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        <title>The Savoy, Volume 7 (November 1896)</title>
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        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2019</date>
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        <publisher>Yellow Nineties 2.0</publisher>
        <pubPlace>Ryerson University</pubPlace>
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            <editor>Arthur Symons </editor>
            <author>Mrs. Percy Dearmer [Mabel]</author>
            <title>Pan-Pipes</title>
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              <publisher>Leonard Smithers</publisher>
              <pubPlace>London W</pubPlace>
              <date>November 1896</date>
              <biblScope>Dearmer [Mabel], Mrs. Percy. "Pan-Pipes" <emph
                  rend="italic">The Savoy</emph>, vol. 7, November 1896, p.63. <emph rend="italic"
                  >The Savoy Digital Edition,</emph> edited by Lorraine Janzen Kooistra 2018-2019.
                  <emph rend="italic">Yellow Nineties 2.0,</emph> General Editor Lorraine Janzen
                Kooistra, Ryerson University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv7_dearmer_panpipes</biblScope>
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          processes that have specific manifestations at precise historical moments. The Yellow
          Nineties Online publishes facsimile editions of a select collection of fin-de- siècle
          aesthetic periodicals, together with paratexts of production and reception such as cover
          designs, advertising materials, and reviews. This historical material is enhanced by two
          kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
          and associates; and critical introductions to each title and volume by experts in the
          field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by
          them and/or an international board of advisors. The site as a whole is peer- reviewed by
          NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
          Contributors to the site retain personal copyright in their material. The site is licensed
          with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
          secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding
          Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for
          users, magazines are available on the site as virtual objects (facsimiles) in FlipBook
          form; in HTML for online reading; in PDF for downloading and collecting; and in XML for
          those who wish to review and/or adapt our tag sets. In order to make ornamental devices,
          such as initial letters, head- and tail- pieces, searchable, we have developed a Database
          of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a
          dynamic structure, a scholarly website is always in process; Phase One of The Yellow
          Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
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          <note n="SAVOYV7_18im">
            <title>Pan-Pipes</title>
            <rs>SAVOYV7_icon7</rs> SAVOYV7_icon7 Pan-Pipes Mrs. Percy Dearmer [Mabel] Paul Naumann
            VII November 1896 V7, p.63 14.5 x 7.7 cm Illustration Pen and Ink mythological outside
            forest satyr faun panpipes mushrooms trunk hollow ivy "MD" [caps] [Mabel Dearmer]</note>
          <head>Pan-Pipes</head>
          <figDesc> The line-block reproduction of Mabel Dearmer’s pen-and-ink drawing is bordered
            by a rectangular box in portrait orientation. The illustration is of a satyr or faun
            sitting on a stump in the hollow of a tree. He has a wreath of leaves in his hair and is
            playing panpipes. The tree has roots that spiral around the satyr and descend into the
            ground by his left hoof. There are mushrooms on both sides of the the trunk, sprouting
            from the ground. The artist’s initials are tucked under a mushroom on the left side of
            the page, they read: “MD” [caps]. In the bottom third of the image is open space. The
            surrounding tree is composed of distinct lines that often run parallel to one another.
            In the top third of the illustration, the wood is covered in white ivy leaves.
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