Yellow Nineties 2.0 The Savoy, Volume 7 (November 1896) <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV7_icon4</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons </editor> <author>Fred Hyland</author> <title>A Pleasaunce Leonard Smithers London W November 1896 Hyland, Fred. "A Pleasaunce" The Savoy, vol. 7, November 1896, p. 35 . The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv7_hyland_pleasaunce

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, Portrait of Arthur Symons), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
A Pleasaunce SAVOYV7_icon4 SAVOYV7_icon4 A Pleasaunce Fred Hyland Paul Naumann IV November 1896 V7, p.35 13 x 12.6 cm Illustration Pen and Ink Night Outside Garden Walled garden Female Figure Wall Sundial Moon Flower, bramble, vine “FRED HYLAND” [caps] A Pleasaunce The line-block reproduction after a pen and ink sketch is contained within a rectangular lined border and is in portrait orientation. The image shows a woman inside a walled garden at night. The top fifth of the image shows the stippled grey sky, with a waxing crescent moon in the upper right. The black brick wall takes up the middle three-fifths of the image; the top bricks are white irregular blocks. In front wall, there is grey grass stippled in the same way as the night sky. Vines and brambles coil from the bottom of the image up the wall and over the top. The vines on the ground and at the bottom of the wall are black while the ones at the top of the wall are white. On the left side of the image stands a white column at about waist height with a sundial on top. The woman stands in between a sundial and a brick wall, facing right in profile and bending over to grasp the fines and brambles in front of her. She has a white flower in her left hand and is picking a flower with her right hand. She is bowed over so that her head is at the same level as the top of the wall. She has long wavy hair that reaches down past her shoulders. She is wearing a white dress with long sleeves. Her dress is patterned with an evenly spaced floral design consisting of five petals diverging from a central point. At the bottom right within the outer edge of the border reads the artist’s name: “FRED HYLAND” [caps].