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<title>Yellow Nineties 2.0</title>
<title>The Evergreen: A Northern Seasonal,Part IV.&#8212;Winter 1896-7</title>
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<editor>Lorraine Janzen Kooistra</editor>
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<date>2019</date>
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<pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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<addrLine>Toronto ON,</addrLine>
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<addrLine>Canada</addrLine>
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<author>Elizabeth A. Sharp</author>
<title>Frost</title>
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<pubPlace>Edinburgh</pubPlace>
<publisher>T. Fisher Unwin</publisher>
<pubPlace>London</pubPlace>
<date>Winter 1896-7</date>
<biblScope>Sharp, Elizabeth A. "Frost." <emph rend="italic">The Evergreen; A Northern Seasonal,</emph> 
    vol. 4, Winter 1896-7, pp. 53-60. <emph rend="italic">Evergreen Digital Edition,</emph> 
    edited by Lorraine Janzen Kooistra, 2016-2018.
<emph rend="italic">Yellow Nineties 2.0,</emph> Ryerson University Centre for 
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
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                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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<pb n="57"/>
<head><title level="a">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;FROST</title></head>

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<p>
<ref target="#Frost">The Database of Ornament</ref>
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<div type="prose">

<p>QUIETLY the snow fell, in large soft flakes which <lb/> 
                    floated in the still air. Janet stood at her <lb/>
                    window and looked helplessly at the stealthy <lb/>
                    narrowing of the familiar horizon. The oppres- <lb/>
                    sive stillness of the clouds had waked her early; <lb/>
                    and, as she dressed, she watched the drifting <lb/>
    flakes. Now they fell faster, thicker. The grey veil gradu-<lb/> 
    ally drew its folds over hill and valley till the girl's outlook <lb/>
    was narrowed to the garden wall with its irregular line of <lb/>
    trees. The desolation of the scene sank deeply into her mind, <lb/>
    and intensified her despondency. The grey outer world with <lb/>
    its obscure horizon, its immediate limitations, seemed to sym- <lb/>
    bolise her own life, to echo her present mood. Janet turned <lb/>
    and surveyed the sombre comfort of her room wherein she <lb/>
    had lived so much of her twenty-two years. Familiarity had <lb/>
    dulled her perception of her usual surroundings; but, to-day, <lb/>
    the unloveliness of her room, of the whole house, jarred on her <lb/>
    nerves acutely. Greyness, she realised with a shiver, was the <lb/>
    prevailing tone in her life, despite her many resolutions, her <lb/>
    fitful efforts to colour it afresh, to make it fuller and more vital. <lb/>
    No prince, alas! had kissed her sleep into throbbing wakeful- <lb/>
    ness. Yesterday's lurid sunset had aroused afresh her flagging <lb/>
    determination to control the tenour of her life, and no longer to <lb/>
    be the slave of her environment. This morning, the remorse-<lb/>
<pb n="58"/>
<fw type="runningHead2">54</fw>

    less snowflakes wove a pall over her starved hopes, and froze <lb/>
    them into inanition. </p>
<p>'Janet,' a gentle old voice cried from the staircase, 'your break- <lb/>
    fast will be cold if you do not come!' and the girl, quitting her <lb/>
    window with a sigh, entered upon the day's routine. </p>
<p>It was in an old manse, in a quiet northern strath, that Janet<lb/> 
    lived with her grand-parents. Her grandfather had ministered <lb/>
    to the scattered souls of his parish for over fifty years, in his life<lb/> 
    illustrating the love of God, and preaching of the wrath to come <lb/>
    from his pulpit. The children born in the old manse settled <lb/>
    elsewhere, and Janet's parents had sent her from India to her <lb/>
    grandmother's fostering care when she was five years old. </p>
<p>As a child she ran wild about the garden, in fields and woods, <lb/>
    and by the rocks on the river. But as she grew out of child- <lb/>
    hood, the requirements of social decorum were laid upon her <lb/>
    by an instructress who strictly debarred her from the com- <lb/>
    panionship of her cotter playmates. Conventional restrictions <lb/>
    sowed seeds of dreariness early in her young life, whose imposed <lb/>
    boundaries narrowed in proportion as she grew old enough to <lb/>
    understand the increasing needs of her nature. Her home, <lb/>
    once her kingdom, became her prison; and she hailed with <lb/>
    joy the day that saw her conveyed to a boarding-school in the <lb/>
    nearest town. Here, at least, she gained companionship; at <lb/>
    least she saw an aspect of life different from that in the familiar <lb/>
    strath. Here, too, was new ground whereon to raise castles in <lb/>
    the air; here were new materials, in part furnished by her <lb/>
    companions, wherewith to build. The future surely held <lb/>
    enchanting possibilities and adventures in keeping for her. <lb/>
    India, at all events, was a promised land of vaguely remem- <lb/>
    bered brightness to which she should return. </p>
<p>But with the ending of her schooldays came the first crumbling <lb/>
    of Janet's dreams. An epidemic of cholera robbed her of both <lb/>
    her parents and of her sojourn in that ardently longed-for land <lb/>
    of sunshine and of love. </p>
<p>The grey old manse in the north-east of Scotland was hence-<lb/> 
    forth to be her home, varied only by visits to schoolfellows in<lb/>
<pb n="59"/>
<fw type="runningHead2">55</fw>

