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                <title>The Savoy, Volume 5 (September 1896)</title>
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                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <pubPlace>Ryerson University</pubPlace>
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                    <addrLine>Toronto ON,</addrLine>
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                        <author>Botticelli</author>
                        <title>V5 The Car of Beatrice</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>September 1896</date>
                            <biblScope>Botticelli. "The Car of Beatrice." 
                                <emph rend="italic">The Savoy</emph>,
                                vol. 5, September 1896, p. 33. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv5_botticelli_beatrice/</biblScope>
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                    verbal and visual printed material, including non-referential physical elements such as
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                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
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                      <title>V5 The Car of Beatrice</title>
                        <rs>SAVOYV5_icon5</rs> SAVOYV5_icon5 The Savoy Botticelli September 1896 London 
                        12 x 17.5 cm illustration drawing Late Medieval Early Renaissance purgatory supernatural world man poet
                        Dante apostle Mark Luke John woman Beatrice presentation chariot Car of Beatrice wings path books robes
                        lion ox griffin bird eagle 
                  </note>
                  <head>V5 The Car of Beatrice</head>
                  <figDesc>
                      This halftone reproduction of Botticelli’s illustration of a scene from Dante’s Divine Comedy is in landscape
                      orientation. The image shows a scene with many small groups of people doing different activities such as 
                      walking, reading, and dancing. Beatrice’s car, a presentation chariot pulled by a griffin, is in the centre
                      of the composition. On the left, about halfway up from the bottom edge, is a vertical line of people standing
                      and walking in a line towards the background while holding books up above them in their right hands. The 
                      people are wearing robes that wrap around their bodies. They all have their heads turned up to look at the 
                      books they hold above. They have their backs to the viewer, and there are about seven of them in total. To 
                      the right of that line of people, and slightly foregrounded, is a circle of people standing close together.
                      The people are also wearing loose, robe-like garments. They have their hands resting on each other’s shoulders
                      and arms. They appear to be either dancing or fighting, and definitely in motion. Above and to the right of
                      that group is another small group of about four people who are leaned diagonally forward into each other. The
                      people appear to have their hands raised up and linked together, forming a dance circle. They are wearing 
                      loose garments. Straight down the page from this group, standing in the foreground, are two figures with their
                      backs to the viewer. The figure on the left has their right arm tucked around the person on the right’s back.
                      Their left arm is raised up above their head. The figure has on a dress that bunches up in three tiers. They
                      both have light and long hair flowing down their backs. The figure to the right has on a plain dress with an
                      A-line shape, and has their head turned to the left to face the other figure. Slightly to the right and up the
                      page is the griffin. The griffin is facing left, in profile, with its mouth open and a long barbed tongue 
                      sticking out. The griffin’s eyes are dark black and has its ears pointed forwards. The griffin has furry
                      feathers lining its face and upper torso. The griffin’s front feet are made of talons, and the back feet are
                      paws. The griffin’s mid and lower torso are like a horse’s, with the tail of a lion hanging down the back. 
                      The griffin also has huge wings spanning out from the sides of its chest and backwards and upwards. There are
                      two long pieces of wood that attach one on either side of the griffin’s chest above the wings and extend back
                      towards the right side of the page where they connect with the chariot. The chariot is turned to face towards
                      the bottom left. The car or chariot has a large lounge bed with ornamented wood panels on the sides. The 
                      chariot has a small griffin walking beside it on its right side, hidden from the viewer by the chariot apart
                      from its bird’s or eagle’s head (representing John). There is a large wheel visible on the left side of the 
                      chariot. Another supernatural creature pushes the chariot by applying its chest to the back left corner of the
                      vehicle. This creature appears to be an ox with large wings sprouting from the sides of its chest
                      (representing the apostle Luke). Sitting inside the chariot is Beatrice, a robed female figure leaning against
                      the right of the lounge seat and looking out towards the figures walking with books. She has long and light 
                      coloured hair, with a small crown atop their head. Behind the chariot is another group of people. These people
                      are also in a small circle and holding hands above their heads. These figures are followed in the procession 
                      by another supernatural creature. This creature is a lion with wings (representing the apostle Mark). The lion
                      is following in the direction of the chariot. There is another group of book holders in the top right corner
                      of the page. This group is facing towards the bottom left corner of the page and wearing long robes. The
                      figures are holding the books with their fronts facing outwards and in both hands at the height of their 
                      chests. There are five book-holders, with two book-less figures standing in front of them. In the foreground
                      of the chariot, and in the bottom right corner on the page, is a  circle of people dancing and holding raised
                      hands, but this time there are people trailing beside them. The trail of people beside appear to sink into a
                      pathway on the ground, shown only by their raised arms and face, with the rest of their bodies sunk below
                      ground level. Two  figures are standing on the pathway, a woman and a man walking behind. The woman has her
                      left hand stuck out and to the left, with her right hand pulling up the right side of her skirt to step
                      around the figures that are sinking around her feet and reaching out to her. The man walks behind wearing a
                      robe and a bonnet with a long beard. The path starts in the centre of the bottom edge of the page and extends
                      diagonally up and to the right. At the halfway height of the right edge of the page the path goes out of the
                      frame and then turns back in up and to the left ending in the distant background in the top right corner of 
                      the page. There are a series of horizontal lines across the top edge of the page In  the bottom right corner,
                      watching the procession, are two robed figures; one of these likely represents the poet Dante.  The image is 
                      outlined in a single-edged border.       
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