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                <title>Yellow Nineties 2.0</title>
                <title>The Savoy, Volume 3 (July 1896)</title>
                <title type="SAVOYV3_beardsley_titlepage"/>
                <title n="SAVOYV3icon2_beardsley_titlepage_edited-180x***"/>
                <editor>Lorraine Janzen Kooistra</editor>
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            <editionStmt>
                <p>
                    <date>2019</date>
                </p>
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                <idno>SAVOYV3_icon2</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                <availability>
                    <p>Usable according to the Creative Commons License <ref
                        target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                        Non-commercial Share-alike</ref>.</p>
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                        <author>Aubrey Beardsley</author>
                        <title>V3 Title Page</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>July 1896</date>
                            <biblScope>Beardsley, Aubrey. "Title Page." <emph rend="italic">The Savoy</emph>,
                                vol. 3, July 1896, p. 5. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv3_beardsley_titlepage/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1896</date>
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                        <item>Visual Art</item>
                        <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                            "Travel Writing," "Music, Other,")
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                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
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                        <item>Book History</item>
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                       <title>V3 Title Page</title>
                        <rs>SAVOYV3_icon2</rs> SAVOYV3_icon2 The Savoy Aubrey Beardsley July 1896 London 
                        19 x 14 cm title page pen and ink 1890s man Pierrot clown horse winged horse Pegasus bow slippers wings
                        whip ruffles tri-corner hat quill pen feather pen paint brush banner pennant “THE SAVOY” [caps]//
                        “EDITED BY ARTHUR SYMONS” [caps]//“No. 3”//“July”//“1896”//“A B.” [caps]//“Ne luppiter quidem omnibus 
                        placet”. [Latin text translates as: Not even Jupiter can please everyone]//“LEONARD SMITHERS” [caps]//
                        “ARUNDEL STREET, STRAND” [caps]//“LONDON W.C.” [caps]
                  </note>
                    <head>V3 Title Page</head>
                  <figDesc>
                      The unframed  title page, in portrait orientation, combines a line-block reproduction of a pen-and-ink 
                      design with letterpress. The image shows one figure [a Pierrot] riding a winged horse [a Pegasus] in the
                      centre of the page with publishing information printed in the surrounding area.  In the upper left corner
                      is the text: “THE” [large caps] and one line below the text: “SAVOY” [large caps]. These two lines of text
                      are left-aligned and indicate the title: “THE SAVOY” [caps]. To the right side of the page and appearing 
                      in line with the centre of the title text is the editing information: “EDITED BY ARTHUR SYMONS” [small caps].
                      Below the title on the left side of the page, still in about the top third, is the text: “No. 3”, and below
                      that the text: “July”, and below that line: “1896”. These three lines are centered with each other. To the
                      right of this text is the image of the figure on the horse. The horse and figure are facing towards the 
                      left; the horse is in profile and the figure is turned to face the viewer. The horse is rearing, with both
                      front legs lifted up into the air. The horse spans the width of the page and is about half of the page 
                      height. The horse has a long tail trailing behind. The horse’s mouth is slightly opened and the pointed 
                      ears are pulled back. The mane is curled and a few pieces fall forwards toward the eyes. The horse has 
                      large wings emerging from the sides of its ribcage. The wings are made up of many feathers of various sizes
                      and are formed like eagle wings, with a smaller section on the bottom half and a larger pointed portion of
                      wing on the top half. Between the wings sits a male figure dressed like a Pierrot or clown. The figure has
                      his upper body turned to face the viewer, with both arms opened wide and lifted up into the air. He is 
                      wearing slippers with a bow on the toe, baggy pants that fall just above the ankle, and a baggy shirt that
                      has buttons up the front. The shirt has large ruffles on the sleeve hems and a large ruffle around the 
                      figure’s neck, finished with a ruff and flowing, loosely tied  bow. He is wearing a white three-cornered
                      hat. The figure has a long whip in his right hand that extends high above him. A feather pen and paint 
                      brush extend  over his shoulder behind his back, and a banner or pennant flows behind him. To the right
                      of the centre of the horse and figure, just below the right wing tip, is the small text: “A B.” [caps].
                      A Latin epigraph appears just below the belly of the horse, very small and italicized, which reads: “Ne
                      luppiter quidem omnibus placet” [Not even Jupiter can please everyone]. Centered below are the three final
                      lines of text. The first line, and largest sized text of the three, reads: “LEONARD SMITHERS” [caps]. The
                      second line reads: “ARUNDEL STREET, STRAND” [caps]. The third and final line centered below is the mid-size
                      between the above two lines, and it reads: “LONDON W.C.” [caps].    
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