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            <title>The Yellow Nineties Online</title>
            <title>The Magazine of Art, Feb 1896</title>
            <title type="EG2_Review_Magazine_of_Art_Feb_1896"/>
            <editor>Lorraine Janzen Kooistra</editor>
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            <edition>
               <date>2019</date>
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            <idno>R_MOA_0296_EGV2</idno>

            <publisher>The Yellow Nineties Online</publisher>
            <pubPlace>Ryerson University</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                  <editor>Marion Harry Spielmann</editor>
                  <author>Unknown</author>
                  <title level="j">The Magazine of Art</title>
                  <title level="a">The Chronicle of Art</title>
                  <imprint>
                     <publisher>Cassell, Petter &amp; Galpin</publisher>
                     <pubPlace>London</pubPlace>
                     <pubPlace>New York</pubPlace>
                     <date>Feb 1896</date>
                     <biblScope>"The Evergreen." Review of <emph rend="italic">The
                           Evergreen: A Northern Seasonal</emph>, vol.2., Autumn 1895, <emph rend="italic">Magazine Of Art</emph> Feb 1896,
                        p. 159. <emph rend="italic">Yellow Nineties 2.0,</emph>
                        edited by Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019.
                         https://1890s.ca/EG2_Review_Magazine_of_Art_Feb_1896/
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            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway.</p>
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            <date>1895</date>
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                     "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                  <item>Periodical</item>
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         <head>
            <title level="a"><emph rend="bold">The Chronicle of Art</emph></title>
        
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         <p>The second volume&#x2014;"<emph rend="italic">The Book of Autumn</emph>"&#x2014; of the <lb/>
            "Northern Seasonal," called "<emph rend="italic">The Evergreen,</emph>" has been <lb/>
            issued by Messrs. Patrick Geddes and colleagues, and in <lb/>
            London by Mr. Fisher Unwin. That the work of Professor <lb/>
            <ref target="#PGE">GEDDES</ref> and his friends will really tend, as they hope, <lb/>
            towards a Celtic Renascence we much doubt, even though <lb/>
            it takes its way "through Decadence."&#160;&#160;&#160;The public who <lb/>
            acquire it and like it will not look so deep ; they will enjoy <lb/>
            it as we enjoy it, and praise the effort, literary and artistic, <lb/>
            as we are disposed to do ; but that they will acknowledge <lb/>
            or justify the lofty purpose or admit the success of its <lb/>
            projectors we cannot believe.&#160;&#160;&#160;The literary standard in this <lb/>
            new issue is higher than the artistic ; but among the latter <lb/>
            we must accord special mention to <ref target="#RBU">Mr. Robert Burns</ref> and <lb/>
            <ref target="PMA">Mr. Macgillivray.</ref></p>
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