The Yellow Nineties Online The Evergreen: A Northern Seasonal, Volume 1 (Spring 1895) <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2018</date> </p> </editionStmt> <publicationStmt> <idno>EGV1icon5</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> </editor> <author>Robert Burns</author> <title>Natura Naturans [Nature Naturing] Patrick Geddes and Colleagues Edinburgh T. Fisher Unwin London Spring 1895 Burns, Robert. "Natura Naturans. [Nature Naturing]" The Evergreen: A Northern Seasonal, vol. 1, Spring 1895, p. 27. Evergreen Digital Edition, edited by Lorraine Janzen Kooistra, 2016-2018. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2018. https://1890s.ca/egv1_burns_natura/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1895 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Natura Naturans EGV1_icon5EGV1_icon5 Natura Naturans Robert Burns Hare sc 5 Spring 1895 17.5 x 11.5cm mythological portrait pen and ink 1890s na mystical setting void fish coy crane heron waves human figure female figure nude hair black hair Natura Naturans [Nature Naturing] Image is of a nude woman standing in the centre of a mystical whirling design of cranes fish and waves We see her backside and her face turned left is visible in profile over her shoulder She is looking downwards Her long dark hair is flowing and intertwined with the natural elements around her There are waves and wind flowing throughout the image with fish within the waves in the upper half There are two cranes the first is in the lower left corner The second crane is in the upperright corner which is wrapped in her hair Her hands form soft fists held in front of her and while her right foot is planted on the ground the heel of her left foot is slightly raised suggesting movement The image engravers signature Hare Sc is in the lower left corner The authors signature RB is in the lower right corner along with the date 1891 The image is vertically displayed within a distinct black bounding box There are Japanese influences