Yellow Nineties 2.0 The Evergreen: A Northern Seasonal, Part III.—Summer 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>EGV3_13po</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>Douglas Hyde</author> <title>From the Irish-Gaelic of Tadhg Gaolach O Suilliobhain Patrick Geddes and Colleagues Edinburgh T. Fisher Unwin London Spring 1896 Hyde, Douglas. "From the Irish-Gaelic of Tadhg Gaolach O Suilliobhain." The Evergreen; A Northern Seasonal, vol. 3, Summer 1896, pp. 36-37. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/egv3_hyde_suilliobhain/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Poetry Translation Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Literature Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
FROM THE IRISH-GAELIC OF TADHG GAOLACH                             O SUILLIOBHAIN
Page with ornament

The Database of Ornament

ROSE of the Universality, holy and heavenly leader, Thou of thy flock on the mountains, the comforter,          carer, and feeder, Save me, protect me, preserve me, on mountains          a perilous wanderer, Aid me and keep me and steer me, and shield          me from death and the plunderer. From famine, from dread, and from darkness, from death and          destruction and danger, Guard me that ultimate day of the Universe, be not a stranger. From the bursting and burning and flashing of livid-red light-          ning and thunder. From war and from tumult of Nature, and elements riving          asunder.            .               .               .               .               .              . Day of a terrible judgment, imposing an end on all nations, Black day of wrath and of anger, and fury on earth's habita-          tions. Sorrowful, spiritless day of grey grief and of loud lamentation, Day of the treading the wine-press of wrath and of red desola-          tion.                  37 With thunderbolts' crash, and with bursting of billows, and          tempest, and clangour, Heaven shall shake, and the elements blazing shall quake at          His anger. Blood-red and crimson the moon shall be turned when the          might of His power Shall shake down the sun from his seat, and the doud-face of          darkness shall lower. Woods and all forests and mountains and crags with a thunder          appalling. Islands and cities and countries all melting, dissolving, and          falling, Darkness and fog through the world, with confusion, and fury,          and fighting, And hurling of hailstones from heaven, and fragments of firma-          ments smiting.            .               .               .               .               .              . Then both His sign shall be seen, and His word shall be heard,          and the wicked Furious and fearful and fipng shall hide them in cave and in          thicket. Then shall the seas from their barriers break with a mighty          commotion, Tumult on earth and in air, and tumultuous tumult in ocean. Michael shall stand, a serene one, arrayed in majestical splen-          dour, Warning with sound of a trumpet he cometh, an holy avenger; With a loud brazen blare of a clarion, from heaven to hell it is          pealing, Bursting the bars of the bondage of Death, and His vengeance          revealing.            .               .               .               .               .              .

                                                                              DOUGLAS HYDE, LL.D.                                                                                            (An Chraoibhin Aoibhinn).