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                <title>The Yellow Nineties Online</title>
                <title>The Evergreen: A Northern Seasonal, Volume 1 (Spring 1895)</title>
                <title type="EGV1_duncan_faring"/>
                <editor>Lorraine Janzen Kooistra</editor>
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            <editionStmt>
                <p>
                    <date>2018</date>
                </p>
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                <idno>EGV1_icon8</idno>
                <publisher>The Yellow Nineties Online</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                    <p>Usable according to the Creative Commons License <ref
                        target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                        Non-commercial Share-alike</ref>.</p>
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                        <editor>
                        </editor>
                        <author>John Duncan</author>
                        <title>Out-Faring</title>
                        <imprint>
                            <publisher>Patrick Geddes and Colleagues</publisher>
                            <pubPlace>Edinburgh</pubPlace>
                            <publisher>T. Fisher Unwin</publisher>
                            <pubPlace>London</pubPlace>
                            <date>Spring 1895</date>
                            <biblScope>Duncan, John. "Out-Faring." <emph rend="italic">The Evergreen: A Northern Seasonal</emph>,
                                vol. 1, Spring 1895, p. 53. 
                                <emph rend="italic">Evergreen Digital Edition</emph>, 
                                edited by Lorraine Janzen Kooistra, 2016-2018. 
                                <emph rend="italic">Yellow Nineties 2.0</emph>, 
                                Ryerson University Centre for Digital Humanities,
                                2018. https://1890s.ca/egv1_duncan_faring/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1895</date>
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                <language ident="en">English</language>
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                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                            "Travel Writing," "Music, Other,")
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                        <item>Still Image</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
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                        <item>Book History</item>
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                    <note n="EGV1_18im.n1">
                        <title>Out-faring</title>
                        <rs>EGV1_icon8</rs>EGV1_icon8 Out-Faring John Duncan Hare Sc 8 Spring 1895 p 53
                        13 x 18cm sea scape Pen and ink classical outdoor setting day wind water waves kelp starfish
                        sea town apollo winged figure boat sail bow figurehead sailboat prow keel town Hare sc</note>
                    <head>Out-Faring</head>
                    <figDesc>Image is of a boat sailing through the water slightly behind another 
                        boat The focal boat has a big sail of which we can see the bottom 
                        half on which is printed an eagle with its wings spread in front of a 
                        black sun with large white sunbeams extending around it The sail is 
                        divided in vertical segments with a small white wavy line at the bottom 
                        of each segment There is a winged young nude male leaning against 
                        the prow of the ship with his hands held up above his eyes peering 
                        into the distance The ship is ornate and on the bow is carved five 
                        white doves There are waves throughout the water There is the appearance 
                        of wind in the sky In the far distance in the background to the left
                        is a small town In the foreground to the left there is a rock in the 
                        water with what appears to be a broken part of a ship on it and the rock 
                        is covered in kelp starfish and a piece of wood The second boat of 
                        which we only see the stern is also ornate with a face carved into the 
                        back The authors signature is in the lower right corner of the image 
                        in white against the black of the semi shown boat The image engraver’s 
                        signature Hare Sc is in the lower right corner The image is horizontally 
                        displayed with a bounding box of two thin lines
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