The Yellow Nineties 2.0

The Yellow Nineties 2.0 The Pageant, Volume 1, 1896  <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2021</date> </edition> </editionStmt> <publicationStmt> <idno>PAG1_icon5</idno>  <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Gleeson White and Charles Shannon</editor> <author>James McNeil Whistler</author>  <title>The Doctor — Portrait of my Brother. Henry and Company London 1896 Whistler, James McNeil. "The Doctor — Portrait of my Brother." The Pageant, vol. 1, 1896, p. 29. Pageant Digital Edition, edited by Frederick King and Lorraine Janzen Kooistra, 2019-2021. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2021. https://1890s.ca/pag1-whistler-doctor/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"

<rs>PAG1_icon5</rs>James McNeil Whistler, The Doctor—Portrait of my Brother, Thomas Way, 1896, 18cm x 15cm, Portrait, Original Lithograph, Contemporary interior Dr. William McNeil Whistler (1836-1900) Chair </note>  <head/>The Doctor—Portrait of my Brother <figDesc>The unframed image, which features a man sitting on a chair and looking forward, has no background detail. The man is positioned off centre, with his back on the right side of the image and his feet pointing to the left. The man is wearing a suit, but the details are intentionally vague, sketched roughly by the artist. His right hand is visible on his lap, but the fingers on his left hand are not drawn, and his legs are likewise left unfinished, without feet. The man has a mustache, thick hair on the sides of his head and thinning hair on the crown. No setting is provided. The title indicates that the portrait is of the artist’s brother, Dr. William McNeil Whistler (1836-1900). </figDesc>  </figure> </div> </body> </text> </TEI>