The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part III.—Summer 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV3_icon10</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>Andrew Kay Womrath</author> <title>La Lune d'Été Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Summer 1896 Womrath, Andrew Kay. "La Lune d'Été." The Evergreen: A Northern Seasonal, vol. 3, Summer 1896, p. 87. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. The Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv3_womrath_lune/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
La Lune d'Été EGV3_icon10 La Lune d'Été Andrew Kay Womrath Hare Sc X SUmmer 1896 page 87 17.7 cm x 13.1 cm mystical romantic pen and ink 1890s Exterior natural flowers iris rose ocean sea wave crest tree orange tree beach moon cloud cliff sand dune sky night Women female figure musician standing sitting Bow lyre scroll dress smock belt sleeves collar A KAY WOMRATH Hare Sc La Lune d'Été Image is of two female musicians in a natural setting on a beach beside the sea The figure on the right is standing and holding a long illuminated scroll with markings most likely text She appears to be singing She has dark hair with a white bow that draws her bangs away from her face She is wearing a loose dress with gigot sleeves an embroidered collar and a decorative belt The figure on the left is sitting down playing a lyre She is wearing a black smock with white patterned sleeves that are puffed out at the shoulders Her dark hair is being held back by a flower possibly a rose and her dress is also adorned with a rose In the foreground, there is a row of stylized iris flowers Behind the two figures is a single orange tree with a thin trunk and fruit in the branches The sea in the background on the left side of the image is marked with rolling waves with white crests To the right of the beach are sand dunes or cliffs Behind the standing figures head is a large moon with clouds in front and lines radiating out from it. Image is vertically displayed with a thick inner border and a thin outer border The engravers mark Hare Sc can be seen in the bottom right corner in between the two borders The artists mark a black box with the text A Kay Womrath is visible on the right side of the image