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<title>The Savoy, Volume 2.&#8212;April 1896</title>
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<title>Countess Marie of the Angels</title>
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<date>April 1896</date>
               <biblScope>Dowson, Ernest. "Countess Marie of the Angels." <emph rend="italic">The Savoy</emph>, vol. 2 April 1896, pp. 173-183. <emph rend="italic">Savoy Digital Edition</emph>, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv2-dowson-countess/</biblScope>
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<div n="SAVOYV2_41pr" type="fiction">

<head>
<title level="a"><emph rend="bold"><emph rend="indent3">COUNTESS MARIE OF THE 
               ANGELS </emph></emph></title>
</head>
<p>
<emph rend="indent7"/>&#192; JEAN DE TINAN</p>

<p><emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;I</emph></p>
<p>
<emph rend="indent"/>AS he turned out of his hotel in the Avenue de l'Op&#233;ra, com- <lb/>
               paratively obscure at that hour, and emerged into the <emph rend="italic">grands</emph>
<lb/>
<emph rend="italic">boulevards</emph>, Paris flashed upon him, all at once, her brightest <lb/>
               illumination : row upon row of lamps tapering away in a <lb/>
               double file to meet in a single point of light far away in the <lb/>
               direction of the Place de la R&#233;publique. &#160;If it was winter by <lb/>
               the calendar, the languid mellowness of a fine autumn lingered in the air. The <lb/>
               Boulevard des Italiens was massed with wayfarers, sauntering, lounging with <lb/>
               aimless and amiable nonchalance, while a gay Sunday crowd monopolized <lb/>
               all the little tables outside the small and large caf&#233;s. <lb/></p>
<p>
<emph rend="indent"/>Colonel Mallory searched for a vacant place at one of them, then aban- <lb/>
               doned the search and moved slowly along, joining the rest of the throng with <lb/> 
               steps as aimless, but with sentiments somewhat remote from theirs. <lb/></p>
<p>
<emph rend="indent"/>Fifty, perhaps, of middle stature, his white moustache was in striking <lb/>
               contrast with his short, crisp hair which had retained its original darkness. <lb/>
               Obviously English, with his keen, blue eyes ; obviously a soldier too, in gait <lb/>
               and bearing, and in a certain sternness which comes of command, of high <lb/>
               responsibility in perilous places, even when that command is kindly. &#160;An <lb/>
               Anglo-Indian, to judge by his complexion, and the lines, tell-tale of the tropics, <lb/>
               which scored his long, lean face, the colour of parchment. &#160;Less obviously <lb/>
               English, and hardly military, was a certain grace, almost exotic, in his manner. <lb/>
               He had emerged into the Boulevard Montmartre before a caf&#233;, less frequented <lb/>
               than the others, caught his eye, and with a certain relief he could possess him- <lb/>
               self of a vacant chair on the <foreign xml:lang="fr"><emph rend="italic">terrasse</emph></foreign>. &#160;He ordered a drink, lit a cigar, and <lb/>
               settled himself to watch with an interest which was not so much present as <lb/>
               retrospective, the crowd of passers-by. &#160;And as he watched his eyes softened <lb/>
               into sadness. <lb/></p>

<fw type="runningHead">
<fw type="pageNumLeft">174</fw> &#160;&#160;&#160;<fw type="head">THE SAVOY</fw>
</fw>

