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                <title>The Yellow Nineties Online</title>
                <title>The Evergreen: A Northern Seasonal, Part IV.&#8212;Winter 1896-7</title>
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                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2018</date>
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                <publisher>The Yellow Nineties Online</publisher>
                <pubPlace>Ryerson University</pubPlace>
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                        <addrLine>English Department</addrLine>
                        <addrLine>350 Victoria Street,</addrLine>
                        <addrLine>Toronto ON,</addrLine>
                        <addrLine>M5B 2K3</addrLine>
                        <addrLine>Canada</addrLine>
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                        <author>C. H. Mackie </author>
                        <title>Front Cover </title>
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                            <publisher>Patrick Geddes &amp; Colleagues</publisher>
                            <pubPlace>Edinburgh</pubPlace>
                            <publisher>T. Fisher Unwin</publisher>
                            <pubPlace>London</pubPlace>
                            <date>Winter 1896-7</date>
                            <biblScope>Mackie, C.H. "Front Cover." <emph
                                rend="italic">The Evergreen: A Northern Seasonal</emph>, vol. 4, Winter 1896-7. 
                                <emph rend="italic">Evergreen Digital Edition</emph>, edited by Lorraine Janzen Kooistra, 2016-2018. 
                                <emph rend="italic">The Yellow Nineties 2.0</emph>, 
                                Ryerson University Centre for Digital Humanities, 2018.
                                https://1890s.ca/EGV4_mackie_front_cover/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1895</date>
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                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                        <title>[Front Cover]</title>
                        <rs>EGV4_icon1</rs> [front cover] C H Mackie Unsigned 1 Summer 1896 7 cover Front cover Etched leather 
                        with ink 1890s Exterior plant tree trunk branches roots The Evergreen Winter Published by Patrick Geddes 
                        and Colleagues at the Lawnmarket of Edinburgh London T Fisher Unwin Paternoster Square E C Artist s mark 
                        an m
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                    <head> [Front Cover] </head>
                    <figDesc> 
                        Front cover is brown leather decorated with a tree motif in green ink Centred at the top of the image 
                        in reddish brown ink is the title The Evergreen in capital letters The branches of the tree spread 
                        outward towards the left and right side of the cover and weave together in the center The tree and its
                        branches take up the majority of the cover On the center bottom left of the cover beside the trunk of 
                        the tree in reddish orange ink it reads published in EDINBURGH by Patrick Geddes Colleagues at the
                        Lawnmarket The text continues on the right side of the trunk It reads And also in LONDON by T Fisher 
                        Unwin Paternoster Square E C The roots of the tree extend below this text and wrap around the words 
                        WINTER BOOK in red brown ink Below this s a design in green ink that extends from the left to the 
                        right side of the image Tracing this design and the tree is a thick line of blue ink The artist s
                        mark a small m can be found in the lower left corner of the image A frame of two thin green lines
                        encloses the image Image is vertically displayed
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