Yellow Nineties 2.0 The Savoy, Volume 1 (January 1896) <title n="SAVOYV1icon14_sandys_harold_edited-180x***"/> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV1_icon14</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>F. Sandys</author> <title>V1 Harold Leonard Smithers London W January 1896 Sandys, F. "Harold." The Savoy, vol. 1, January 1896, p. 120. The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv1_sandys_harold/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
V1 Harold SAVOYV1_icon14 SAVOYV1_icon14 The Savoy F. Sandys January 1896 London 18.5 x 10.75 cm p. 120 full-length portrait reproduction of a wood engraving by Swain after Sandys's design outdoors nature forest clearing hilltop mountain day trees plants evergreen tree ferns town city skyline man crow billowing scarf baggy coat skirt wavy hair button "FAS" [monogram] "SWAIN" [caps]. V1 Harold This line-block reproduction of a wood-engraved image is in portrait orientation. A man stands tall in the middle of the image on top of a hill, holding onto a scarf billowing in the strong wind and looking at a crow sitting on a branch. The man spans from the base to the top of the page in height and takes up about half of the width. In the foreground are various plants and twigs springing up and covering his feet. One plant rises up taller than the others on the left, reaching about his waist in height. The man is centered in the page. He is wearing a baggy coat that reaches the ground but is split slightly at the waist to reveal a sliver of her long, lighter-coloured robe. The coat has baggy sleeves that hang far below his left arm, which is positioned up horizontally across his body. He is holding onto a scarf that billows behind him on the left side of the page. His right arm is crossed underneath his left. The coat he wears is tied together at the neck with a single button. His hair is wavy and blown back from his face in a sort of mane from the wind. His face is turned towards the right of the page and tilted slightly up, showing a three-quarters profile. He looks at a crow that sits slightly above eye-level on a branch extending out from the top right corner of the page. The crow is bigger than the man’s head and looks back at him, leaning forward on the branch. The branches of an evergreen tree with pine needles stick out below the bare branch upon which the crow sits. In the background of the man and the crow is a faintly outlined city made up of many little houses, which seem to be at the bottom of the hill they are on. Behind the city is a skyline with a few clouds and a dark upper edge. In the bottom left corner a small logo appears in a doubly-lined square that has the letters “F” “A” and “S” scripted over top of each other; this is the monogram signature of the artist, Frederick Augustus Sandys. In the bottom right corner the word “SWAIN” [caps] appears in a light colour contrasted with the dark ferns behind it; this is the signature of the wood engraver.