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            <title>The Yellow Nineties Online</title>
            <title>The Review of Reviews, June 1895</title>
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            <editor>Lorraine Janzen Kooistra</editor>
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            <edition>
               <date>2019</date>
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            <publisher>The Yellow Nineties Online</publisher>
            <pubPlace>Ryerson University</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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               <p>Usable according to the Creative Commons License <ref
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                  <editor>William Thomas Stead</editor>
                  <author>Unknown</author>
                  <title level="j">The Review of Reviews</title>
                  <title level="a">The Evergreen</title>
                  <imprint>
                     <publisher>Office of the Review of Reviews</publisher>
                     <pubPlace>London</pubPlace>
                     <date>June 1895</date>
                     <biblScope>"The Evergreen." Review of <emph rend="italic">The
                           Evergreen: A Northern Seasonal</emph>, vol.1, Spring 1985, <emph rend="italic">The Review of Reviews</emph> June 1895, p.
                        546. <emph rend="italic">Yellow Nineties 2.0</emph>, edited by
                        Lorraine Janzen Kooistra, Ryerson University Centre for Digital Humanities, 2019.
                        https://1890s.ca/EG1_Review_ReviewofReviews_1895/
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            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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            <date>1895</date>
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                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                     "Travel Writing," "Music, Other,")
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         <head>
            <title level="a"><emph rend="bold">The Evergreen</emph></title>
        
         </head>
         <p>A new quarterly has made its appearance this month.<lb/> 
            It is entitled the <emph rend="italic">Evergreen</emph>. It is quaintly got up, and has<lb/>
            its distinctive character stamped legibly upon every page.<lb/>
            Its authors see against the background of the Decadence <lb/>
            the vaguely growing lines of a picture of New Birth.<lb/>
            The <emph rend= "italic">Yellow Book</emph> is Decadence, the <emph rend="italic">Evergreen</emph> is the<lb/>
            New Birth. Mr. <ref target="#PGE">Patrick Geddes</ref> is its prophet,<lb/>
            and the four chords of the music of the Rena-<lb/>
            scence are: (1) That faith may be had still in the<lb/>
            friendliness of our fellows; (2) that the love of country<lb/>
            is not a lost cause; (3) that the love of women is the way<lb/>
            of life, and (4) that in the eternal newness of every child<lb/>
            is an undying promise for the race. The <emph rend="italic">Evergreen</emph> is<lb/> 
            the organ of Faith, Hope, and Charity. And that I<lb/> 
            suppose is the excuse for its illustration. They need<lb/> 
            charity. They make us hope they will speedily be suc-<lb/>
            ceeded by others as unlike them as possible, and they<lb/> 
            subject our faith to a severe test by asking us not to<lb/>
            believe they are the offspring of Beardsleyism and<lb/> 
            of Decadence. </p>
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