rend="italics"><stage type="technical">[The vision passes slowly towards her.</stage></emph><stage type="gesture"/>The OLD WOMAN <emph rend="italics">laughs, and,</emph></emph><lb/>
<emph rend="italics"><emph rend="indent3">clasping her arms to her breast, rocks backwards and forwards,</emph>
<lb/>
<emph rend="indent3">and sings in a quavering voice.</emph></emph></p>
<lg type="stanza">
<l>Down a down, down a down,</l>
<l> Sleep, sleepy head. </l>
<l> White satin gown </l>
<l>For baby's warm bed. </l>
<l> Down a down, down a down, </l>
</lg>

<fw type="runningHead">
<fw type="head2">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;THE LOVE OF THE POOR </fw><fw type="pageNumRight">143</fw>
</fw>
<lg type="stanza">
<l>Wake sleepy eyes, </l>
<l>Red satin gown </l>
<l> For baby's surprise. </l>
</lg>
<p><emph rend="indent2"><emph rend="italics"><stage type="technical">[The vision passes slowly away.</stage><stage type="gesture"/> The </emph> SOUL OF THE DEAD CHILD <emph rend="italics">once</emph></emph>
<lb/>
<emph rend="indent3"><emph rend="italics"> more appears, and kisses the </emph>OLD WOMAN <emph rend="italics">on the forehead.</emph></emph></p>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman. <stage type="gesture">[Raising her luad with a start.]</stage></emph> Oh ! how happily I</emph>
<lb/>
<emph rend="indent2"> dreamed.</emph>
<lb/>
                Baby nestled to my breast ; <lb/>
                All my pain and weakness seemed <lb/>
                Turned to happiness and rest. </p>
</sp>
<p><stage type="entrance">
<emph rend="indent"><emph rend="italics">The </emph>OLD MAN <emph rend="italics">comes in very slowly, and going up to the </emph>OLD WOMAN </emph><lb/>
<emph rend="indent6"><emph rend="italics">takes her hand in his.</emph></emph></stage>
</p>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.</emph>  My dear, I cast aside our pride, my pride and the pride of</emph><lb/>
<emph rend="indent2">my wife,</emph><lb/>
                The pride of honest workers, honest workers all our life. <lb/>
                I went to the workhouse master, and I stood before his door, <lb/>
                I said to him, I am old and ill, my wife and I are poor, <lb/>
We have toiled and saved for many years, and saved and toiled again, 
But cruel times and want of work have made our toil in vain. <lb/>
                We have no fire within our grate, no food within our door, <lb/>
                And I have come to beg the last sad refuge of the poor. </p>

<p><emph rend="indent6"><emph rend="italics"><stage type="gesture">[He pauses, and covers his face with his hands.</stage></emph></emph>
<lb/>
                But he said, I cannot take you both, together you cannot be, <lb/>
                She must go to the women's ward, and you must remain with me. </p>

<p><emph rend="italics"><emph rend="indent2"><stage type="gesture"/>[He throws his arms round tier, and breaks into weak, tremulous</emph>
<lb/>
<emph rend="indent3">sobs.</emph></emph>
And I must leave you, oh, my wife ! <lb/>
                Through all this weary, toiling life, <lb/>
                By night and day, and day and night, <lb/>
You were my joy, my one delight. <lb/>
                As children, hid among the wheat, <lb/>
                We kissed, and whispered, love was sweet ; <lb/>
                As bride and bridegroom in our bed, <lb/>
                We thanked our God that we were wed : <lb/>
We heard our little girl's first cry, <lb/>
                And in my arms you watched her die ; </p>
</sp>

<fw type="runningHead">
<fw type="pageNumLeft">144</fw><fw type="head">THE SAVOY</fw>
</fw>
<sp>
<p>
We wept together by her tomb. <lb/>
And turned to our childless home. <lb/>
Our heads have whitened on our way, <lb/>
Our joys are gone, our sorrows stay. <lb/>
But now our time is nearly spent, <lb/>
We may not sit in quiet content, <lb/>
Breathe out in peace our feeble breath, <lb/>
Beneath the kindly hand of Death, <lb/>
And so, together, hand in hand, <lb/>
    Journey towards the happy land. <emph rend="italics"><emph rend="indent8">[He sinks down feebly at her feet.</emph></emph>
</p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Woman.</emph>  Nay, do not grieve, my dear, we will not part :</emph>
<lb/>
                No stranger's hand shall close our tired eyes ; <lb/>
                Together we will wait Death's hand upon our heart, <lb/>
    Together we will wake to heaven's glad surprise. </p>
</sp>
<sp>
<p><emph rend="indent"><emph rend="italics">The Old Man.<stage type="gesture">[In a weak voice.]</stage></emph> Kiss me, sweetheart, the blades of corn</emph>
<lb/>
<emph rend="indent2">are high,</emph><lb/> 
And not a soul can see of all the passers by. </p>
</sp>
<p><emph rend="italics"><emph rend="indent2"><stage type="gesture">
[He stretches out his arms to her, and she, leaning forward, kisses him.</stage></emph>
<lb/>
<emph rend="indent3"> A long silence. Their breathing gets shorter and shorter, and</emph>
<lb/>
<emph rend="indent3">finally ceases. The</emph></emph> SOUL OF THE DEAD CHILD,<emph rend="italics"> coming forward,<lb/>
<emph rend="indent3">closes their eyes gently, and kisses them on the forehead.</emph></emph>
</p>
<p><emph rend="indent6">&#160;&#160;&#160;&#160;&#160;<ref target="#LMA">LEILA MACDONALD.</ref></emph></p>
</div>
</div>
</div>
</body>
</text>
</TEI>
