Yellow Nineties 2.0 The Green Sheaf, No. 7 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2022</date> </edition> </editionStmt> <publicationStmt> <idno>GSV7-masefield-blind</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Toronto Metropolitan University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Pamela Colman Smith</editor> <author>George Ives</author> <title>Eocene. Pamela Colman Smith London 1903 Ives, George. “Eocene.” The Green Sheaf, No. 7, 1903, p. 6. Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra, Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022. https://1890s.ca/GSV7-ives-eocene/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2022) is underway.

1903 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Poetry Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Literature Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
<emph rend="bold"><emph rend="indent3">EOCENE.</emph></emph> I thought to be alone, but young Dawn stood Against the bed and lifted up my eyes. Gorgeous and strong in gallant hardihood Sprinkled with dew he came to bid me rise. His breath was full of rose leaves and his hair Was radiant like a rim of flowing gold, Which garlanded that face surpassing fair, And round his brow circled in shining fold. Come forth! he cried, I flew to summon Sleep That he should not retain thee in this way, But fly to where the hanging bats may keep Council with owls, and until twilight stay. The carpet green is spread, lad, get you up, In the sun’s light, dew drops like diamonds gleam, The opening daisy and the buttercup Are nodding by the bank along the stream. And from the water rolls the filmy mist, The River casts her bridal robe away, Ere raptured ripples all thy limbs have kissed, Put off thy garment, boy, for it is day !—

George Ives.