<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Yellow Nineties 2.0</title>
<title>The Savoy, Volume I.&#8212;January 1896</title>
<title type="savoyv1_yeats_binding"/>
<editor>Lorraine Janzen Kooistra</editor>
</titleStmt>
<editionStmt>
<p>
<date>2019</date>
</p>
</editionStmt>
<publicationStmt>
<idno>SAVOYV1_40pr</idno>
<publisher>Yellow Nineties 2.0</publisher>
<pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
<address>
<addrLine>English Department</addrLine>
<addrLine>350 Victoria Street,</addrLine>
<addrLine>Toronto ON,</addrLine>
<addrLine>M5B 2K3</addrLine>
<addrLine>Canada</addrLine>
</address>
<availability>
<p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                  Non-commercial Share-alike</ref>.</p>
</availability>
</publicationStmt>
<sourceDesc>
<biblStruct>
<monogr>
<editor>Arthur Symons</editor>
<author>W. B. Yeats</author>
<title>The Binding of the Hair</title>
<imprint>
<publisher>Leonard Smithers</publisher>
<pubPlace>London W.C.</pubPlace>
<date>January 1896</date>
         <biblScope>Yeats, W. B. "The Binding of the Hair." <emph rend="italic">The Savoy</emph>, vol. 1 January 1896, pp. 135-138. <emph rend="italic">Savoy Digital Edition</emph>, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv1-yeats-binding/</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway.</p>
</editorialDecl>
</encodingDesc>
<profileDesc>
<creation>
<date>1896</date>
</creation>
<langUsage>
<language ident="en">English</language>
</langUsage>
<textClass>
<keywords scheme="#lcsh">
<list>
<item>English literature -- 19th century -- Periodicals</item>
<item>Great Britain -- Periodicals</item>
</list>
</keywords>
<keywords scheme="ninesGenre">
<list>
<item>Fiction</item>
<note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                     "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                     "Travel Writing," "Music, Other,")
                     <!--Add items as necessary. Remove items not used.-->
</note>
</list>
</keywords>

<keywords scheme="ninesType">
<list>
<item>Periodical</item>
<note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                     biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                     prospecti)</note>
<!-- only choose one item-->
</list>
</keywords>

<keywords scheme="ninesDiscipline">
<list>
<item>Book History</item>
<item>Literature</item>
<note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
                     "Musicology," "Philosophy," "Anthropology," "Science"</note>
<!--Add items as necessary. Remove items not used.-->
</list>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<text>
<body>
<div n="SAVOYV1_16pr" type="fiction">
<head>
<title level="a">&#160;&#160;&#160;THE BINDING OF THE HAIR </title>
</head>

<p>THE men-at-arms of the young queen Dectira, and of the old and foolish <lb/>
         king Lua, had lighted a line of fires from Bulben to the sea and set <lb/>
         watchmen by every fire ; and built a long house with skin-covered wattles<lb/> 
         for the assembly, and smaller houses to sleep in, and dug round them a deep <lb/>
         ditch, close to the place where the Lis of the Blindman was built in later <lb/>
         times; and now they sat in the long house waiting the attack of the clans <lb/>
         coming down from the plain of Ith, and listened to the bard Aodh, who <lb/>
         recited a battle-tale of the wars of Heber and Heremon. The tale was <lb/>
         written upon thin slips of wood, which the bard held before him like a fan, <lb/>
         grasping them above the brazen pivot, and only laid down when he would <lb/>
         take up the five-stringed cruit from the ground at his feet and chaunt hastily, <lb/>
         and with vehement gesture, one of the many lyrics woven into the more <lb/>
         massive measure of the tale. Though the bard was famous, the old <lb/>
         and foolish king did not listen, but leaned his head upon the central<lb/> 
         pillar and snored fitfully in a wine-heavy sleep ; but the young queen<lb/> 
         sat among her women, straight and still like a white candle, and listened <lb/>
         as though there was no tale in the world but this one, for the enchantment <lb/>
         of his dreamy voice was in her ears; the enchantment of his changing <lb/>
         history in her memory : how he would live now in the Raths of kings, <lb/>
         now alone in the great forest ; how rumour held him of the race of the bard<lb/> 
         for whom the tribes of Heber and Heremon cast lots at the making of the <lb/>
         world ; how, despite the grey hairs mingling before their time with the dark<lb/> 
         of his beard, he was blown hither and thither by love and anger ; how, <lb/>
         according to his mood, he would fly now from one man and with blanched <lb/>
         face, and now prove himself of a preternatural bravery alone against many; <lb/>
         and, above all, how he had sat continually by her great chair telling of <lb/>
         forays and battles to hearten her war-beaten men-at-arms, or chaunting <lb/>
         histories and songs laden with gentler destinies for her ears alone, or, more <lb/>
         often still, listening in silence to the rustling of her dress. </p>

