Yellow Nineties 2.0 The Savoy, Volume 8 (December 1896) <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>SAVOYV8_icon17</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Arthur Symons </editor> <author>Paul Naumann</author> <title>Paul Naumann Advertisement Leonard Smithers London W December 1896 Naumann, Paul "Paul Naumann Advertisement" The Savoy, vol. 8, December 1896, p. 101. The Savoy Digital Edition, edited by Lorraine Janzen Kooistra 2018-2019. Yellow Nineties 2.0, General Editor Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv8_naumann_art_ad

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, Portrait of Arthur Symons), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Paul Naumann Advertisement SAVOYV8_icon17 SAVOYV8_icon17 Paul Naumann Advertisement Paul Naumann Paul Naumann X December 1896 V7, p.96 19 x 13cm Advertisement Wood Engraving Paul Naumann Flowers Vines Roots Text boxes Leaves Berries “Designer, Engraver on Wood and Photozincographer, and c.” “Paintings, Drawings, // Photographs, etc., // Reproduced by either Wood Engraving, // HALF-TONE, [caps] or LINE PROCESS. [caps] // Manuscripts, Catalogues, // ETC., ETC., // Illustrated throughout by the best // ARTISTS. [caps] // Artistic Printing // A SPECIALTY. [caps] // ARTISTS [caps] are invited to send Drawings, // etc., as, owing to large connection with // Publishers and Art Editors, we have great // facilities for disposing of Drawings or // Copyright of same.” “P. Naumann.” “65, 69 and 71. Pentonville Road N.” Paul Naumann Advertisement The image is in portrait orientation. The image is an advertisement for Paul Naumann’s services and shows four boxes of textual publishing information with a floral design behind the boxes. At the bottom edge of the page are the roots of the flowers that extend up to the top edge. There are three roots based at the bottom edge. The roots are evenly spaced out across the width of the page. The roots appear as curled horizontal lines cut through in the middle with straight vertical lines. The roots and flower stalks are all dark coloured. Around the roots at the bottom edge is a looping piece of vine that looks like a rope. The vines then extend up vertically and wrap around the two exterior flowers all the way up the page. There is a bunch of berries in the middle two spaces between the flower stalks. Slightly up the page from the bottom edge is a long rectangular text box. In the single-edge box is the text: “Designer, Engraver on Wood and Photozincographer, and c.” The text is italicized and black on a white background. Above the box in the background is the flower stalks and vines, with two branches of leaves extending out horizontally. Slightly above and only on the right half of the page is another text box. This box is tall and rectangular, with a double-edged border. The box contains the text: “Paintings, Drawings, // Photographs, etc., // Reproduced by either Wood Engraving, // HALF-TONE, [caps] or LINE PROCESS. [caps] // Manuscripts, Catalogues, // ETC., ETC., // Illustrated throughout by the best // ARTISTS. [caps] // Artistic Printing // A SPECIALTY. [caps] // ARTISTS [caps] are invited to send Drawings, // etc., as, owing to large connection with // Publishers and Art Editors, we have great // facilities for disposing of Drawings or // Copyright of same.” Just above this text box is where the flowers bloom out from their stalks. The three flowers from the dark roots are dark ovals of leaves with four white daffodil flowers evenly populated. The two flowers from the vines are light and the petals are patterned dark and light in a repetitive order. The centre dark flower and two vine flowers are in line just below the next text box, and the two outer edge dark flowers rise up higher on either side of the text box. The text box says: “P. Naumann.”. This is written in the largest and boldest text on the page, with a double-edged border around it. There is one more text box above it and this one says: “65, 69 and 71. Pentonville Road N.”. The box is bordered with a single line. Two more leaf branches extend out horizontally in the background of these two highest text boxes. Behind all the flowers and vines is a stippled background. There is no border around the image.