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<title>The Yellow Nineties Online</title>
<title>The Evergreen: A Northern Seasonal, Volume 1 (Spring 1895)</title>
<title type="EGV1_walls_cubs"/>
<editor>Lorraine Janzen Kooistra</editor>
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<date>2018</date>
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<idno>EGV1_icon7</idno>
<publisher>The Yellow Nineties Online</publisher>
<pubPlace>Ryerson University</pubPlace>
<address>
<addrLine>English Department</addrLine>
<addrLine>350 Victoria Street,</addrLine>
<addrLine>Toronto ON,</addrLine>
<addrLine>M5B 2K3</addrLine>
<addrLine>Canada</addrLine>
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<p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                        Non-commercial Share-alike</ref>.</p>
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<editor> </editor>
<author>W. Walls</author>
<title>Cubs</title>
<imprint>
<publisher>Patrick Geddes and Colleagues</publisher>
<pubPlace>Edinburgh</pubPlace>
<publisher>T. Fisher Unwin</publisher>
<pubPlace>London</pubPlace>
<date>Spring 1895</date>
<biblScope>Walls, W. "Cubs." <emph rend="italic">The Evergreen: A Northern Seasonal</emph>,
                                vol. 1, Spring 1895, p.49. <emph rend="italic">Evergreen Digital Edition</emph>, 
    edited by Lorraine Janzen Kooistra, 2016-2018. <emph rend="italic">Yellow Nineties 2.0</emph>, 
    Ryerson University Centre for Digital Humanities, 2018.
                                https://1890s.ca/egv1_walls_cub/</biblScope>
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<p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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<creation>
<date>1895</date>
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<language ident="en">English</language>
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<item>Great Britain -- Periodicals</item>
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<note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                            "Travel Writing," "Music, Other,")
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<keywords scheme="ninesDiscipline">
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<item>Book History</item>
<item>Art History</item>
<note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
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<div n="EGV1_16im" type="image">
<figure>
<graphic width="600px" url="MediumImageDocs/EGV1icon7_walls_cub_edited.jpg"/>
<note n="EGV1_16im.n1">
<title>Cubs</title>
<rs>EGV1_icon7</rs>EGV1_icon7 Cubs W Walls halftone 7 Spring 1895 p 49 10 x 18.5 cm Animal sketch
                        charcoal 1890s outdoor setting day animal lion lioness cubs</note>
<head>Cubs</head>
<figDesc>The charcoal sketch image in landscape orientation is of a lioness lying on her right side 
                        centred in the image with her tummy facing the viewer Her body takes up most of the space 
                        of the frame and there is some shading around her body and head The lion is stretched 
                        so that her front paws reach to the edge of the image with her tail reaching the other end 
                        though the tail is curled There are two cubs the first is lying on top of the lioness 
                        The second cub is lying on its back in front of the lion and extended a paw upwards to 
                        meet the other cub The cubs paws are touching A thin bounding box of pencil contains the image
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