The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part IV.—Winter 1896-7 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV4_icon4</idno> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author> R. S. W. James Cadenhead </author> <title> A Cottage in a Wood Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Winter 1896-7 Cadenhead James. "A Cottage in a Wood." The Evergreen: A Northern Seasonal, vol. 4, Winter 1896-7, p. 19. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. The Yellow Nineties Online, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/EGV4_cadenhead_cottage/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
A Cottage in a Wood A Cottage in a Wood James Cadenhead R S W Hare Sc 4 Winter 1896 7 19 pastoral pen and ink 1890s Forest snow river Exterior cottage house river bridge winter snow Branches trees wall human figure hunched cloak Kindling Hare Sc Artist s Mark EGV4_icon4 A Cottage in a Wood Image is of a figure in a winter scene who is hunched over and holding a bundle of kindling The figure is partially obscured by a single tree surrounded by a few sparse shrubs Thin bare trees sparsely populate the foreground of the image and become denser in the background towards the top right corner In the foreground of the image there is a creek indicated by thin horizontal black lines A brick bridge is visible on the center right of the image extending over the creek Behind the figure is a small cottage with snow on its roof and a chimney at the top Behind the house in the background, is a winding wall that separates the forested area from an open field The image is rendered in thick black ink with significant white space indicating snow and the sky The engraver s mark Hare Sc can be found in the bottom right corner of the image The artist s mark a C with a line through the center can be found on the left side of the image The image is vertically positioned with a black border