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                <title>Yellow Nineties 2.0</title>
                <title>The Savoy, Volume 1 (January 1896)</title>
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                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <idno>SAVOYV1_icon7</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
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                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                        <author>Joseph Pennell</author>
                        <title>V1 Regent Street, London</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>January 1896</date>
                            <biblScope>Pennell, Joseph. "Regent Street, London." <emph rend="italic">The Savoy</emph>,
                                vol. 1, January 1896, p. 49. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv1_pennell_regent/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1896</date>
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                  <note n="SAVOYV1_18im">
                       <title>V1 Regent Street, London</title>
                        <rs>SAVOYV1_icon7</rs> SAVOYV1_icon7 The Savoy Joseph Pennell January 1896 London 
                        14.5 x 17.75 cm p. 49 city landscape pen and ink 1890s London England Europe outdoors street sidewalk
                        city people pedestrians buildings stone blocks archways train tracks cloud pillars road windows "JOSEPH 
                        PENNELL" [caps]. 
                  </note>
                    <head>V1 Regent Street, London</head>
                  <figDesc>The line block reproduction of a pen-and-ink drawing is landscape oriented. The image is a street 
                      view of Regent Street in London, from the perspective of a pedestrian on the sidewalk. The side of a 
                      building is seen from this perspective with an arched doorway and ornamented detailing above in the stone 
                      work. Above the doorway sits a balcony with an arched door leading out. A window sits above the balcony, 
                      and a set of three windows appear above. To the right of the building is a sidewalk and then the road, 
                      which travels straight towards the mid-ground and then curves off to the right. Many pedestrians line the 
                      sidewalk in front of the building, which curves along the left side of the road. The building ends, leaving 
                      a slight gap before the next identical building begins and follows the same curve out of sight. On the 
                      opposite side of the road is a mirrored sidewalk and building set-up. The building entrance on the far 
                      right is comprised of a large archway made of big blocks of stone. A set of three pillars is situated on 
                      top of the arch, and support a protruding roof. Windows line the front of the buildings on both sides of 
                      the street in three rows, with smaller windows in the top row.  Along the side of the buildings on the 
                      left, about a third of the way up, train tracks run along the curve. In the sky that takes up the central 
                      background of the image, a large cloud that looks mushroom-like is blooming up, and the sky around seems 
                      to be exploding outwards in straight lines. Aligned in the centre on the bottom edge of the image is the 
                      text: “JOSEPH PENNELL” [caps]. There is no border around the image.   
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