    Edinburgh, or to an aunt in the bewildering city of London. <lb/>
    Her dream, too, of being a painter was shattered by her <lb/>
    grandfather's unconquerable prejudice against the preparatory <lb/>
    student life away from home control. 'Paint by all means, <lb/>
    child, if it amuses you; but paint here. I have heard dreadful <lb/>
    tales of student life in London and Paris, and dare not take so <lb/>
    great a responsibility on my conscience, or allow you to run <lb/>
    such terrible risks.' </p>
<p>So the weeks passed in an ever-growing monotony; and the <lb/>
    young life began to falter for lack of vital nourishment. The <lb/>
    prevailing silence, broken only by the sound of a cart-wheel or <lb/>
    the lowing of a cow, or rendered more audible by the sudden <lb/>
    cawing of the rooks, weighed on Janet's spirits. The lack of <lb/>
    young companionship depressed her; the inadequacy of her <lb/>
    daily duties rendered them distasteful to her; the lack of <lb/>
    mental outlook and stimulus starved her intellectually. </p>
<p>Springtide brought fresh hope, fresh vigour; the summer, <lb/>
    with its flowering beauty of field and hill, fresh joy. With <lb/>
    autumn came the sportsmen, and for a short season the <lb/>
    countryside was gay. Janet utilised the warm bright days <lb/>
    in trying to find a way of putting upon canvas her impressions <lb/>
    of green summer and ruddy autumn, for a solace throughout <lb/>
    the long winter and a promise of the spring to be. But with <lb/>
    the fall of the year her ardour waned, her courage dissipated. <lb/>
    The dull quiet, the chill greyness of winter with its steely sun- <lb/>
    shine, ate into her life and robbed her of all impulse. Against <lb/>
    the winter lethargy she fought fitfully but unavailingly. </p>
<p>Janet's breakfast greeting on this snowy January morning was <lb/>
    of a kind she little expected. </p>
<p>'Well, dearie, here's news for you&#8212;for granny and I have quite<lb/> 
    made up our minds about the matter. You have been ailing <lb/>
    all winter, and now an unlooked-for chance has come to make <lb/>
    you well again.' </p>
<p>The girl's heart leapt, and the colour rushed into her pale face. <lb/>
    Any change would be an unspeakable relief to her. </p>
<p>'Your aunt has written to tell me that she and your cousin are<lb/>
<pb n="60"/>
<fw type="runningHead2">56</fw>

    going to Rome for three months, and she is quite pleased that <lb/>
    you should go with them. Three months in Italy ought to <lb/>
    make a strong girl of you; and you will come back to us in <lb/>
    April with the spring flowers.' </p>
<p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .</p>
<p>Every incident of the journey was an excitement. Dreamland, <lb/>
    hope, desire, lay before her. The morrow was no longer a <lb/>
    barren waste bounded by a narrow horizon. Her way lay now <lb/>
    through the unknown, whose sign-posts she could discern <lb/>
    faintly in the flooding sunshine. The minor discomforts of <lb/>
    travel Janet welcomed, for they suggested a practical aspect <lb/>
    of dreamland to which she had never given a thought. </p>
<p>Genoa was the first halting-place. Genoa, the great amphi- <lb/>
    theatre of Ligurian prosperity, with its tier above tier of <lb/>
    Oriental-looking houses flanking the tree-clad hills, and <lb/>
    separated from the crescent bay by its white marble quay. </p>
<p>The great cool palaces; the luxuriant foliage dotted with <lb/>
    pendent oranges and warm-red roses, and pierced by feather <lb/>
    fronds of palm-trees or the spiky growth of cactus and of aloe; <lb/>
    the great harbour with its shipping, the blue-green waters <lb/>
    alive in the sunlight;&#8212;these things awoke in Janet's brain <lb/>
    forgotten memories and mental pictures of an Oriental city <lb/>
    girt by its great harbour, rich, too, in colour, and full of strange<lb/> 
    forms and features that long ago, in early childhood, had been <lb/>
    familiar to her if then unnoted. </p>
<p>Rome was reached in the early morning, and the girl's first <lb/>
    vision of the great city was from the terrace roof of her room<lb/> 
    high above the Spagna steps. There she stood motionless, <lb/>
    breathless almost, as she watched the delicate dawn-mist float <lb/>
    away and reveal countless domes and spires, and beyond <lb/>
    these the Alban and Sabine hills, as the sun rose above the <lb/>
    Apennines and turned the quiet twilight into the radiance of <lb/>
    morning. </p>
<p>Day by day the beauty and effluence of the southern winter <lb/>
    awoke a deep and eager response in Janet's nature. She <lb/>
    became conscious of new needs, new desires. Already the<lb/>
<pb n="61"/>
<fw type="runningHead2">57</fw>

