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            <title>The Yellow Nineties Online</title>
            <title>International Studio, 1897</title>
            <title type="EG2_Review_International_Studio_March_To_June_1897"/>
            <editor>Lorraine Janzen Kooistra</editor>
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            <edition>
               <date>2019</date>
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            <publisher>The Yellow Nineties Online</publisher>
            <pubPlace>Ryerson University</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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               <p>Usable according to the Creative Commons License <ref
                     target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
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                  <editor>Charles Holme</editor>
                  <author>Unknown</author>
                  <title level="j">International Studio</title>
                  <title level="a">Reviews of Recent Publications</title>
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                     <publisher>Offices of the International Studio</publisher>
                     <pubPlace>New York</pubPlace>
                     <date>1897</date>
                     <biblScope>"The Evergreen." Review of <emph rend="italic">The
                           Evergreen: A Northern Seasonal</emph>, vol.2, Autumn 1895, <emph rend="italic">International Studio</emph> 1896,
                        pp. 66. <emph rend="italic">Yellow Nineties 2.0</emph>,
                        edited by Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019.
                        https://1890s.ca/EG2_Review_International_Studio_March_To_June_1897/
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            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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            <date>1895</date>
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                  <item>Review</item>
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                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                     "Travel Writing," "Music, Other,")
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                  <item>Periodical</item>
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         <head>
            <title level="a"><emph rend="bold">The Chronicle of Art</emph></title>
        
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         <p>&#160;&#160;&#160;<emph rend="italic">The Evergreen</emph>.&#160;&#160;&#160;&#160;Winter Book.&#160;&#160;&#160;&#160;(Edinburgh : <lb/>
            Patrick Geddes and Colleagues.)&#x2014;This, the fourth <lb/>
            volume which has appeared of this very original <lb/>
            periodical, ends, we are told, its " first season-cycle." <lb/>
            Unfortunately, we are also advised that it must now <lb/>
            "sleep for a season," as the time for a new series <lb/>
            is "not yet." &#160;&#160;&#160;This we feel is altogether to be <lb/>
            regretted, for although the publication had some of <lb/>
            the defects of youth, it had also many of its <lb/>
            excellent and desirable qualities. &#160;&#160;&#160;Several artists of <lb/>
            undoubted talent have been introduced to the <lb/>
            public for the first time through its pages, at least <lb/>
            in the capacity of book illustrators. &#160;&#160;&#160;Perhaps, how- <lb/>
            ever, the <emph rend="italic">Evergreen</emph> is, after all, of deciduous <lb/>
            growth, and although now, in these dark days of <lb/>
            winter, apparently dead and lifeless, will as the sun <lb/>
            gathers strength put forth fresh leaves and buds <lb/>
            and blossoms. &#160;&#160;&#160;If so, none will more cordially <lb/>
            welcome its reawakening than ourselves. &#160;&#160;&#160;We re- <lb/>
            produce by favour of the publishers one of two <lb/>
            excellent landscapes which appear in this number <lb/>
            by Mr. <ref target="#JCA">James Cadenhead</ref>, R.S.W.</p>
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