<p>
<emph rend="indent"/>He had arrived from England that morning&#x2014;he had not so very long <lb/>
               arrived from India&#x2014;and this crowd, these lights, the hard, bright gaiety of the <lb/>
               boulevards was at once fantastically strange to him and strangely familiar ; <lb/>
               for, twenty, or was it nearer thirty years ago, Paris had been to him not merely <lb/>
               the city of cities, but that one of them which most represented old associations, <lb/>
               his adolescence, boyhood, childhood. &#160;True, there had been Les Rochers, the <lb/>
               dilapidated ch&#226;teau, half ruin to his recollection, and now wholly a ruin, or <lb/>
               perhaps demolished&#x2014;Les Rochers in the Vend&#233;e, where he had been born, <lb/>
               where he had spent his summer holidays, where&#x2014;how many years ago ?&#x2014;being <lb/>
               at home on leave, just after he had obtained his company, he had closed the <lb/>
               eyes of his mother. <lb/></p>
<p>
<emph rend="indent"/>But Paris ! &#160;It was his best remembered boyhood ; the interrupted studies <lb/>
               in the Quartier, the Lycee, the boyish friendships, long since obliterated, the <lb/>
               days of <foreign xml:lang="fr"><emph rend="italic">cong&#233;</emph></foreign> spent in the little hotel in the Rue de Varennes, where, more <lb/>
               often than at Les Rochers, his mother, on her perpetual couch, economized her <lb/>
               delicate days&#x2014;days even then so clearly defined&#x2014;as it were in an half twilight. <lb/>
               Yes, until death and estrangement and the stern hand of circumstance had <lb/>
               cast away that old life into the limbo of the dear irrevocable, that old life had <lb/>
               been&#x2014;Paris ! &#160;Episodes the rest : the occasional visits to the relations of his <lb/>
               English father ; and later, episodes too, London, murky London, the days at <lb/>
               Wren&#8217;s, the month or so with an army-coach at Bonn, the course at Woolwich ; <lb/>
               almost episodical too the first year of his soldiering. &#160;Quartered at Dover, what <lb/>
               leave fell to him, he had spent in Paris&#x2014;at Les Rochers sometimes, but more <lb/>
               often at Paris&#x2014;in those strangely silent rooms in the Rue de Varennes. <lb/></p>
<p>
<emph rend="indent"/>Looking out now, the phantasmagoria of the boulevards was obliterated <lb/>
               and those old days floated up before him. &#160;Long before Woolwich : that time <lb/>
               when he was a Lyc&#233;en, in the winter holidays. &#160;A vision so distinct ! &#160;His <lb/>
               mother's <foreign xml:lang="fr"><emph rend="italic">salon</emph></foreign>, the ancient, withered furniture, the faded silk of the Louis XV. <lb/>
               chairs, the worn carpet : his mother&#8217;s refined and suffering face, the quaint <lb/>
               bird-like features of the two old Mesdemoiselles de la Touche&#x2014;the near <lb/>
               neighbours of his mother and the most intimate gossips round her couch&#x2014;two <lb/>
               ancient sisters, very noble and very withered, dating from Charles X., absorbed <lb/>
               in good works, in the merits of their confessor, and in the exile of Frohsdorf. <lb/>
               Very shadowy figures, more shadowy even than that of himself, in the trim <lb/>
               uniform of his Lyc&#233;e ; a grave and rather silent boy, saddened by the twilight <lb/>
               of that house, the atmosphere of his invalid mother. <lb/></p>
<p>
<emph rend="indent"/>More distinct was the dainty figure of a little girl, a child of fifteen, but <lb/>
               seeming younger, united to him by a certain cousinship, remote enough to be <lb/></p>

<fw type="runningHead">
<fw type="head2">COUNTESS MARIE OF THE ANGELS</fw>;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;175
               </fw>
<p>
               valued, who, on her days of exit from the Sacr&#233; C&#339;ur (his mother&#8217;s constant <lb/>
               visitor), talked with him sedately, softly&#x2014;for there was a sort of hush always <lb/>
               in that house&#x2014;in an alcove of the sombre room. &#160;This child with her fragility, <lb/>
               her face of a youthful Madonna, the decorous plaits in which her silken hair <lb/>
               was gathered, losing thereby some of its lustre&#x2014;the child seemed incongruous <lb/>
               with and somewhat crushed and awed beneath the weight of her sonorous <lb/>
               names : Marie-Joseph-Ang&#232;le de la Tour de Boiserie. <lb/></p>
<p>
<emph rend="indent"/>What did they converse of on those long and really isolated afternoons&#x2014; <lb/>
               isolated, for their elders, if they were present, and their presence overshadowed <lb/>
               them, were really so remote, with their lives in the past, in lost things ; their <lb/>
               so little hold on, or care of, the future ? <lb/></p>
<p>
<emph rend="indent"/>But these were young, and if some of the freshness of youth had been <lb/>
               sacrificed a little to what was oppressive in their surroundings, yet they were <lb/>
               young things, with certain common interests, and a future before them, if not <lb/>
               of boundless possibilities, still a future. <lb/></p>
<p>
<emph rend="indent"/>Yet it was hardly of love which they could speak, though their kindness <lb/>
               for each other, fostered by somewhat similar conditions, had ripened into that <lb/>
               feeling. &#160;Of love there could be no question : for Sebastian Mallory, as for <lb/>
               his little companion, their life, as it should be, had been already somewhat <lb/>
               arranged. &#160;For Ang&#232;le, had not the iron-featured old grandmother, in her <lb/>
               stately but penurious retreat near Les Rochers, resolved long ago that the <lb/>
               shattered fortunes of a great house, so poor in all but name, were to be <lb/>
               retrieved by a rich marriage ? &#160;And for Sebastian, was not all hope of fortune <lb/>
               centred in his adhesion to the plan which had so long been made for him : <lb/>
               the course at Woolwich, the military career&#x2014;with its prosperous probabilities <lb/>
               beneath the protection of an influential relative&#x2014;the exile, as it sometimes <lb/>
               seemed to him then, in England ?&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;. <lb/></p>
<p>
<emph rend="indent"/>Certainly, there was much affection between these two, an affection <lb/>
               maintained on the strength of the ambiguous cousinship, in a correspondence, <lb/>
               scanty, but on each side sincere, for at least a few years after their roads had <lb/>
               diverged. &#160;And there were other memories, later and more poignant, and as <lb/>
               distinct, which surged up before his eyes ; and the actual life of the boulevards <lb/>
               grew vaguer. &#160;Had life been too much arranged for them ? Had it been <lb/>
               happier, perhaps, for him, for her, if they had been less acquiescent to <lb/>
               circumstance, had interpreted duty, necessity&#x2014;words early familiar to them&#x2014; <lb/>
               more leniently ? <lb/></p>
<p>
<emph rend="indent"/>Colonel Mallory, at fifty, with his prosperous life behind him&#x2014;and it had <lb/>
               not been without its meed of glory&#x2014;wondered to-night whether, after all, it <lb/></p>

