Yellow Nineties 2.0 The Savoy, Volume 1 (January 1896) <title n="SAVOYV1icon16_beerbohm_caricature_edited-180x***"/> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV1_icon16</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>Max Beerbohm</author> <title>V1 A Caricature of Mr. Beerbohm Tree Leonard Smithers London W January 1896 Beerbohm, Max. "Caricature of Mr. Beerbohm Tree." The Savoy, vol. 1, January 1896, p. 125. The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv1_beerbohm_caricature/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
V1 A Caricature of Mr. Beerbohm Tree SAVOYV1_icon16 SAVOYV1_icon16 The Savoy Max Beerbohm January 1896 London 16 x 9 cm p. 125 portrait / caricature wood engraving after Beerbohm's drawing man Mr. Beerbohm cane top hat tie pants overcoat buttons vest collared shirt V1 A Caricature of Mr. Beerbohm Tree This wood engraving of a drawing is borderless and in portrait orientation. A full-length caricature of a man stands centrally, with no background or setting. The man is turned slightly to the left of the page, but his head is turned even further to the left, showing the profile of his face. He is wearing pointed-toe shoes and plain pants. His legs are long and his upper body is short. His legs are thin at the ankle and grow wide at the hips. On top he is wearing a collared shirt with a large, dark tie and a vest over top both of those pieces. At the waist the vest has three rows of two buttons that are lined up vertically. He also wears a long open overcoat, which is tailored in at the waist and has three buttons. The coat has a large collar and tight sleeves. The man’s left arm is lifted up and out at his waist and holding a walking cane leaned diagonally up to the right from the ground into his hand. The man’s right arm is pulled behind his back and not visible. The face in profile shows the man frowning with a chin tilted slightly up to the left side of the page. His brows are furrowed. His hair is short and he wears a large black top hat taller than his head. At the man’s feet is slight shading in a circular area. To the left of the page, at the height of the man’s nose, is the text “Max,” which is the artist’s first name. To the right of the cane in the bottom right corner of the image is the text: “Mr. Beerbohm Tree”.