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                <title>The Evergreen: A Northern Seasonal, Part II.&#8212;Autumn 1895</title>
                <title type="EGV2_burns_passer-by"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                        <author>Robert Burns</author>
                        <title>The Passer-by</title>
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                            <publisher>Patrick Geddes &amp; Colleagues</publisher>
                            <pubPlace>Edinburgh</pubPlace>
                            <publisher>T. Fisher Unwin</publisher>
                            <pubPlace>London</pubPlace>
                            <date>Autumn 1895</date>
                            <biblScope>Burns, Robert. "The Passer-by." <emph
                                    rend="italic">The Evergreen: A Northern Seasonal</emph>, vol. 2, Autumn 1895, p.81. 
                                <emph rend="italic">Evergreen Digital Edition</emph>, edited by Lorraine Janzen Kooistra, 2016-2018. 
                                <emph rend="italic">Yellow Nineties 2.0</emph>, 
                                Ryerson University Centre for Digital Humanities, 2018. 
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                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
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                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                        <title>The Passer-by</title>
                        <rs>EGV2_icon9</rs> The Passer by Robert Burns Hare SC 9 Autumn 1895 81 x Pastoral 
                        pen and ink classical outdoor setting stream river foliage tree bush hill male
                        figure loin cloth cape staff walking stick Hare SC bttom right hand corner artists monogram

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                    <head>The Passer-by</head>
                    <figDesc>On the left side of the middle ground stands a male figure wearing a loin cloth
                        and a cape He looks out over a river with one arm raised The opposite hand is holding 
                        a staff that is taller than he is He is standing by a tree Immediately behind him are
                        bushes and a hill At the top of the hill is a group of trees In the foreground there
                        are bushes and the bank of the river In the bottom right hand corner of the image is
                        the engravers mark and just above that is Robert Burns monogram </figDesc>
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