<fw type="runningHead">
<fw type="pageNumLeft">136</fw><fw type="head">THE SAVOY</fw>
</fw>

<p><emph rend="indent">He sang now of anger and not of love, for it was needful to fill the </emph><lb/>
         hearts of her men-at-arms with thirst of battle that her days might have <lb/>
         peace ; yet over all the tale hovered a mournful beauty not of battle, and <lb/>
         from time to time he would compare the gleam of a sword to the bright- <lb/>
         ness of her eyes ; or the dawn breaking on a morning of victory to the <lb/>
         glimmering of her breast. As the tale, and its lyrics, which were like the <lb/>
         foam upon a wave, flowed on, it wrapped the men-at-arms as in a tide of <lb/>
         fire, and its vehement passages made them clash their swords upon their <lb/>
         shields and shout an ever-more clamorous approval. At last it died out in a <lb/>
         chaunt of triumph over battle-cars full of saffron robes and ornaments of <lb/>
         gold and silver, and over long lines of youths and maidens with brazen <lb/>
         chains about their ankles ; and the men shouted and clashed their swords <lb/>
         upon their shields for a long time. The queen sat motionless for a while, <lb/>
         and then leaned back in her chair so that its carved back made one dark <lb/>
         tress fall over her cheek. Sighing a long, inexplicable sigh, she bound <lb/>
         the tress about her head and fastened it with a golden pin. Aodh gazed at <lb/>
         her, the fierce light fading in his eyes, and began to murmur something over <lb/>
         to himself, and presently taking the five-stringed cruit from the ground, half <lb/>
         knelt before her, and softly touched the strings. The shouters fell silent, for <lb/>
         they saw that he would praise the queen, as his way was when the tales were <lb/>
         at an end ; and in the silence he struck three notes, as soft and sad as though <lb/>
         they were the cooing of doves over the Gates of Death. </p>

<p><emph rend="indent">Before he could begin his song, the door which led from the long room</emph>
<lb/>
         into the open air burst open and a man rushed in, his face red with running, <lb/>
         and cried out : </p>

<p><emph rend="indent">"The races with ignobly bodies and ragged beards, from beyond the Red</emph><lb/>
            Cataract, have driven us from the fires and have killed many !"</p>

<p><emph rend="indent">The words were scarcely from his mouth before another man struck </emph><lb/>
         against him, making him reel from the door, only to be thrust aside by <lb/>
         another and another and another, until all that remained of the watchmen <lb/>
         stood in the centre of the hall, muddy and breathless, some pouring wine into <lb/>
         horns from the great stone flagon that stood there, and some unhooking their <lb/>
         bronze helmets and shields and swords from the pillars. The men about the</p>


<fw type="runningHead">
<fw type="head2">&#160;&#160;&#160;&#160;THE BINDING OF THE HAIR</fw>
<fw type="pageNumRight">137</fw>
</fw>

<p>queen had already taken their helmets and shields and swords from pillars <lb/>
         and walls, and were now armed ; but the queen sat on straight and still, and <lb/>
         Aodh half knelt before her, with bowed head, and touched the five-stringed <lb/>
         cruit slowly and dreamily. </p>

<p><emph rend="indent">At last he rose with a sigh, and was about to mix among the men-at-</emph>
<lb/>
         arms when the queen leaned forward, and, taking him by the hand, said, in <lb/>
         a low voice: </p>

<p><emph rend="indent">"O Aodh, promise me to sing the song before the morning, whether</emph><lb/> 
         we be victors or weary fugitives !" </p>

<p><emph rend="indent">He turned, with a pale face, and answered :</emph>
</p>

<p><emph rend="indent">"There are two little verses in my heart, two little drops in my flagon, </emph><lb/>
         and I swear by the Red Swineherd that I will pour them out before the <lb/>
         morning for the Rose of my Desire, the Lily of my Peace, whether I have <lb/>
         living lips or fade among the imponderable multitudes !" </p>

<p><emph rend="indent">Then he took down his wicker shield covered with hide, and his helmet</emph><lb/>
         and sword, from a pillar, and mixed among the crowd that poured, shouting, <lb/>
         through the great door. </p>

<p><emph rend="indent">Nobody remained in the long room except the queen and her women</emph><lb/>
         and the foolish king, who slept on, with his head against a pillar. </p>

