The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part IV.—Winter 1896-7 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV4_icon9</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author> Charles H. Mackie </author> <title> 'By the Bonnie Banks o' Fordie' Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Winter 1896-7 Mackie, Charles H. "By the Bonnie Banks o’ Fordie." The Evergreen: A Northern Seasonal, vol. 4, Winter 1896-7, p. 9. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. The Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/EGV4_mackie_fordie/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
‘By the Bonnie Banks o’ Fordie’ EGV4_icon9 By the Bonnie Banks o Fordie Charles H Mackie unkonwn 9 Winter 1986-7 97 1890s black pen and ink 1890s River bank river bank River Fordie lamb grazing animal flower iris water Figures young women woman sisters sister dress pattern apron Artist s mark M ‘By the Bonnie Banks o’ Fordie’ Image is of three young women who are standing at the edge of a body of water The young woman on the far left has dark hair and is wearing a dark dress with an apron that has a decorated edge She is leaning over to pick a flower along the edge of the water She is holding the hand of the young woman in the middle who is standing upright She has long light hair and her eyes appear to be closed or her gaze is downcast Her dress is patterned and she is wearing a white apron that is draped loosely around her shoulders She has her arm around the third young woman on the far right who is leaning to the right with her gaze directed to the right side of the page She is holding the hand of the young woman beside her which is draped around her shoulder There are long reeds and a sandy bank that curves into the water visible behind the young women There is a tree on the far right side of the image On the bank of the other side of the body of water there are animals possibly lambs that are grazing Loosely drawn buildings are visible in the far distance In the far right corner of the image the artist s mark an M with a circle around it is visible The image is positioned horizontally and is framed by a thin border The title By the Bonnie Banks o Fordie refers to a ballad in which three sisters are confronted by a man at the banks of the Fordie