<fw type="runningHead">
<fw type="pageNumLeft">176</fw> &#160;&#160;&#160;<fw type="head">THE SAVOY</fw>
</fw>

<p>
               had not been with prophetic foresight, that once, writing, in a sudden mood of <lb/>
               despondency, more frankly than usual, to that charming friend of his boyhood, <lb/>
               he had said, years ago : <lb/></p>
<p>
<emph rend="indent"/>&#8220;<emph rend="italic">I feel all this is a mistake</emph> ;&#8221; and, lower down in the same letter : <lb/>
               &#8220;<emph rend="italic">Paris haunts me like a regret. &#160;I feel, as we say here, &#2037;out of it.&#8217; And I fear </emph><lb/>
<emph rend="italic">I shall never make a good soldier. &#160;Not that I mean that I am lacking in </emph><lb/>
<emph rend="italic">physical courage, nor that I should disgrace myself under fire. &#160;But there is a </emph><lb/>
<emph rend="italic">difference between that and possession of the military vocation, and nature never </emph><lb/>
<emph rend="italic">designed me to be a man of action.&#160;&#160;.&#160;&#160;.&#160;&#160;.&#160;My mother, you, yourself, my dear, </emph><lb/>
<emph rend="italic">grave cousin and councillor, think much of duty, and I shall always endeavour to </emph><lb/>
<emph rend="italic">do mine&#x2014;as circumstances have set it down for me&#x2014;but there is a duty one owes </emph><lb/>
<emph rend="italic">to oneself, to one&#8217;s character, and in that, perhaps, I have failed!&#8221; </emph><lb/></p>
<p>
<emph rend="indent"/>A letter, dated &#8220;Simla,&#8221; the last he would ever write to Mademoiselle de <lb/>
               la Tour de Boiserie, actually, at that time, though of this fact he was ignorant, <lb/>
               betrothed to a certain Comte Raoul des Anges. &#160;The news of the marriage <lb/>
               reached him months later, just fresh from the excitement and tumult of a <lb/>
               little border war, from which he had returned with a name already associated <lb/>
               with gallantry, and a somewhat ugly wound from a Pathan spear. <lb/></p>
<p>
<emph rend="indent"/>In hospital, in the long nights and days, in the grievous heats, he had <lb/>
               leisure for thought, and it is to be presumed he exercised it in a more strict <lb/>
               analysis of his feelings, and it was certainly from this date that a somewhat <lb/>
               stern reticence and reserve, which had always characterized his manner, <lb/>
               became ingrained and inveterate. <lb/></p>
<p>
<emph rend="indent"/>And it was reticently, incidentally, and with little obvious feeling that he <lb/>
               touched on the news in a letter to his mother : <lb/></p>
<p>
<emph rend="indent"/><foreign xml:lang="fr"><emph rend="italic">Et ce M. des Anges, dont je ne connais que le nom, est-il digne de notre</emph></foreign><lb/>
<emph rend="italic"><foreign xml:lang="fr">enfant ?</foreign> &#160;His name at least is propitious.&#160;Tell <foreign xml:lang="fr">la petite cousine</foreign>&#x2014;or tell her not,</emph><lb/>
<emph rend="italic">as you think fit, that to me she will always be &#2037;Marie of the Angels.&#8217;&#160;&#8221; </emph><lb/></p>
<lb/>
<p>
<emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;II</emph></p>
<p>
<emph rend="indent"/>That had seemed the end of it, of their vaguely tender and now so <lb/>
               incongruous relation ; as it was inevitably the end of their correspondence. <lb/>
               And he set himself, buoyed up by a certain vein of austerity in his nature, to <lb/>
               conquer that instinctive distaste which, from time to time, still exercised him <lb/>
               towards his profession, to throw himself into its practice and theory, if not <lb/>
               with ardour, at least with an earnestness that was its creditable imitation. <lb/>
               And in due time he reaped his reward.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;. <lb/></p>

