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        <title>The Savoy, Volume 6 (October 1896)</title>
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        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2019</date>
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        <idno>SAVOYV6_icon7</idno>
        <publisher>Yellow Nineties 2.0</publisher>
        <pubPlace>Ryerson University</pubPlace>
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          <addrLine>350 Victoria Street,</addrLine>
          <addrLine>Toronto ON,</addrLine>
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            <editor>Arthur Symons </editor>
            <author>William T. Horton </author>
            <title>Ballade Des Pendus</title>
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              <publisher>Leonard Smithers</publisher>
              <pubPlace>London W</pubPlace>
              <date>October 1896</date>
              <biblScope> Horton, William T. "Ballade Des Pendus" <emph rend="italic">The
                  Savoy</emph>, vol. 6, October 1896, p.60. <emph rend="italic">The Savoy Digital
                  Edition,</emph> edited by Lorraine Janzen Kooistra 2018-2019. <emph rend="italic"
                  >Yellow Nineties 2.0,</emph> General Editor Lorraine Janzen Kooistra, Ryerson
                University Centre for Digital Humanities, 2019, https://1890s.ca/savoyv6_horton_pendus</biblScope>
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          verbal and visual printed material, including non-referential physical elements such as
          bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
          processes that have specific manifestations at precise historical moments. The Yellow
          Nineties Online publishes facsimile editions of a select collection of fin-de- siècle
          aesthetic periodicals, together with paratexts of production and reception such as cover
          designs, advertising materials, and reviews. This historical material is enhanced by two
          kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
          and associates; and critical introductions to each title and volume by experts in the
          field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by
          them and/or an international board of advisors. The site as a whole is peer- reviewed by
          NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
          Contributors to the site retain personal copyright in their material. The site is licensed
          with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
          secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding
          Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for
          users, magazines are available on the site as virtual objects (facsimiles) in FlipBook
          form; in HTML for online reading; in PDF for downloading and collecting; and in XML for
          those who wish to review and/or adapt our tag sets. In order to make ornamental devices,
          such as initial letters, head- and tail- pieces, searchable, we have developed a Database
          of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a
          dynamic structure, a scholarly website is always in process; Phase One of The Yellow
          Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
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            <title>Ballade Des Pendus</title>
            <rs>SAVOYV6_icon7</rs> SAVOYV6_icon7 Ballade Des Pendus William T. Horton Paul Naumann
            VII October 1896 V6, p.60 12.5 x 10.2 cm Illustration Pen and Ink 15th century medieval
            France outdoors town Skeleton hanged man François Villon Tower bird “William T. Horton” </note>
          <head>Ballade Des Pendus </head>
          <figDesc>The line-block reproduction of Horton’s pen-and-ink drawing is in portrait
            orientation bordered by a black line. The image, inked in black, shows the scene of a
            hanging. On the left side, there are two black rectangular columns between which lies a
            wooden beam. From the beam, four figures hang by a rope from their necks. The figures
            are skeletons in silhouettes; their ribs are visible and the left-centre figure is
            missing the bottom half of their right leg. Four birds hover above the skeletons, and
            another hovers further back to the right. In the distance at right are six birds flying
            in pairs. In the bottom right corner of the page inked in black there is the silhouette
            of a city skyline. In the bottom left corner of the image is the author’s signature:
            “William T. Horton.” The signature is etched in white on the black background. The
            illustration faces its companion text, Thomas Wratislaw’s translation of the medieval
            ballad by François Villon, in which he imagines his own hanging.</figDesc>
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