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            <title>The Yellow Nineties Online</title>
            <title>The Magazine of Art, September 1895</title>
            <title type="EG1_Review_Magazine_of_Art_Sept_1895"/>
            <editor>Lorraine Janzen Kooistra</editor>
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               <date>2019</date>
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            <publisher>The Yellow Nineties Online</publisher>
            <pubPlace>Ryerson University</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                  <editor>Marion Harry Spielmann</editor>
                  <author>Unknown</author>
                  <title level="j">The Magazine of Art</title>
                  <title level="a">The Chronicle of Art</title>
                  <imprint>
                     <publisher>Cassell, Petter &amp; Galpin</publisher>
                     <pubPlace>London</pubPlace>
                     <pubPlace>New York</pubPlace>
                     <date>Sept 1895</date>
                     <biblScope>"The Evergreen." Review of <emph rend="italic">The
                           Evergreen: A Northern Seasonal</emph>, vol.1., Spring 1985 <emph rend="italic">Magazine Of Art</emph>, Sept 1895, p.
                        439. <emph rend="italic">Yellow Nineties 2.0,</emph>. edited by Lorraine Janzen Kooistra,
                        Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/EG1_Review_Magazine
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            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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         <head>
            <title level="a"><emph rend="bold">The Chronicle of Art</emph></title>
        
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         <p><ref target="#PGE">Professor GEDDES</ref> is to be congratulated upon a charming<lb/>
            idea, prettily carried out. True, <emph rend="italics">The Evergreen, a<lb/>
               Northern Seasonal"</emph> (1895, published in the Lawnmarket<lb/>
            of Edinburgh by Patrick Geddes and colleagues, and in<lb/>
            London by T. Fisher Unwin<!--do we need a tag for him?-->), is a trifle affected, and the<lb/>
            writers and artists are all a shade too clever, but the<lb/>
            <emph rend="italics">ensemble</emph> is delightful. The type is fine, the ink of the<lb/>
            blackest, and the printing what we look for from Messrs.<lb/>
            Constable. <ref target="#JDU">Mr. JOHN DUNCAN'S</ref> decoration is of a high,<lb/>
            if <ref target="#ABE">Beardsleyan</ref>, order throughout. Mr. <ref target="#RBU">ROBERT BURNS</ref><lb/>
            is successful in "Natura Naturans," though the same<lb/>
            cannot be said for "The Casket." <ref target="#CMAC">Mr. C. H. MACKIE</ref>'s<lb/>
            design for the cover of embossed old calf is quaint and<lb/>
            curious, though hardly beautiful. The keynote of the<lb/>
            whole volume is a sturdy one of Hope and Renascence.<lb/>
            In a word, "Patrick Geddes and Colleagues" seem to see,<lb/>
            against the background of decadence, the vaguely growing<lb/>
            lines of a picture of New Birth. Let us hope that this is<lb/>
            no illusion. We look forward with interest to the further<lb/>
            "seasonals" of "Autumn," "Summer," and " Winter,"<lb/>
            which are to appear at intervals of six months.</p>
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