<fw type="runningHead">
<fw type="head2">COUNTESS MARIE OF THE ANGELS</fw>;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;177
               </fw>

<p>
<emph rend="indent"/>But there was another memory&#x2014;for the past will so very rarely bury its <lb/>
               dead&#x2014;a memory intense and incandescent, and, for all its bitterness, one which <lb/>
               he could ill have spared. <lb/></p>
<p>
<emph rend="indent"/>That was five years later : invalided home, on a long leave, with a fine <lb/>
               aroma of distinction attaching to him, it was after the funeral of his mother, <lb/>
               after all the sad and wearisome arrangements for the disposition of Les <lb/>
               Rochers that Colonel&#x2014;then Captain&#x2014;Mallory heard in Paris the loud and <lb/>
               scandalous rumours which were associated with the figure of the Comte Raoul <lb/>
               des Anges. &#160;There was pity mingled with the contempt with which his name <lb/>
               was more often mentioned, for the man was young&#x2014;it was his redeeming <lb/>
               feature&#x2014;but an <foreign xml:lang="fr"><emph rend="italic">insens&#233;</emph></foreign> ! &#160;It was weakness of character (some whispered <lb/>
               weakness of intellect) and not natural vice : so the world spoke most frequently. <lb/>
               But his head had been turned, it had not been strong enough to support the <lb/>
               sudden weight of his immense fortune. &#160;A great name and a colossal fortune, <lb/>
               and (<foreign xml:lang="fr"><emph rend="italic">bon gar&#231;on</emph></foreign> though he was) the intelligence of a rabbit ! <lb/></p>
<p>
<emph rend="indent"/>In Paris, to go no further, is there not a whole army of the shrewd, the <lb/>
               needy, and the plausible, ready to exploit such a conjunction ? &#160;And to this <lb/>
               army of well-dressed pimps and parasites, Raoul had been an easy victim. <lb/>
               The great name had been dragged in the mire, the colossal fortune was <lb/>
               rapidly evaporating in the same direction, what was left of the little <lb/>
               intelligence was debased and ruined. &#160;A marriage too early, before the lad had <lb/>
               time to collect himself, for old Madame des Anges had kept him very tight, <lb/>
               perhaps that had been largely responsible for the collapse. &#160;And it was said the <lb/>
               Comtesse des Anges was little congenial, a prude, at least a <foreign xml:lang="fr"><emph rend="italic">d&#233;vote</emph></foreign>, who could <lb/>
               hardly be expected to manage <foreign xml:lang="fr"><emph rend="italic">ce pauvre Raoul</emph></foreign>. She was little known in Paris. <lb/>
               They were separated of course, had been for a year or more ; she was living <lb/>
               with her baby, very quietly, in some old house, which belonged to her family, <lb/>
               at Sceaux&#x2014;or was it at Fontenay-aux-Roses ?&#x2014;on the remnants of her own <lb/>
               fortune. <lb/></p>
<p>
<emph rend="indent"/>All this, and much more, Mallory heard in club and in caf&#233; during that <lb/>
               memorable sojourn in Paris. &#160;He said nothing, but he raged inwardly ; and <lb/>
               one day, moved by an immense impulse of pity and tenderness, he went down <lb/>
               to Fontenay-aux-Roses, to visit Madame des Anges. <lb/></p>
<p>
<emph rend="indent"/>His visit was only for a week ; that was the memory which he could not <lb/>
               spare, and which was yet so surpassingly bitter. &#160;He had stopped at Sceaux, <lb/>
               at an unpretending inn, but each day he had walked over to Fontenay, and <lb/>
               each day had spent many hours with her, chiefly in the old-fashioned garden <lb/>
               which surrounded her house. &#160;She had changed, but she had always the same <lb/></p>

<fw type="runningHead">
<fw type="pageNumLeft">178</fw> &#160;&#160;&#160;<fw type="head">THE SAVOY</fw>
</fw>

