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<title>Yellow Nineties 2.0</title>
<title>The Evergreen: A Northern Seasonal, Part II.&#8212;Autumn 1895</title>
<title type="EGV2_sharp_hill"/>
<editor>Lorraine Janzen Kooistra</editor>
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<p>
<date>2019</date>
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<idno>EGV2_28po</idno>
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<addrLine>Canada</addrLine>
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<author>William Sharp</author>
<title>The Hill Water</title>
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<publisher>Patrick Geddes and Colleagues</publisher>
<pubPlace>Edinburgh</pubPlace>
<publisher>T. Fisher Unwin</publisher>
<pubPlace>London</pubPlace>
<date>Autumn 1895</date>
<biblScope>Sharp, William. "The Hill Water." 
                            <emph rend="italic">The Evergreen; A Northern Seasonal,</emph> vol. 2, Autumn 1895, pp. 107-109. 
                            <emph rend="italic">Evergreen Digital Edition,</emph> edited by Lorraine Janzen Kooistra, 2016-2018.
<emph rend="italic">Yellow Nineties 2.0,</emph> Ryerson University Centre for 
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
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                    Scholarship). Contributors to the site retain personal copyright in their material. The
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                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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<div n="EGV2_28po" type="poetry">
<pb n="111"/>
<head><title level="a">&#160;&#160;&#160;&#160;&#160;&#160;THE HILL-WATER</title></head>

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<p>
<ref target="#HillWater">The Database of Ornament</ref>
</p>


</div>
<div type="poetry">

<lg type="stanza">
<l><emph rend="indent2">THERE is a little brook,</emph></l>
<l><emph rend="indent2">I love it well:</emph></l>
<l><emph rend="indent2">It hath so sweet a sound</emph></l>
<l><emph rend="indent2">That even in dreams my ears could tell</emph></l>
<l><emph rend="indent2">Its music anywhere:</emph></l>
<l><emph rend="indent2">Often I wander there,</emph></l>
<l><emph rend="indent2">And leave my book</emph></l>
<l><emph rend="indent2">Unread upon the ground,</emph></l>
<l><emph rend="indent2">Eager to quell</emph></l>
<l><emph rend="indent2">In the hushed air</emph></l>
<l><emph rend="indent2">That haunts its flowing forehead fair</emph></l>
<l><emph rend="indent2">All that about my heart hath wound</emph></l>
<l><emph rend="indent2">A trouble of care:</emph></l>
<l><emph rend="indent2">Or, it may be, idly to spell</emph></l>
<l><emph rend="indent2">Its runic rhythms rare,</emph></l>
<l><emph rend="indent2">And with its singing soul to share</emph></l>
<l><emph rend="indent2">Its ancient lore profound:</emph></l>
<l><emph rend="indent2">For sweet it is to be the echoing shell</emph></l>
<l><emph rend="indent2">That lists and inly keeps that murmurous miracle.</emph></l>
</lg>

<pb n="112"/>
<fw type="runningHead2">108</fw>

<lg type="stanza">
<l><emph rend="indent2">About it all day long</emph></l>
<l><emph rend="indent2">In this June tide</emph></l>
<l><emph rend="indent2">There is a myriad song.</emph></l>
<l><emph rend="indent2">From every side</emph></l>
<l><emph rend="indent2">There comes a breath, a hum, a voice:</emph></l>
<l><emph rend="indent2">The hill-wind fans it with a pleasant noise</emph></l>
<l><emph rend="indent2">As of sweet rustling things</emph></l>
<l><emph rend="indent2">That move on unseen wings;</emph></l>
<l><emph rend="indent2">And from the pinewood near</emph></l>
<l><emph rend="indent2">A floating whisper oftentimes I hear,</emph></l>
<l><emph rend="indent2">As when, o'er pastoral meadows wide,</emph></l>
<l><emph rend="indent2">Stealeth the drowsy rumour of a weir.</emph></l>
<l><emph rend="indent2">The green reeds bend above it,</emph></l>
<l><emph rend="indent2">The soft green grasses stoop and trail therein;</emph></l>
<l><emph rend="indent2">The minnows dart and spin;</emph></l>
<l><emph rend="indent2">The purple-gleaming swallows love it;</emph></l>
<l><emph rend="indent2">And, hush, its innermost depths within,</emph></l>
<l><emph rend="indent2">The vague prophetic murmur of the linn.</emph></l>
</lg>

<lg type="stanza">
<l><emph rend="indent2">But not in summertide alone</emph></l>
<l><emph rend="indent2">I love to look</emph></l>
<l><emph rend="indent2">Upon this rippling water in my glen:</emph></l>
<l><emph rend="indent2">Most sweet, most dear my brook,</emph></l>
<l><emph rend="indent2">When the grey mists shroud every ben,</emph></l>
<l><emph rend="indent2">And in its quiet place</emph></l>
<l><emph rend="indent2">The stream doth bare her face,</emph></l>
<l><emph rend="indent2">And lets me pore deep down into her eyes,</emph></l>
<l><emph rend="indent2">Her eyes of shadowy grey,</emph></l>
<l><emph rend="indent2">Wherein from day to day</emph></l>
<l><emph rend="indent2">My soul is startled with a new surmise,</emph></l>
<l><emph rend="indent2">Or doth some subtler meaning trace</emph></l>
<l><emph rend="indent2">Reflected from unseen, invisible skies.</emph></l>
</lg>


<pb n="113"/>
<fw type="runningHead2">109</fw>

<lg type="stanza">
<l><emph rend="indent2">Dear mountain-solitary, dear lonely brook,</emph></l>
<l><emph rend="indent2">Of hillside rains and dews the vagrant daughter,</emph></l>
<l><emph rend="indent2">Sweet, sweet thy music when I bend above thee.</emph></l>
<l><emph rend="indent2">When in thy fugitive face I look:</emph></l>
<l><emph rend="indent2">Yet not the less I love thee,</emph></l>
<l><emph rend="indent2">When, far away, and absent from thee long,</emph></l>
<l><emph rend="indent2">I yearn, my dark hill-water,</emph></l>
<l><emph rend="indent2">I yearn, I strain to hear thy song.</emph></l>
<l><emph rend="indent2">Brown, wandering water.</emph></l>
<l><emph rend="indent2">Dear murmuring water.</emph></l>
</lg>

<p><emph rend="indent6"><ref target="#WSH">WILLIAM SHARP.</ref></emph></p>

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