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                <title>Yellow Nineties 2.0</title>
                <title>The Savoy, Volume 1 (January 1896)</title>
                <title type="SAVOYV1_shannon_lithograph"/>
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                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                    <p>Usable according to the Creative Commons License <ref
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                        <author>C.H. Shannon</author>
                        <title>V1 A Lithograph</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>January 1896</date>
                            <biblScope>Shannon, C.H. "A Lithograph." <emph rend="italic">The Savoy</emph>,
                                vol. 1, January 1896, p. 29. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv1_shannon_lithograph/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1896</date>
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                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                  <note n="SAVOYV1_12im">
                       <title>V1 A Lithograph</title>
                        <rs>SAVOYV1_icon5</rs> SAVOYV1_icon5 The Savoy C.H. Shannon January 1896 London 
                        20 x 13cm p. 29 figures reproduction of original lithograph 1890s women young women girls long dress full
                        skirt plant paper letter
                  </note>
                    <head>V1 A Lithograph</head>
                  <figDesc>A portrait-oriented lithograph of two full-length female figures leaning forward in profile, apparently
                      examining a piece of paper. With sketch-like strokes the women are centered in the page and face to the 
                      right with only their side facial profiles visible. The woman in the foreground is dressed in a large 
                      long-sleeve gown that has a full skirt taking up a large portion of the bottom half of the page. Her hair 
                      is pulled back in a sort of low ponytail or bun. The woman behind is only visible by her head and 
                      outstretched arm. Her gaze is focused downwards, with her head at a more severe tilt than the woman in the 
                      foreground. They both look down at the hand of the woman in the background, which appears to be holding a 
                      piece of paper and a small plant. The woman in front points towards the object with her right hand. 
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