Yellow Nineties 2.0 The Pageant, Volume 1, 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2021</date> </p> </editionStmt> <publicationStmt> <idno>PAG1_toc</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p> Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref> . </p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>Unknown</author> <title>Literary Contents Henry and Company London 1896 Table of Contents. The Pageant, vol. 1, 1896. Pageant Digital Edition, edited by Frederick King and Lorraine Janzen Kooistra, 2019-2021. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2021. https://1890s.ca/pag1-toc/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English French English literature -- 19th century -- Periodicals Great Britain -- Periodicals Paratext Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
❧ LITERARY CONTENTS PAGE

A ROUNDEL OF RABELAIS     .      .      .  A. C. Swinburne     1 COSTELLO THE PROUD, OONA MACDER- MOTT, AND THE BITTER TONGUE     .     .   W. B. Yeats     2 MONNA ROSA    .      .     .     .     .     .  Paul Verlaine    14 NIGGARD TRUTH     .     .     .     .     .  John Gray    20 ET S'IL REVENAIT     .     .     .     .     .  Maurice Maeterlinck    37 ON THE SHALLOWS   .      .     .     .     .  W. Delaplaine Scull    38 SONG   .     .     .     .     .      .     .     .  W. E. Henley (1877)    46 THE DEATH OF TINTAGILES     .     .     .  Maurice Maeterlinck    47 (Translated by Alfred Sutro) DAVID GWYNN—HERO OR 'BOASTING LIAR’?      .     .     .     .     .     .     .  Theodore Watts    72 THE WORK OF CHARLES RICKETTS  .     .    J. W. Gleeson White    79 A DUET     .      .     .     .     .     .     .  T. Sturge Moore    94 TALE OF A NUN  .     Translated by L. Simons and L. Housman    95 A HANDUL OF DUST     .      .     .     .  Richard Garnett    117 WILHELM MEINHOLD     .     .     .     .  F. York Powell    119 FOUR QUATRAINS     .     .     .     .     .  Percy Hemingway    130 INCURABLE     .     .      .     .     .     .  Lionel Johnson    131 BY THE SEA     .     .     .     .     .     .  Margaret L. Woods    140 GROUPED STUDIES     .     .      .     .     .  Frederick Wedmore    142 THE SOUTH WIND     .     .     .     .     .  Robert Bridges    145 ALFRIC     .     .      .     .     .     .     .  W. Delaplaine Scull    151 FLORENTINE RAPPRESENTAZIONI AND THEIR PICTURES     .     .     .     .     .    Alfred W. Pollard    163 THE OX     .     .     .     .     .     .     .  John Gray    184 EQUAL LOVE     .     .     .     .     .     .  Michael Field    189 PALLAS AND THE CENTAUR, after a picture by Botticelli     .      .     .     .     .     .  T. Sturge Moore    229 BE IT COSINESS   .     .     .     .     .     .  Max Beerbohm    230 SOHEIL     .     .     .     .     .    R. B. Cunninghame Graham    236

❧ ART CONTENTS

THE MAGDALENE AT THE HOUSE }Dante Gabriel Rossetti Fronti- OF SIMON THE PHARISEE-     .      .  } spiece PAGE MONNA ROSA  .    .     .     .     .   Dante Gabriel Rossetti      .     17 THE DOCTOR—PORTRAIT OF MY BROTHER, an original lithograph     .    James M'Neil Whistler      .     29 SYMPHONY IN WHITE, NO. III      .     James M'Neil Whistler      .     41 PSYCHE IN THE HOUSE      .      .     Charles Ricketts   .      .      .     53 ŒDIPUS, after a pen drawing   .     .    Charles Ricketts   .      .      .     65 LOVE, a brush drawing   .     .     .  Sir John Everett Millais, R.A. 77 SIR ISUMBRAS OF THE FORD   .     .    Sir John Everett Millais, R.A. 89 ALGERNON CHARLES SWINBURNE, a chalk drawing      .     .     .     .    Will Rothenstein      .      .     101 L'OISEAU BLEU, after a water- colour drawing  .     .    Charles Conder      .      .      .     113 SIDONIA AND OTTO VON BORK ON THE WATERWAY TO STETTIN, a pen drawing     .      .     .     .     .    Reginald Savage      .      .     125 ARIADNE     .      .     .     .     .    G. F. Watts, R.A.      .      .     137 PAOLO AND FRANCESCA     .      .    G. F. Watts, R. A.      .      .      149 THE ALBATROSS (ANCIENT MARI- NER) a pen drawing     .      .     .     .     .    Reginald Savage      .      .     161 THE SEA NYMPH     .     .     .     .    Sir Edward Burne Jones      .     173 PERSEUS AND MEDUSA   .     .      .    Sir Edward Burne Jones     .     187 DEATH AND THE BATHER, after a pen drawing     .     .     .     .     .    d .     Laurence Housman      .      .     199 A ROMANTIC LANDSCAPE, after a water-colour drawing     .     .      .  Charles H. Shannon    211 PALLAS AND THE CENTAUR   .     .    Sandro Botticelli     .      .     227 THE WHITE WATCH     .     .      .    Charles H. Shannon  .      .     239