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                <title>Yellow Nineties 2.0</title>
                <title>The Green Sheaf, No. 10</title>
                <title type="GSV10-gf-garden"/>
                <editor>Lorraine Janzen Kooistra</editor>
                
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                    <date>2022</date>
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                <publisher>Yellow Nineties 2.0</publisher>
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                    <addrLine>Canada</addrLine>
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                        <editor>Pamela Colman Smith</editor>
                        <author>G.F.</author>
                        <title>The Garden</title>
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                            <publisher>Pamela Colman Smith</publisher>
                            <pubPlace>London</pubPlace>
                            <date>1904</date>
                            <biblScope>G.F. “The Garden,” illustrated by Pamela Colman Smith. <emph rend="italics">The
                                Green Sheaf</emph>, No. 10, 1904, pp. 4-5.
                                <emph rend="italics">Green Sheaf Digital Edition</emph>,
                                edited by Lorraine Janzen Kooistra, <emph rend="italics">Yellow Nineties 2.0</emph>,  
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                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
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                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
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                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2022) is underway. </p>
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                <head>
                    <title level="a"><emph rend="bold"><emph rend="indent3">THE GARDEN.</emph></emph></title>
                </head>
                
                <p><emph rend="indent"></emph>A story was told to me in Shetland, and this is how it ran:&#8212;</p>
                
                <p><emph rend="Indent"></emph>Once in Unst there lived a great sea-captain; he had travelled east and west, <lb/>
                    he had travelled in the scented south, and his discoveries were many and his <lb/>
                    fame great.</p>
                
                <p><emph rend="Indent"></emph>He was growing old, and his friends begged him to spend his old age amongst <lb/>
                    them in peace, leaving such work as his to the young; but he answered that <lb/>
                    he had yet another voyage to make before rest time came, and he manned his ship <lb/>
                    and sailed away for the polar lands.</p>
                
                <p><emph rend="indent"></emph>“For what do you adventure, captain?” asked the crew; “to find some fresh <lb/>
                    sea-passage, new frost-bound islands; or for seal and white bear skins?”</p>
                
                <p><emph rend="indent"></emph>“For neither fame nor gain,” he answered. “For those I have journeyed <lb/>
                    enough, and the end of all is a pleasureless, vain fulfilment. To-day I work for no <lb/>
                    end; I sail for the sailing’s sake; and I keep my course for the seaman’s lode-star, <lb/>
                    the point that draws the compass and guides my destiny.”</p>
                
                <p><emph rend="indent"></emph>And as he spoke the sky darted pennons of fiery glory, and the wave-crests <lb/>
                    caught and gave back the broken splendour of them.</p>
                
                <p><emph rend="indent"></emph>The days passed and grew to weeks and the ship kept its course; the ice-cutter <lb/>
                    ploughed through a white world, and night and day merged into a divine twilight. <lb/>
                    Seals cried mournful warning to each other across a noiseless dividing space; further <lb/>
                    still, and bears, scarcely distinguishable against the snowy landscape, were the only <lb/>
                    signs of active life. In time even these gave way to utter blankness and iciness, and <lb/>
                    the frail ship lay between a heaven of tattered fire and an earth of frost.</p>
                
                <p><emph rend="indent"></emph>The crew grew frightened, and would have mutinied, but they had lost their <lb/>
                    bearings and dared not sail except under the captain’s guidance. As for him, he <lb/>
                    stood motionless at the ship’s head, silent and self-absorbed, and heeded not their <lb/>
                    murmurings.</p>
                
                <p>&#10033;  &#160;&#160;&#160;&#160;
                    &#10033;  &#160;&#160;&#160;&#160;
                    &#10033;  &#160;&#160;&#160;&#160;
                    &#10033;  &#160;&#160;&#160;&#160;
                    &#10033;  &#160;&#160;&#160;&#160;
                    &#10033;</p>
                
                <p><emph rend="indent"></emph>There was something magnetic in the air; the heavens changed from dusky red <lb/>
                    to purple: the snow shone blue and unearthly. It grew warmer, and faint sweet <lb/>
                    odours crept on the breeze. They found themselves land-locked before and on <lb/>
                    either hand.</p>
                
                <p><emph rend="indent"></emph>The captain gave orders that anchor should be cast, that he might land.</p>
                
                <p><emph rend="indent"></emph>He went alone, first singling out three men, who if he had not returned in twelve <lb/>
                    days were to follow a line of light discernible ahead, where, he said, they would <lb/>
                    find him.</p>
                
                <fw type="footer"><fw type="pagNumLeft">4</fw></fw>
                
                <fw type="runningHead">
                    <fw type="head">The Green Sheaf</fw> 
                </fw>  
                
                <p><emph rend="indent"></emph>The days passed, and there was no sign of his return, and with trembling and <lb/>
                    misgiving the men set out.</p>
                
                <p><emph rend="indent"></emph>For three days they followed the gleam, and on the fourth day came upon the <lb/>
                    dead body of their master. Strangely enough, it showed no marks of death by frost, but <lb/>
                    was slightly charred.</p>
                
                <p><emph rend="indent"></emph>They were about to raise it, when suddenly before them, raised as in mirage, <lb/>
                    appeared a figure of awful beauty, with upraised flaming sword. Behind this loveliness <lb/>
                    there seemed to be a gate, set in a white wall overtopped by luxuriant vegetation. It <lb/>
                    was but a momentary vision, then the blinding light faded, and the men in speechless <lb/>
                    terror fled.</p>
                
                <p><emph rend="indent"></emph>They reached the ship nearly dead, and weighing anchor all returned home; how, <lb/>
                    they knew not, a wind impelled them.</p>
                
                <p><emph rend="indent"></emph>It was in answer to an expressed desire on my part to see the white countries of <lb/>
                    the north that the sailor told me this tale; and as a warning to all who would vain-<lb/>
                    gloriously search for the magnetic north.</p>
                
                <p><emph rend="indent"></emph>Inaccessible in the present scheme of things, but ever growing within that whiter <lb/>
                    walled Garden, there stands, said he, the Tree of Life, guiding the world until the <lb/>
                    Great Time comes when we may see it and be immortal.
                </p>
                
                <p><emph rend="indent6"><emph rend="italic">G. F.</emph></emph></p>
                
           
                
   
                
            

                
                
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