The Yellow Nineties Online The Evergreen: A Northern Seasonal, Part II.—Autumn 1895 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV2_icon10</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>John Duncan</author> <title>Bacchus and Silenus Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Autumn 1895 Duncan, John. "Bacchus and Silenus." The Evergreen: A Northern Seasonal, vol. 2, Autumn 1895, p. 90-91. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv2_duncan_bacchus/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Bacchus and Silenus EGV2_icon10 Bacchus and Silenus John Duncan Hare SC 10 Autumn 1895 90 91 x Bacchanalian Procession pen and ink classical outdoors wooded area grass leaves grapes grape leaves flowers leopard male donkey 11 figures bacchus silenus two satyr bacchant maenad thyrsus wind pipes panpipes cymbals bacchus and silenus verso by John Duncan recto Bacchus and Silenus A Bacchanalian procession led outdoors by Bacchus and Maenads who are walking towards the left side of the image Bacchus the androgynous Roman god of fertility agriculture and wine is leading the group and is nude except for a tiger skin wrapped around his waist In his right hand he holds a Thyrsus a wand or stick topped with a pine cone and decorative ornaments To his immediate left is a leopard and two women one that is nude with a floral crown in her blonde hair and a wind pipe in her hands The other woman is wearing a patterned robe and holds grape leaves in her hand On the other side of Bacchus holding the Thyrsus is a woman wearing a shapeless patterned dress with grape leaves in her blonde hair Just behind them in the procession on the recto is Silenus the companion and tutor of Bacchus seated on top of a donkey The donkey is dressed with a heart patterned cloth for a saddle and roses by the ears Silenus is wearing a loin cloth made of grape leaves and is holding onto two women one on either side of the donkey Surrounding them are two additional women playing instruments one is a wind pipe and the other is using cymbals Additionally, there are two Satyrs playing panpipes and windpipes In the bottom left hand corner there is the engravers mark and in the bottom right hand corner is John Duncans monogram