<p>
               indefinable charm for him ; and the virginal purity of her noble beauty, <lb/>
               marriage had not assailed, if it had saddened. &#160;And if, at first, she was a little <lb/>
               strange, gradually the recollection of their old alliance, her consciousness of <lb/>
               the profundity of his kindness for her, melted the ice of their estrangement. <lb/></p>
<p>
<emph rend="indent"/>At last she spoke to him freely, though it had needed no speech of hers <lb/>
               for him to discern that she was a woman who had suffered ; and in the light <lb/>
               of her great unhappiness, he only then saw all that she was to him, and how <lb/>
               much he himself had suffered. <lb/></p>
<p>
<emph rend="indent"/>They were very much alone. &#160;It was late in the year ; the gay crowd of <lb/>
               the <foreign xml:lang="fr"><emph rend="italic">endimanch&#233;s</emph></foreign> had long ceased to make their weekly pilgrimages to the <lb/>
               enchanting suburbs which surround Paris with a veritable garden of delight ; <lb/>
               and the smart villas on the hill-side, at Sceaux and Fontenay, were shut up <lb/>
               and abandoned to caretakers. &#160;So that Captain Mallory could visit the <lb/>
               Ch&#226;let des Rosiers without exciting undue remark, or remark that was to be <lb/>
               accounted. <lb/></p>
<p>
<emph rend="indent"/>And one afternoon, as was inevitable, the flood-gates were broken down, <lb/>
               and their two souls looked one another in the face. &#160;But if, for one <lb/>
               moment, she abandoned herself, weeping pitiably on his shoulders, carried <lb/>
               away, terrified almost by the vehemence of his passion ; for the volcanoes, <lb/>
               which were hidden beneath the fine crust of his reticence, his self-restraint, <lb/>
               she had but dimly suspected ; it was only for a moment. &#160;The reaction was <lb/>
               swift and bitter ; her whole life, her education, her tradition, were stronger <lb/>
               than his protestations, stronger than their love, their extreme sympathy, <lb/>
               stronger than her misery. &#160;And before she had answered him&#x2014;calm now, <lb/>
               although the tears were in her voice&#x2014;he knew instinctively that she was once <lb/>
               more far away from him, that she was not heeding his arguments, that what <lb/>
               he had proposed was impossible ; life was too strong for them. &#160;&#8220;Leave me, <lb/>
               my friend, my good and old friend ! I was wrong&#x2014;God forgive me&#x2014;even to <lb/>
               listen to you ! &#160;The one thing you can do to help me, the one thing I ask of <lb/>
               you, for the sake of our old kindness, is&#x2014;to leave me.&#8220; <lb/></p>
<p>
<emph rend="indent"/>He had obeyed her, for the compassion, with which his love was mingled, <lb/>
               had purged passion in him of its baser concomitants. &#160;And when the next <lb/>
               day he had called, hardly knowing himself the object of his visit, but ready, if <lb/>
               she still so willed it, that it should be a final one, she had not received him.&#160;&#160;.&#160;&#160;.&#160;&#160;. <lb/>
               He was once more in India, when a packet of his old letters to her, some of <lb/>
               them in a quite boyish handwriting, were returned to him. &#160;That she had <lb/>
               kept them at all touched him strangely ; that she should have returned them <lb/>
               now gave him a very clear and cruel vision of how ruthlessly she would <lb/></p>

