Yellow Nineties 2.0 The Savoy, Volume 1 (January 1896) <title n="SAVOYV1icon8_beardsley_musicians_art_edited-180x***"/> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV1_icon8</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>Aubrey Beardsley</author> <title>V1 The Three Musicians (Art) Leonard Smithers London W January 1896 Beardsley, Aubrey. "The Three Musicians." The Savoy, vol. 1, January 1896, p. 64. The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv1_beardsley_musicians_art/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
V1 The Three Musicians (Art) SAVOYV1_icon8 SAVOYV1_icon8 The Savoy Aubrey Beardsley January 1896 London 18.5 x 14 cm p. 64 figures in a landscape pen and ink 1890s Britain nature outdoors trees plants forest day woman man boy bow slippers polka dot dress overcoat pants fan brimmed hat boater hat sun hat V1 The Three Musicians (Art) The line block reproduction of a pen-and-ink drawing is landscape oriented. The image is a street view of Regent Street in London, from the perspective of a pedestrian on the sidewalk. The side of a building is seen from this perspective with an arched doorway and ornamented detailing above in the stone work. Above the doorway sits a balcony with an arched door leading out. A window sits above the balcony, and a set of three windows appear above. To the right of the building is a sidewalk and then the road, which travels straight towards the mid-ground and then curves off to the right. Many pedestrians line the sidewalk in front of the building, which curves along the left side of the road. The building ends, leaving a slight gap before the next identical building begins and follows the same curve out of sight. On the opposite side of the road is a mirrored sidewalk and building set-up. The building entrance on the far right is comprised of a large archway made of big blocks of stone. A set of three pillars is situated on top of the arch, and support a protruding roof. Windows line the front of the buildings on both sides of the street in three rows, with smaller windows in the top row. Along the side of the buildings on the left, about a third of the way up, train tracks run along the curve. In the sky that takes up the central background of the image, a large cloud that looks mushroom-like is blooming up, and the sky around seems to be exploding outwards in straight lines. Aligned in the centre on the bottom edge of the image is the text: “JOSEPH PENNELL” [caps]. There is no border around the image.