The Yellow Nineties Online The Evergreen: A Northern Seasonal. Volume 1: Spring 1895 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2018</date> </edition> </editionStmt> <publicationStmt> <idno>EGV1_icon14</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Unknown</editor> <author>James Cadenhead</author> <title>The Tron and St Giles Patrick Geddes & Colleagues Edinburgh T. Fisher Unwin London Spring 1895 Cadenhead, James. "The Tron and St. Giles'." The Evergreen: A Northern Seasonal, vol. 1, Spring 1895, p. 129. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv1_cadenhead_tron/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
The Tron and St. Giles' EGV1_icon14EGV1_icon14 The Tron and St Giles James Cadenhead 14 Spring 1895 Page 129 10 x 18 cm urban landscape sketch charcoal and paper 1890s Edinburgh exterior outside urban road church tower spire lamp post human figures crowd artist signaure J Cadenhead The Tron and St. Giles' Image is of an outdoor setting The image is dark and blurred as if there is fog surrounding the people and buildings Towards the centre of the image is a clock tower the Tron Kirk that reaches the top of the image Behind the clock tower to the right is the St Giles Cathedral There are grey clouds in the sky There appear to be people on the street in front of the tower however their figures are difficult to make out The author signature J Cadenhead is in the bottom right corner of the image The image is vertically displayed Lines are drawn by pencil or charcoal The image is contained in a bounding box of one black line