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<p>
               expiate the most momentary deviation from her terrible sense of duty. &#160;And <lb/>
               the tide of his tenderness rose higher ; and with his tenderness, from time to <lb/>
               time, a certain hope, a hope which he tried to suppress, as being somewhat of <lb/>
               a l&#226;chet&#233;, began to be mingled. <lb/></p>
<lb/>
<p><emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;III</emph></p>
<p>
<emph rend="indent"/>&#8220;<emph rend="italic">Paris haunts me like a regret !&#8221;</emph> That old phrase, in his last letter to <lb/>
               Mademoiselle de la Tour de Boiserie, returned to him with irony, as he sat on <lb/>
               the boulevard, and he smiled sadly, for the charm of Paris seemed to him <lb/>
               now like a long disused habit. &#160;Yet, after all, had he given reminiscence a <lb/>
               chance ? &#160;For it was hardly Paris of the <emph rend="italic">grands boulevards</emph>, with its crude <lb/>
               illumination, its hard brilliancy, its cosmopolitan life of strangers and <lb/>
               sojourners, which his regret had implied. &#160;The Paris of his memories, the <lb/>
               other more intimate Paris, from the Faubourg Saint Germain to the quarter <lb/>
               of ancient, intricate streets behind the Panth&#233;on :&#x2014;there was time to visit <lb/>
               that, to wander vaguely in the fine evening, and recall the old landmarks, if it <lb/>
               was hardly the hour to call on Madame des Anges. <lb/></p>
<p>
<emph rend="indent"/>He dined at an adjacent restaurant, hastily, for time had slipped by <lb/>
               him&#x2014;then hailed a cab, which he dismissed at the Louvre, for, after the <lb/>
               lassitude of his meditation, a feverish impulse to walk had seized him. &#160;He <lb/>
               traversed the Place de Carrousel, that stateliest of all squares, now gaunt and <lb/>
               cold and bare, in its white brilliance of electricity, crossed the bridge, and then <lb/>
               striking along the Quai, found himself almost instinctively turning into the <lb/>
               Rue du Bac. &#160;Before a certain number he came to a halt, and stood gazing <lb/>
               up at the inexpressive windows.&#160;&#160;.&#160;&#160;.&#160;&#160;. <lb/></p>
<p>
<emph rend="indent"/>More than a year ago that which he had dimly hoped, and had hated <lb/>
               himself for hoping, had befallen. &#160;The paralytic imbecile, who had dragged <lb/>
               out an apology for a life, which at its very best would hardly have been <lb/>
               missed, and which had been for fifteen years a burden to himself and others, <lb/>
               the Comte Raoul des Anges, that gilded calf of a season, whose scandalous <lb/>
               fame had long since been forgotten, was gathered to his forefathers. &#160;That <lb/>
               news reached Colonel Mallory in India, and mechanically, and with no very <lb/>
               definite object in his mind, yet with a distinct sense that this course was an <lb/>
               inevitable corollary, he had handed in his papers. &#160;But some nine months <lb/>
               later, when, relieved of his command, and gazetted as no longer of Her <lb/>
               Majesty's service, he was once more in possession of his freedom, it was a <lb/>
               very different man to that youthful one who had made such broken and <lb/>
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               impassioned utterances in the garden of the Chalet des Rosiers, who ultimately <lb/>
               embarked in England. <lb/></p>
<p>
<emph rend="indent"/>The life, the service, for which he had retained, to the last, something of <lb/>
               his old aversion, for which he had possessed, however well he had acquitted <lb/>
               himself, perhaps little real capacity : all that had left its mark on him. He <lb/>
               had looked on the face of Death, and affronted him so often, had missed him <lb/>
               so narrowly, had seen him amid bloodshed and the clash of arms, and, with <lb/>
               the same equanimity, in times of peace, when, yet more terribly, his angel, <lb/>
               Cholera, devastated whole companies in a night, that life had come to have <lb/>
               few terrors for him, and less importance. <lb/></p>
<p>
<emph rend="indent"/>Yet what was left of the old Sebastian Mallory was his abiding memory, <lb/>
               a continual sense (as it were of a spiritual presence cheering and supporting <lb/>
               him) of the one woman whom he had loved, whom he still loved, if not with <lb/>
               his youth&#8217;s original ardour, yet with a great tenderness and pity, partaking of <lb/>
               the nature of the theological charity. <lb/></p>
<p>
<emph rend="indent"/>&#8220;Marie of the Angels,&#8221; as he had once in whimsical sadness called her. <lb/>
               Yes ! &#160;He could feel now, after all those years of separation, that she had been <lb/>
               to him in some sort a genius actually <emph rend="italic">angelic</emph>, affording him just that salutary <lb/>
               ideal, which a man needs, to carry him honourably, or, at least, without too <lb/>
               much self-disgust, through the miry ways of life. &#160;And that was why, past fifty, <lb/>
               a grim, kindly, soldierly man, he had given up soldiering and returned to find <lb/>
               her. &#160;That was why he stood now in the Rue du Bac&#x2014;for it was from there, <lb/>
               on hearing of his intention, she had addressed him&#x2014;gazing up in a senti- <lb/>
               mentality almost boyish, at those blank, unlit windows. <lb/></p>
<lb/>
<p><emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;IV</emph></p>
<p>
<emph rend="indent"/>Those windows, so cold and irresponsive, he could explain, when, return- <lb/>
               ing to his hotel, he found a note from her. &#160;It was dated from the Ch&#226;let des <lb/>
               Rosiers. &#160;She was so little in Paris, that she had thoughts of letting her house ; <lb/>
               but, to meet an old and valued friend, she would gladly have awaited him there <lb/>
               &#x2014;only, her daughter (she was still at the Sacr&#233; C&#339;ur, although it was her last <lb/>
               term) had been ailing. &#160;Paris did not agree with the child, and, perforce, she <lb/>
               had been obliged to go down to Fontenay to prepare for her reception. &#160;There, <lb/>
               at any time, was it necessary to say it ? &#160;she would be glad, oh, so glad, to <lb/>
               receive him ! &#160;There was sincerity in this letter, which spoke of other things, of <lb/>
               his life, and his great success&#x2014;had she not read of him in the papers ? There <lb/>
               was affection, too, between the somewhat formal lines, reticent but real ; <lb/></p>