<p><emph rend="indent">After a little, they heard a far-off ringing of bronze upon bronze, and the</emph><lb/>
         dull thud of bronze upon hide, and the cries of men, and these continued for <lb/>
         a long time, and then sank into the silence. When all was still, the queen <lb/>
         took the five-stringed cruit upon her knees and began touching the strings <lb/>
         fitfully and murmuring stray lines and phrases out of the love songs of Aodh; <lb/>
         and so sat until about two hours before dawn, when the tramp of feet told the <lb/>
         return of the men-at-arms. They came in slowly and wearily, and threw <lb/>
         themselves down, clotted with blood as they were, some on the floor, some <lb/>
         on the benches. </p>

<p><emph rend="indent">"We have slain the most, and the rest fled beyond the mountains," said</emph>
<lb/>
         the leader ; "but there is no part of the way where there was not fighting, <lb/>
         and we have left many behind us." </p>

<p><emph rend="indent">"Where is Aodh?" said one of the women.</emph></p>

<p><emph rend="indent">"I saw his head taken off with a sword," said the man. </emph></p>

<fw type="runningHead">
<fw type="pageNumLeft">138</fw><fw type="head">THE SAVOY</fw>
</fw>

<p><emph rend="indent">The queen rose and passed silently out of the room, and, half crossing</emph><lb/>
         the space within the ditch, came where her horses were tethered, and bade <lb/>
         the old man, who had charge of their harness and chariot, tell none, but come<lb/> 
         with her and seek for a dead man. They drove along the narrow track in the <lb/>
         forest that had been trod by marauders, or by those sent to give them battle,<lb/> 
         for centuries; and saw the starlight glimmer upon the helmets and swords of <lb/>
         dead men troubling a darkness which seemed heavy with a sleep older than <lb/>
         the world. At last they came out upon the treeless place where the servile <lb/>
         tribes had fought their last desperate battle before they broke. The old man <lb/>
         tied the reins to a tree and lit a torch, and the two began to search among <lb/>
         the dead. The crows, which had been tearing the bodies, rushed up into the <lb/>
         air before them with loud cawing, and here and there the starlight glimmered <lb/>
         on helmet or sword, or in pools of blood, or in the eyes of the dead. </p>

<p><emph rend="indent">Of a sudden, a sweet, tremulous song came from a bush near them. They</emph><lb/> 
         hurried towards the spot, and saw a head hanging from the bush by its dark <lb/>
         hair; and the head was singing, and this was the song it sung&#x2014; </p>

<!--is this the right coding for a song?-->
<lg type="stanza">
<l><emph rend="indent4">"Fasten your hair with a golden pin, </emph></l>
<l><emph rend="indent4">&#160;&#160;&#160;And bind up every wandering tress;</emph>
</l>
<l><emph rend="indent4">&#160;&#160;&#160;&#160;&#160;&#160;&#160;I bade my heart build these poor rhymes: </emph></l>
<l><emph rend="indent4">It worked at them day out, day in, </emph></l>
<l><emph rend="indent4">&#160;&#160;&#160;Building a sorrowful loveliness</emph>
</l>
<l><emph rend="indent4">&#160;&#160;&#160;&#160;&#160;&#160;&#160;Out of the battles of old times. </emph></l>
</lg>

<lg type="stanza">
<l><emph rend="indent4">"You need but lift a pearl-pale hand,</emph></l>
<l><emph rend="indent4">&#160;&#160;&#160;And bind up your long hair and sigh;</emph></l>
<l><emph rend="indent4"> &#160;&#160;&#160;&#160;&#160;&#160;&#160;And all men's hearts must burn and beat;</emph></l>
<l><emph rend="indent4">And candle-like foam on the dim sand, </emph></l>
<l><emph rend="indent4">&#160;&#160;&#160;And stars climbing the dew-dropping sky,</emph>
</l>
<l><emph rend="indent4">&#160;&#160;&#160;&#160;&#160;&#160;&#160;Live but to light your passing feet."</emph>
</l>
</lg>

<p><emph rend="indent">And then a troop of crows, heavy like fragments of that sleep older</emph><lb/> 
         than the world, swept out of the darkness, and, as they passed, smote those <lb/>
         ecstatic lips with the points of their wings, and the head fell from the bush <lb/>
         and rolled over at the feet of the queen.</p>

<p><emph rend="indent6">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<ref target="#WYE">W. B. YEATS.</ref></emph></p>

</div>
</body>
</text>
</TEI>
