The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part III.—Summer 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV3_icon8</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>Charles H. Mackie</author> <title>'Chucks' Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Summer 1896 Mackie, Charles H. "Chucks." The Evergreen: A Northern Seasonal, vol. 3, Summer 1896, p. 65. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. The Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv3_mackie_chucks/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
'Chucks' EGV3_icon8 Chucks Charles H Mackie Hare Sc VIII Summer 1896 page 65 10.9 cm x 17.7 cm pen and ink 1890s Outdoor setting day grass human figure female figure children girls hair dress hat apron blouse Chucks box Artists mark M inside a circle Hare Sc Chucks Image is of a group of seven girls lying on cut grass The girls are playing chucks They are roughly positioned in a circle and their attention is directed towards one girl on the right side of the image. This girl has dark hair and a white dress She is sitting upright with her left hand in the grass. In her right hand she is tossing three small objects into the air Towards the bottom left hand corner of the image there are three girls who are visible from behind One girl on the far left edge has light hair and is wearing a woven sun hat In her hand she is holding a box The two girls to her right both have dark hair One girl farther to the right is resting on her elbows and knees and is leaning forward to look at the girl throwing the chucks She is wearing a plain black dress and her face can be seen in profile The third girl is resting her hand on the girl in the black dress back She is wearing a patterned blouse and a plain black skirt with a white apron Her neck and ear are visible but not her face Along the top of the image there are three more girls lying on the grass The girl on the far left is wearing a polka dot patterned dress and is resting her chin on the girl in the middles arm The girl in the middle has very light hair and a white dress She is resting her head against her hand The girl on the right has a patterned dress and her chin is propped up on her fist In the bottom right of the image we see the artists mark a white M in a black circle The image reproducers signature Hare Sc is in the lower left corner This image is displayed horizontally in landscape orientation and has a black border