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                <title>The Savoy, Volume 1 (January 1896)</title>
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                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <idno>SAVOYV1_icon22</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University</pubPlace>
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                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                    <p>Usable according to the Creative Commons License <ref
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                        <author>Aubrey Beardsley</author>
                        <title>V1 The Fruit-Bearers</title>
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                            <publisher>Leonard Smithers</publisher>
                            <pubPlace>London W</pubPlace>
                            <date>January 1896</date>
                            <biblScope>Beardsley, Aubrey. "The Fruit-Bearers." <emph rend="italic">The Savoy</emph>,
                                vol. 1, January 1896, p. 167. <emph rend="italic">The Savoy Digital Edition,</emph> edited 
                                by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic">Yellow Nineties 2.0,</emph>
                                General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities,
                                2019, https://1890s.ca/savoyv1_beardsley_fruit/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                       <title>V1 The Fruit-Bearers</title>
                        <rs>SAVOYV1_icon22</rs> SAVOYV1_icon22 The Savoy Aubrey Beardsley January 1896 London 
                        18.5 x 13 cm p. 167 scene with figures pen and ink 1890s Europe outdoors garden forest deck palace pond
                        stairs woman centaur creature fruit bowls hooves pants top belt pointed bonnet braided sleeve fan slippers
                        quail urn railing spindles insect stone work steps vines grapes squash garden arbour columned building
                  </note>
                    <head>V1 The Fruit-Bearers</head>
                  <figDesc>This line-block reproduction of a pen-and-ink drawing is in portrait orientation. It shows two figures 
                      walking on a balcony outdoors towards the right side of the page and holding bowls above their heads. In 
                      the foreground the two figures stand and reach the halfway point of the page in height. The figure on the 
                      left is a woman, turned to face the right, showing only the profile of her face and body. She is wearing 
                      slippers with a fabric ball on the toe. She has on short pants striped horizontally which stop just below 
                      her knee. She is also wearing a short sleeve shirt and the sleeves are capped off at the edge with braided 
                      fabric. There is a decorative floral design on her top of flower bulbs floating around. At her waist is a 
                      shawl made of darker fabric than the rest of her outfit. The shawl has a vine traversing it with embroidered
                      flowers blooming from it. She has a fabric belt that secures the shawl at her hips. From this belt, a chain 
                      hangs down and holds a long fan dangling horizontally in the air. Her hair falls down to her mid-back in 
                      dark waves. Her arms are raised above and in front of her in about a ninety degree angle. In her upturned 
                      hands is a shallow wave-patterned bowl. To the right of the woman is a figure with a male face and hooves 
                      who is similarly turned to the right and visible in profile. He has horse hooves and horse legs emerging 
                      from the bottom of his baggy pants. The pants and his long sleeve shirt are identically patterned with 
                      vertical lines of flower garlands. A sash of material is tied around his waist and knotted at his back. 
                      He has long and pointy elf-like ears that arch backwards. His nose is downturned and stubby. He has on a 
                      pointed bonnet with the similar flower garland pattern to his clothing. From the back of his head a long 
                      curved stick points out and upwards. On this stick there are several ornaments that look like flowers 
                      stacked one upon the other. Atop the stick a quail is perched. The quail looks down towards the woman. The 
                      man’s arms are also at about a ninety degree upwards angle, and he too holds a bowl. His bowl is double 
                      the size of the woman’s. It holds huge bunches of fruits such as grapes and berries. A squash is visible 
                      in the bowl too. Leaves and vines are mixed into the bowl with the fruits. The woman and male creature are 
                      both walking on a large deck surface that is tiled in a checker pattern, with borders around each box. The 
                      deck has a stone railing made of two long horizontal slabs with thick stone spindles between them. Towards 
                      the left edge of the page the stone railing has a large urn resting on it, but only half in the frame. 
                      There is a decorative stone piece on the front of the pillar at the right end of the railing, just to the 
                      right of the male figure. It is an insect-like creature with wings and legs. Above the insect stone work, 
                      on the top edge of the railing, a beast is shown laying down onto its front paws. The creature is horned 
                      and in profile facing the same way as the two figures. The last pillar, which is below the creature, marks 
                      off the end of the deck and the transition into stairs leading down. The railing continues downwards at a 
                      diagonal to the right edge of the page. Behind the deck and railing is a garden area. A tall garden arbor 
                      stands behind the rail and many vines with flowers grow up and around it. Behind the arbor in the 
                      background is a small pond and further backgrounded still is a large columned building with a pointed roof.
                      A dark forest surrounds the building in the background.  
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