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                <title>Yellow Nineties 2.0</title>
                <title>The Savoy, Volume 5 (September 1896)</title>
                <title type="SAVOYV5_beardsley_titlepage"/>
                <title n="SAVOYV5icon2_beardsley_titlepage_edited-180x***"/>
                <editor>Lorraine Janzen Kooistra</editor>
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            <editionStmt>
                <p>
                    <date>2019</date>
                </p>
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                <idno>SAVOYV5_icon2</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                <availability>
                    <p>Usable according to the Creative Commons License <ref
                        target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                        Non-commercial Share-alike</ref>.</p>
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                        <author>Aubrey Beardsley</author>
                        <title>V5 Titlepage</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>September 1896</date>
                            <biblScope>Beardsley, Aubrey. "Titlepage." 
                                <emph rend="italic">The Savoy</emph>,
                                vol. 5, September 1896, p. 5. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv5_beardsley_titlepage/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1896</date>
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                        <item>English literature -- 19th century -- Periodicals</item>
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                        <item>Visual Art</item>
                        <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                            "Travel Writing," "Music, Other,")
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                        <item>Still Image</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
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                        <item>Book History</item>
                        <item>Art History</item>
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                      <title>V5 Titlepage</title>
                        <rs>SAVOYV5_icon2</rs> SAVOYV5_icon2 The Savoy Aubrey Beardsley September 1896 London 
                        19 x 14 cm title page pen and ink 1890s man Pierrot clown horse winged horse Pegassus bow slippers wings
                        whip ruffles tri-corner hat quill pen feather pen paint brush banner pennant “THE SAVOY” [caps]//“EDITED
                        BY ARTHUR SYMONS” [caps]//“No. 4”//“August”//“1896”//“A B.” [caps]//“Ne luppiter quidem omnibus placet”
                        [Not even Jupiter can please everyone]//“LEONARD SMITHERS” [caps]//“ARUNDEL STREET, STRAND” [caps]//
                        “LONDON W.C.” [caps] 
                  </note>
                  <head>V5 Titlepage</head>
                  <figDesc>
                      The unframed  title page, in portrait orientation, combines a line-block reproduction of a pen-and-ink design
                      with letterpress. The image shows one figure [a Pierrot] riding a winged horse [a Pegasus] in the centre of
                      the page with publishing information printed in the surrounding area.  In the upper left corner is the text:
                      “THE” [large caps] and one line below the text: “SAVOY” [large caps]. These two lines of text are left-aligned
                      and indicate the title: “THE SAVOY” [caps]. To the right side of the page and appearing in line with the 
                      centre of the title text is the editing information: “EDITED BY ARTHUR SYMONS” [small caps]. Below the title
                      on the left side of the page, still in about the top third, is the text: “No. 3”, and below that the text: 
                      “July”, and below that line: “1896”. These three lines are centered with each other. To the right of this text
                      is the image of the figure on the horse. The horse and figure are facing towards the left; the horse is in 
                      profile and the figure is turned to face the viewer. The horse is rearing, with both front legs lifted up into
                      the air. The horse spans the width of the page and is about half of the page height. The horse has a long tail
                      trailing behind. The horse’s mouth is slightly opened and the pointed ears are pulled back. The mane is curled
                      and a few pieces fall forwards toward the eyes. The horse has large wings emerging from the sides of its 
                      ribcage. The wings are made up of many feathers of various sizes and are formed like eagle wings, with a 
                      smaller section on the bottom half and a larger pointed portion of wing on the top half. Between the wings
                      sits a male figure dressed like a Pierrot or clown. The figure has his upper body turned to face the viewer,
                      with both arms opened wide and lifted up into the air. He is wearing slippers with a bow on the toe, baggy 
                      pants that fall just above the ankle, and a baggy shirt that has buttons up the front. The shirt has large 
                      ruffles on the sleeve hems and a large ruffle around the figure’s neck, finished with a ruff and flowing, 
                      loosely tied  bow. He is wearing a white three-cornered hat. The figure has a long whip in his right hand 
                      that extends high above him. A feather pen and paint brush extend  over his shoulder behind his back, and a
                      banner or pennant flows behind him. To the right of the centre of the horse and figure, just below the right
                      wing tip, is the small text: “A B.” [caps]. A Latin epigraph appears just below the belly of the horse, very
                      small and italicized, which reads: “Ne luppiter quidem omnibus placet” [Not even Jupiter can please everyone].
                      Centered below are the three final lines of text. The first line, and largest sized text of the three, reads:
                      “LEONARD SMITHERS” [caps]. The second line reads: “ARUNDEL STREET, STRAND” [caps]. The third and final line 
                      centered below is the mid-size between the above two lines, and it reads: “LONDON W.C.” [caps]. 
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