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<p>
               so much was plain to him. &#160;But the little note struck chill to him ; it caused <lb/>
               him to spend a night more troubled and painful than was his wont&#x2014;for <lb/>
               he slept as a rule the sleep of the old campaigner, and his trouble was <lb/>
               the greater because of his growing suspicion, that, after all, the note which <lb/>
               Madame des Anges had struck was the true one, for both of them ; that <lb/>
               a response to it in any other key would be factitious, and that his pilgrimage <lb/>
               was a self-deception. &#160;And this impression was only heightened when, on the <lb/>
               morrow, he made his way to the station of the Luxembourg, which had been <lb/>
               erected long since his day, when the facilities of travel were less frequent, and <lb/>
               took his ticket for Fontenay. &#160;So many thousand miles he had come to <lb/>
               see her, and already a certain vague terror of his approaching interview was <lb/>
               invading him. &#160;Ah ! if it had been Paris !&#160;&#160;.&#160;&#160;.&#160;&#160;.&#160;&#160;But here, at Fontenay-aux- <lb/>
               Roses there was no fortunate omen. &#160;It represented no common memories, <lb/>
               but rather their separate lives and histories, except, indeed, for one brief and <lb/>
               unhappy moment which could hardly be called propitious.&#160;&#160;.&#160;&#160;.&#160;&#160;. <lb/></p>
<p>
<emph rend="indent"/>Yet it was a really kind and friendly reception which she gave him ; and <lb/>
               his heart went out to her, when, after <foreign xml:lang="fr"><emph rend="italic">d&#233;jeuner</emph></foreign>, they talked of quite trivial <lb/>
               things, and he sat watching her, her fine hands folded in her lap, in the little <lb/>
               faded <foreign xml:lang="fr"><emph rend="italic">salon</emph></foreign>, which smelt of flowers. &#160;She had always her noble charm, <lb/>
               and something of her old beauty, although that was but the pale ghost of <lb/>
               what it had once been, and her soft hair, upon which she wore no insincere <lb/>
               symbols of widowhood, was but little streaked with gray. &#160;She had proposed <lb/>
               a stroll in the garden, where a few of its famed roses still lingered, but he made <lb/>
               a quick gesture of refusal, and a slight flush, which suffused her pale face, told <lb/>
               him that she comprehended his instinctive reluctance. <lb/></p>
<p>
<emph rend="indent"/>He fell into a brooding reverie, from which, presently, she softly inter- <lb/>
               rupted him. <lb/></p>
<p>
<emph rend="indent"/>&#8220;You look remote and sad,&#8221; she murmured; &#8220;that is wrong&#x2014;the sad- <lb/>
               ness ! &#160;It is a pleasant day, this, for me, and I had hoped it would be the same <lb/>
               for you too.&#8221; <lb/>
<emph rend="indent"/>&#8220;I was thinking, thinking,&#8221; he said,&#x2014;&#8220;that I have always missed my <lb/>
               happiness.&#8221; <lb/>
<emph rend="indent"/>Then abruptly, before she could interrupt him, rising and standing before <lb/>
               her, his head a little bowed : <lb/>
<emph rend="indent"/>&#8220;It is late in the day, but, Ang&#232;le, will you marry me ?&#8221; <lb/>
<emph rend="indent"/>She was silent for a few minutes, gazing steadily with her calm and <lb/>
               melancholy gaze into his eyes, which presently avoided it. Then she <lb/>
               said : <lb/></p>

