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        <title>Yellow Nineties 2.0</title>
        <title>The Savoy, Volume 8 (December 1896)</title>
        <title type="SAVOYV8_beardsley_carl"/>
        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2019</date>
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        <publisher>Yellow Nineties 2.0</publisher>
        <pubPlace>Ryerson University</pubPlace>
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          <addrLine>English Department</addrLine>
          <addrLine>350 Victoria Street,</addrLine>
          <addrLine>Toronto ON,</addrLine>
          <addrLine>M5B 2K3</addrLine>
          <addrLine>Canada</addrLine>
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            <editor>Arthur Symons </editor>
            <author>Aubrey Beardsley</author>
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              <publisher>Leonard Smithers</publisher>
              <pubPlace>London W</pubPlace>
              <date>December 1896</date>
              <biblScope>Beardsley, Aubrey. "Carl Maria Von Weber." <emph rend="italic">The Savoy</emph>, vol. 8,
                December 1896, p. 65. <emph rend="italic">The Savoy Digital Edition,</emph> edited
                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties
                  2.0,</emph> General Editor Lorraine Janzen Kooistra, Ryerson University Centre for
                Digital Humanities, 2019, https://1890s.ca/savoyv8_beardsley_carl</biblScope>
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        <p>Our editorial method is informed by social-text editing principles. By “text” we mean
          verbal and visual printed material, including non-referential physical elements such as
          bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
          processes that have specific manifestations at precise historical moments. The Yellow
          Nineties Online publishes facsimile editions of a select collection of fin-de- siècle
          aesthetic periodicals, together with paratexts of production and reception such as cover
          designs, advertising materials, and reviews. This historical material is enhanced by two
          kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
          and associates; and critical introductions to each title and volume by experts in the
          field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by
          them and/or an international board of advisors. The site as a whole is peer- reviewed by
          NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
          Contributors to the site retain personal copyright in their material. The site is licensed
          with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
          secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding
          Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for
          users, magazines are available on the site as virtual objects (facsimiles) in FlipBook
          form; in HTML for online reading; in PDF for downloading and collecting; and in XML for
          those who wish to review and/or adapt our tag sets. In order to make ornamental devices,
          such as initial letters, head- and tail- pieces, searchable, we have developed a Database
          of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a
          dynamic structure, a scholarly website is always in process; Phase One of The Yellow
          Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
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            <title/>
            <rs>SAVOYV8_icon11</rs> SAVOYV8_icon11 Aubrey Beardsley Paul Naumann XI December 1896
            V8, p.65 6.2 x 3.9cm Illustration Pen and Ink 19th century interior theatre stage male
            figure carl maria van weber composer cane hat curatin cloack stage "carl maria von weber" "AB"</note>
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          <figDesc> The framed illustration, in portrait orientation, uses a line-block reproduction
            of Beardsley’s pen-and-ink design. The small frame image is surrounded by wide margins.
            The illustration is of early nineteenth-century composer Carl Maria Von Weber. “CARL
            MARIA VON WEBER” [caps] is hand printed in the top left corner of the image. The
            artist’s initials are printed in the bottom left: “AB” [caps]. Carl stands on the left
            side of the image in three-quarters view facing to the right. Carl has curly black hair.
            He is wearing a heavy fur-lined cloak; a black tassel hangs off the left side of his
            cloak. He is wearing a white long-sleeved shirt and white trousers. He has black
            slippers on. His left hand is outstretched and in it he holds a black cane and a brimmed
            black hat; the hat has white lines running vertically down its top. White curtains hang
            on the right behind Carl, as if he is standing on stage and taking a bow. </figDesc>
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