Yellow Nineties 2.0 The Savoy, Volume I.—January 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV1_45po</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons</editor> <author>Arthur Symons</author> <title>The Wanderers Leonard Smithers London W.C. January 1896 Symons, Arthur. "The Wanderers." The Savoy,, vol. 1 January 1896, pp. 149-150. Savoy Digital Edition, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv1-symons-wanderers/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Poetry Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Literature Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
        <emph rend="bold">THE WANDERERS </emph> WANDERING, ever wandering, Their eyelids freshened with the wind of the sea Blown up the cliffs at sunset, their cheeks cooled With meditative shadows of hushed leaves That have been drowsing in the woods all day, And certain fires of sunrise in their eyes. They wander, and the white roads under them Crumble into fine dust behind their feet, For they return not ; life, a long white road, Winds ever from the dark into the dark, And they, as days, return not ; they go on For ever, with the travelling stars ; the night Curtains them, being wearied, and the dawn Awakens them unwearied; they go on. They know the winds of all the earth, they know The dust of many highways, and the stones Of cities set for landmarks on the road. Theirs is the world, and all the glory of it, Theirs, because they forego it, passing on Into the freedom of the elements ; Wandering, ever wandering, Because life holds not anything so good As to be free of yesterday, and bound Towards a new to-morrow ; and they wend Into a world of unknown faces, where 150 THE SAVOY It may be there are faces waiting them, Faces of friendly strangers, not the long Intolerable monotony of friends. The joy of earth is yours, O wanderers, The only joy of the old earth, to wake, As each new dawn is patiently renewed, With foreheads fresh against a fresh young sky. To be a little further on the road, A little nearer somewhere, some few steps Advanced into the future, and removed By some few counted milestones from the past ; God gives you this good gift, the only gift That God, being repentant, has to give. Wanderers, you have the sunrise and the stars ; And we, beneath our comfortable roofs, Lamplight, and daily fire upon the hearth, And four walls of a prison, and sure food. But God has given you freedom, wanderers!

Arthur Symons.