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<p>
<emph rend="indent"/>&#8220;I was afraid that some such notion was in your mind. &#160;Yet I am not <lb/>
               sorry you have spoken, for it gives me an opportunity,&#x2014;an occasion of being <lb/>
               quite sincere with you, of reasoning.&#8221;<lb/>
<emph rend="indent"/>&#8220;Oh, I am very reasonable,&#8221; he said, sadly. <lb/>
<emph rend="indent"/>&#8220;Yes,&#8221; she threw back, quickly. &#160;&#8220;And that is why I can speak. &#160;No,&#8221; <lb/>
               she went on, after a moment, &#8220;there is no need to reason with you. &#160;My dear <lb/>
               old friend, you see yourself as clearly as I do,&#x2014;examine your heart honestly <lb/>
               &#x2014;you had no real faith in your project, you knew that it was impossible.&#8221; <lb/>
<emph rend="indent"/>He made no attempt to contradict her. <lb/>
<emph rend="indent"/>&#8220;You may be right,&#8221; he said ; &#8220;yes, very likely, you are right. &#160;There is <lb/>
               a season for all things, for one's happiness as for the rest, and missing it once, <lb/>
               one misses it for ever.&#160;&#160;.&#160;&#160;.&#160;&#160;.&#160;&#160;But if things had been different. &#160;Oh, Ang&#232;le, I <lb/>
               have loved you very well !&#8221; <lb/>
<emph rend="indent"/>She rose in her turn, made a step towards him, and there were tears in her <lb/>
               eyes. <lb/>
<emph rend="indent"/>&#8220;My good and kind old friend ! &#160;Believe me, I know it, I have always <lb/>
               known it. &#160;How much it has helped me&#x2014;through what dark and difficult days <lb/>
               &#x2014;I can say that now : the knowledge of how you felt, how loyal and staunch <lb/>
               you were. &#160;You were never far away, even in India ; and only once it hurt <lb/>
               me.&#8221; &#160;She broke off abruptly, as with a sudden transition of thought ; she <lb/>
               caught hold of both his hands, and, unresistingly, he followed her into the <lb/>
               garden. &#160;&#8220;I will not have you take away any bitter memories of this place,&#8221; <lb/>
               she said, with a smile. &#160;&#8220;Here, where you once made a great mistake, I should <lb/>
               like to have a recantation from your own lips, to hear that you are glad, <lb/>
               grateful, to have escaped a great madness, a certain misery.&#8221; <lb/>
<emph rend="indent"/>&#8220;There are some miseries which are like happiness.&#8221; <lb/>
<emph rend="indent"/>&#8220;There are some renunciations which are better than happiness.&#8221; <lb/>
<emph rend="indent"/>After a while he resumed, reluctantly : <lb/>
<emph rend="indent"/>&#8220;You are different to other women, you always knew best the needs of <lb/>
               your own life. I see now that you would have been miserable.&#8221; <lb/>
<emph rend="indent"/>&#8220;And you ?&#8221; she asked, quickly. <lb/>
<emph rend="indent"/>&#8220;I may think your ideal of conduct too high, too hard for poor human <lb/>
               flesh. &#160;I dare not say you are wrong.&#160;&#160;.&#160;&#160;.&#160;&#160;.&#160;&#160;But, no, to have known always that <lb/>
               I had been the cause of your failing in that ideal, of lowering yourself in your <lb/>
               own eyes&#x2014;that would not have been happiness.&#8221; <lb/>
<emph rend="indent"/>&#8220;That was what I wanted,&#8221; she said, quickly. <lb/>
<emph rend="indent"/>Later, as he was leaving her&#x2014;and there had been only vague talk of any <lb/>
               further meeting&#x2014;he said, suddenly : <lb/></p>

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<p>
<emph rend="indent"/>&#8220;I hate to think of your days here ; they stretch out with a sort of gray- <lb/>
               ness. &#160;How will you live ?&#8221; <lb/>
<emph rend="indent"/>&#8220;You forget I have my child, Ursule,&#8221; she said. &#160;&#8220;She must necessarily <lb/>
               occupy me very much now that she is leaving the convent. &#160;And you&#x2014;you <lb/>
               have&#x2014;&#x2014;&#8221; <lb/>
<emph rend="indent"/>&#8220;I have given up my profession.&#8221; <lb/>
<emph rend="indent"/>&#8220;Yes, so much I knew. &#160;But you have inherited an estate, have you not?" <lb/>
<emph rend="indent"/>&#8220;My uncle&#8217;s place. &#160;Yes, I have Beauchamp. &#160;I suppose I shall live there. <lb/>
               I believe it has been very much neglected.&#8221; <lb/>
<emph rend="indent"/>&#8220;Yes, that is right. &#160;There is always something to do. &#160;I shall like to <lb/>
               think of you as a model landlord.&#8221; <lb/>
<emph rend="indent"/>&#8220;Think of me rather as a model friend,&#8221; he said, bowing to kiss her hand <lb/>
               as he said good-bye to her. <lb/></p>
<p>
<emph rend="indent7"/><ref target="#EDO">Ernest Dowson</ref>. </p>
<p>
<emph rend="indent"/><emph rend="italic">Paris&#x2014;Pont-Aven, 1896.</emph>
</p>
</div>
</body>
</text>
</TEI>
