Yellow Nineties 2.0 The Savoy, Volume 8 (December 1896) <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV8_icon5</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons </editor> <author>Aubrey Beardsley</author> <title>Mrs. Pinchwife. From Wycherley’s “Country Wife” Leonard Smithers London W December 1896 Beardsley, Aubrey. "Mrs. Pinchwife. From Wycherley’s Country Wife." The Savoy, vol. 8, December 1896, p. 31. The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv8_beardsley_pinchwife

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
V8 Cover SAVOYV8_icon5 SAVOYV8_icon5 Mrs. Pinchwife. From Wycherley’s “Country Wife” Aubrey Beardsley Paul Naumann IV December 1896 V8, p.31 19.4 x 10.6cm Illustration Pen and Ink 15th century theatre male figure Don Juan Sganerellee beggar cane coin Mrs. Pinchwife. From Wycherley’s “Country Wife” The line-block reproduction of Beardsley’s pen-and-ink drawing is in portrait orientation with a double-lined border. The illustration is of Mrs. Pinchwife from the play The Country Wife by Wycherley. The background is left blank, but “Mrs Pinchwife” is printed in caps, by hand, on the of the image. In the bottom left corner are the artist’s initials “AB”. Mrs Pinchwife stands on the right side of the image and occupies the full length of the page. She has long curling black hair that extends past her shoulders. She is facing the viewer with her upper body angled to her right. She wearing men’s clothing appropriate for the 17th century. She is wearing a wide-brimmed hat with a varied pattern of dots on it. The edges of the hat are scalloped and edged in black. She is wearing a buttoned tailcoat with a white cravat or jabot at her neck. Under her coat she is wearing a long-sleeved white shirt; the ends of the sleeves are ruffled and protrude from the coat’s cuff. She is wearing white breeches and white stockings with ruffles that match the ones on her sleeves. She is wearing heeled shoes with black laces.