The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part II.—Autumn 1895 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV2_icon8</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>Pittendrigh Macgillivary</author> <title>The Yellow Rose Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Autumn 1895 Macgillivary, Pittendrigh. "The Yellow Rose." The Evergreen: A Northern Seasonal, vol. 2, Autumn 1895, p. 73. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv2_macgillivray_rose/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
The Yellow Rose EGV2_icon8 The Yellow Rose Pittendrigh Macgillivray unknown 8 Autumn 1895 page 73 14.5 cm x 12.7 cm portrait pen and ink Renaissance Indoors Interior flower rose room windows window woman dress fan headpiece necklace bodice rose flower fan headpiece windows window necklace jewellery feather feathers artist s mark The Yellow Rose Image is a portrait of a seated woman The woman s body is facing forward while her head is turned to her right so that her face is seen in profile Her white long sleeved robe covers the majority of her body and the bagginess of the fabric conceals the woman s figure The woman wears a black bodice or corset that covers her underbust while her breasts and shoulders are exposed She also wears a beaded necklace that has a small circular pendant in the center The woman holds a rose between the fingers of her right hand which appear to be resting on a black table that is embellished with white dots She has an open fan held in her left hand which is positioned between her lap and torso Her hair is arranged in a conical shaped bun The majority of her scalp is covered by an intricately designed headpiece the front of the headpiece is arched with three long slim feathers and three square designs decorate the side of the headpiece A three paned window is located on the upper left of the illustration Each glass pane is decorated with an S shaped design The artist’s mark a tree surrounded by curved lines bound within a square is in the lower left corner of the image The image is vertically displayed