    cramping influence of familiar parochial life was melting in <lb/>
    the cosmopolitan breath of the eternal city. Janet scarcely <lb/>
    recognised herself as the old landmarks vanished; she felt <lb/>
    happy in this sun-swept, but, to her, pathless land. Her <lb/>
    ignorance appalled her; her insular and Puritan prejudices <lb/>
    were perpetual stumblingblocks which met her with fatiguing <lb/>
    monotony. The artistic side of her nature, however, expanded <lb/>
    joyously in the congenial environment. So keen was her <lb/>
    pleasure, she did not realise how the outward tenour of her <lb/>
    sojourn resembled that of every ninety-and-nine tourists to <lb/>
    whom Baedeker is an infallible guide. To Janet, Rome was a <lb/>
    newly discovered country, and she found herself full of unrecog- <lb/>
    nised possibilities. Ruins, galleries, churches, were visited in <lb/>
    due course. Much as these interested her, she loved best of <lb/>
    all to escape alone to the Pincio and gaze over its ilex-shaded <lb/>
    parapet at the city below; to watch the endless coming and <lb/>
    going of smart carriages, or the strings of collegiates, in their <lb/>
    distinctive soutanes and hats, wind along the pathways; or to <lb/>
    saunter towards the Porta del Popolo and feast her eyes on <lb/>
    the moist greensward and the fresh foliage of the exotic trees <lb/>
    which make a summer of the Roman winter. And how beautiful, <lb/>
    too, in the early mornings was the Piazza di Spagna, abloom <lb/>
    with sprays of early blossoming shrubs&#8212;wattle, with its per- <lb/>
    fumed golden balls; eucalyptus, with its thin, scimitar-shaped <lb/>
    leaves; roses and violets and narcissi, till the fountain in the <lb/>
    centre seemed to spring and sparkle from the heart of a flower- <lb/>
    garden. </p>
<p>The churches with their wealth of mosaics and paintings, their <lb/>
    coloured trappings, their strange, picturesque ceremonies, <lb/>
    attracted yet repelled Janet. Her sensuous impulses rebelled <lb/>
    desperately against her religious convictions, trained as she <lb/>
    had been in the severe Calvinistic atmosphere. The harsh <lb/>
    unloveliness of the little strath kirk had always been dis- <lb/>
    tasteful, though she loved the austere purity of her grand- <lb/>
    father's teaching. Here, in Rome, the aesthetic attractions of <lb/>
    the great churches affected her profoundly by their subtle<lb/>
<pb n="62"/>
<fw type="runningHead2">58</fw>

