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                <title>The Savoy, Volume 5 (September 1896)</title>
                <title type="SAVOYV5_naumann_art_ad"/>
                <title n="SAVOYV5icon9_naumann_art_ad_edited-180x***"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
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                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                        <author>Paul Naumann</author>
                        <title>V5 Paul Naumann Advertisement</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>September 1896</date>
                            <biblScope>Naumann, Paul. "Paul Naumann Advertisement." 
                                <emph rend="italic">The Savoy</emph>,
                                vol. 5, September 1896, p. 92. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv5_naumann_art_ad/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1896</date>
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                        <item>Book History</item>
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                      <title>V5 Paul Naumann Advertisement</title>
                        <rs>SAVOYV5_icon9</rs> SAVOYV5_icon9 The Savoy Paul Naumann September 1896 London 
                        19 x 13 cm advertisement pen and ink outdoors Paul Naumann flowers vines roots text boxes leaves berries
                        “Designer, Engraver on Wood and Photozincographer, andc.”//“Paintings, Drawings, // Photographs, etc., // 
                        Reproduced by either Wood Engraving, // HALF-TONE, [caps] or LINE PROCESS. [caps] // Manuscripts, Catalogues,
                        // ETC., ETC., // Illustrated throughout by the best // ARTISTS. [caps] // Artistic Printing // A SPECIALTY.
                        [caps] // ARTISTS [caps] are invited to send Drawings, // etc., as, owing to large connection with //
                        Publishers and Art Editors, we have great // facilities for disposing of Drawings or // Copyright of same.”
                        //“P. Naumann.”//“65, 69 and 71. Pentonville Road N.”  
                  </note>
                  <head>V5 Paul Naumann Advertisement</head>
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                      The image is in portrait orientation. The image is an advertisement for Paul Naumann’s services and shows four 
                      boxes of textual publishing information with a floral design behind the boxes. At the bottom edge of the page
                      are the roots of the flowers that extend up to the top edge. There are three roots based at the bottom edge. 
                      The roots are evenly spaced out across the width of the page. The roots appear as curled horizontal lines cut
                      through in the middle with straight vertical lines. The roots and flower stalks are all dark coloured. Around
                      the roots at the bottom edge is a looping piece of vine that looks like rope. The vines then extend up 
                      vertically and wrap around the two exterior flowers all the way up the page. There is a bunch of berries in 
                      the middle two spaces between the flower stalks. Slightly up the page from the bottom edge is a long 
                      rectangular text box. In the single-edge box is the text: “Designer, Engraver on Wood and Photozincographer, 
                      andc.” The text is italicized and black on a white background. Above the box in the background is the flower 
                      stalks and vines, with two branches of leaves extending out horizontally. Slightly above and only on the right
                      half of the page is another text box. This box is tall and rectangular, with a double-edged border. The box 
                      contains the text: “Paintings, Drawings, // Photographs, etc., // Reproduced by either Wood Engraving, // 
                      HALF-TONE, [caps] or LINE PROCESS. [caps] // Manuscripts, Catalogues, // ETC., ETC., // Illustrated throughout
                      by the best // ARTISTS. [caps] // Artistic Printing // A SPECIALTY. [caps] // ARTISTS [caps] are invited to 
                      send Drawings, // etc., as, owing to large connection with // Publishers and Art Editors, we have great // 
                      facilities for disposing of Drawings or // Copyright of same.” Just above this text box is where the flowers
                      bloom out from their stalks. The three flowers from the dark roots are dark ovals of leaves with four white 
                      daffodil flowers evenly populated. The two flowers from the vines are light and the petals are patterned dark
                      and light in repetitive order. The centre dark flower and two vine flowers are in line just below the next 
                      text box, and the two outer edge dark flowers rise up higher on either side of the text box. The text box 
                      says: “P. Naumann.”. This is written in the largest and boldest text on the page, with a double-edged border
                      around it. There is one more text box above it and this one says: “65, 69 and 71. Pentonville Road N.”. The box
                      is bordered with a single line. Two more leaf branches extend out horizontally in the background of these two
                      highest text boxes. Behind all the flowers and vines is a stippled background. There is no border around the 
                      image.         
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