The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part III.—Summer 1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV3_icon11</idno> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>John Duncan</author> <title>The Way to Rheims Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Summer 1896 Duncan, John. "The Way to Rheims." The Evergreen: A Northern Seasonal, vol. 3, Summer 1896, p. 99. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. The Yellow Nineties Online, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv3_duncan_rheims/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
The Way to Rheims EGV3_icon11 The Way to Rheims John Duncan Hare Sc XI Summer 1896 page 99 13.9 cm x 17.9 cm historical medieval pen and ink Medieval 1429 France Exterior Procession Joan of Arc Scots Guard Garde E cossaise angels saint horse armor feather cap wings caparison hair Dagger sword sheathe flag Scottish flag fleur de lis arrow bow heraldic devices fleur de lis Charles JehAnne D’Arc et sa Garde Ecossoise Franco-Scottish Society-Sorbonne 18th April 1896 Hare Sc The Way to Rheims Image is of Joan of Arc marching to Rheims for the coronation of the Dauphin with the Garde E cossaise or the Scots Guard Joan is riding on horseback in the center of the image She is wearing a full suit of armour with decorative embellishments and spurs at her heels A sword in its sheathe rests against her hip On her head she is wearing a cap or sallet with a feather protruding from the back and her long black hair is falling behind her In one hand she is holding the reins of the horse and in the other she is holding up a flag adorned with the French fleur de lis Joan is looking straight ahead Her upper body is encircled by two angels who float at either side of her The angels faces are turned towards Joan and their wings form a circle around her The angel on the right has long stylized hair The angels hands are held up below their chin with interlacing fingers The horse that Joan is riding is dark in colour A fleur de lis patterned caparison is draped over it The horse is shown in profile with one leg lifted and its mouth is open Surrounding Joan are six soldiers from the Scots Guard three in front and three behind These soldiers are outfitted in armour decorated with crosses on their brigandines The word CHARLES is visible across the chests of the three soldiers behind Joan Two of these soldiers are carrying bows One of the soldiers is also holding an arrow An arrow is also visible in the hand of one of the soldiers in front of Joan Two of the soldiers at the front are carrying a flag The first flag shows a lion with the Latin script In Omni mode fidelis translated into English as Ever Faithful The second flag is the Scottish flag bearing St Andrews cross In the top left hand corner of the image the words JeAanne D Arc et sa Garde Ecossoise are written in a gothic script This text is enclosed in a two lined border that follows the shape of the letters A single lined black border encloses the rest of the image The artist s mark can be found in the bottom left corner The engraver’s signature Hare Sc can be found in the bottom right corner The image is displayed in landscape orientation