suggestiveness, by their repose; but their religious appeal left <lb/>
    her unmoved, or frankly hostile. </p>
<p>In the hotel she made few friends. The girl's natural shyness, <lb/>
    increased by the remoteness of her home, was a constant barrier<lb/> 
    to social intercourse. At table her position between her soci- <lb/>
    able aunt and cousin relieved her, she felt, of the necessity of <lb/>
    continuous talking, and leisure to watch and listen unheeded. <lb/>
    The three months at length drew to a close, the longest and <lb/>
    most eventful of her life. As Janet stood on the terrace roof <lb/>
    for the last time, and watched the sun set in flaming crimson <lb/>
    and orange, against which the dome of St. Peter's stood out- <lb/>
    lined in sombre purple, she sighed farewell to the mysterious <lb/>
    Campagna beyond, to the ancient city at her feet. She knew <lb/>
    that her regret would grow into an ever-deepening longing <lb/>
    as time drifted her further away from this flowering oasis she <lb/>
    had chanced upon in the colourless desert of her life. </p>
<p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;
    .</p>
<p>The elation that Janet had brought back with her from Italy <lb/>
    lasted throughout the ensuing summertide. The beauty of the <lb/>
    summer, the rich fruition of tree and flower, the mantling <lb/>
    green, gold, and purple of hill and vale, Janet saw through eyes <lb/>
    wherein lingered the glamour of the southern land she had <lb/>
    left. Nevertheless, it was a shock, on her return to the old <lb/>
    sleepy manse, to find neither stick nor stone out of its accus- <lb/>
    tomed place, to see nothing altered in any one or anything that <lb/>
    answered to the wonderful change she felt in herself. Nothing <lb/>
    differed: the same voices, the same routine, the same daily <lb/>
    remarks, just as she remembered them ever since her child- <lb/>
    hood. Yet not quite the same. A curious shrinkage seemed <lb/>
    to have taken place. The greater world outside this familiar <lb/>
    daily life made the smaller world grow smaller still, showed it <lb/>
    by comparison to be antiquated, asleep, left behind by the <lb/>
    great wave of extension and expansion. </p>
<p>Losing sight of the warm human hearts that beat in the little <lb/>
    strath, of the equality of suffering it shared with the rest of the<lb/> 
    world, Janet felt herself chilled to the heart by its parochialism,&#8212;<lb/>
<pb n="63"/>
<fw type="runningHead2">59</fw>

    in other words, by the absence of any definite outlet for her <lb/>
    unsatisfied and untried possibilities. The even tcnour of her <lb/>
    life had been abruptly confused by her visit to Rome. An angel <lb/>
    had stepped into the quiet pool and had troubled it; but alas! <lb/>
    the waters were gradually settling once more into stagnation. <lb/>
    Would no lasting good remain? </p>
<p>One by one the autumn sportsmen and their visitors left the <lb/>
    neighbouring hills, and the strath resumed its normal unevent-<lb/> 
    fulness. Was there no escape? Should she not go back to <lb/>
    Rome, or even to London, and learn to paint? She was of age, <lb/>
    should she not choose her own course of life? But whenever <lb/>
    this suggestion created an alluring picture in her mind, it was <lb/>
    immediately effaced by another&#8212;that of two wrinkled, pathetic <lb/>
    faces, of two frail old bodies awaiting the close of their tired <lb/>
    lives. This picture seemed to Janet to leave her no alternative. <lb/>
    Clearly she realised her present duty, and accepted it; but the <lb/>
    blight of bitter regret and futile longing withered the delicate <lb/>
    tentatives of her heart. </p>
<p>Autumn faded into barrenness; the leaves lay brown and sodden <lb/>
    in the strath. Here and there a straggling bunch of mountain- <lb/>
    ash berries gleamed scarlet among the skeleton branches; <lb/>
    ruddy haws presaged a severe winter. Early frosts turned the <lb/>
    low grey clouds into falling rain, and the enshrouding mists <lb/>
    hung above the river, and were shredded against the pine-trees <lb/>
    on the banks. </p>
<p>The uneventful days crawled on, and, as the year waned, Janet <lb/>
    felt herself paralysed by an inertia that robbed her of all power<lb/> 
    of adapting her environment to her own ends. Since she could <lb/>
    not shape her destiny, she had to suffer; since she could not <lb/>
    attune herself to her surroundings, she had to endure. </p>
<p>One December afternoon, after a windless, brooding morn- <lb/>
    ing, Janet stood at the parlour window disconsolately watching <lb/>
    the little eddies of wind which whirled the dust into spirals, and <lb/>
    here and there shook down a ragged, tenacious leaf that circled <lb/>
    reluctantly to the ground. Suddenly a large, loose snowflake <lb/>
    drifted past the pine branches, and this all at once was<lb/>
<pb n="64"/>
<fw type="runningHead2">60</fw>

followed by a cloud of other flakes, which melted as they<lb/>
    fell. </p>
<p>'Ah! winter has come!' she said, with sharp indrawing of her <lb/>
breath. She stood spellbound while the snow fell faster, finer, <lb/>
till at last the ground was hidden by the soft white covering. <lb/>
'Winter has come,' she sighed again. Then, turning abruptly, <lb/>
she pushed her easel aside impatiently, thrust her paint tubes <lb/>
and brushes Into the old oak chest, and took the household <lb/>
    &#160;&#160;&#160;workbasket from the chimney corner. Drawing a chair <lb/>
    &#160;&#160;&#160;&#160;&#160;&#160;before the fire, she began with nervous fingers to darn <lb/>
    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;some fine napery. 'Yes,' she repeated <lb/>
    &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;wearily, 'winter has come indeed.'</p>
<lb/>

<p><ref target="#EAS">ELIZABETH A. SHARP.</ref></p>

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