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                <title>The Yellow Nineties Online</title>
                <title>The Athenaeum, June 22, 1895</title>
                <title type="EG1_Review_The_Athenaeum_1895"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2020</date>  
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                <publisher>The Yellow Nineties Online</publisher>
                <pubPlace>Ryerson University</pubPlace>
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                    <addrLine>English Department</addrLine>
                    <addrLine>350 Victoria Street,</addrLine>
                    <addrLine>Toronto ON,</addrLine>
                    <addrLine>M5B 2K3</addrLine>
                    <addrLine>Canada</addrLine>
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                        <title level="j">The Athenaeum</title>
                        <title level="a">Our Library Table</title>
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                            <publisher>J. Frances</publisher>
                            <pubPlace>London</pubPlace>
                            <date>22 June 1895</date>
                            <biblScope>"Our Library Table." Rev. of <emph rend="italic">The Evergreen: A Northern Seasonal</emph>, vol 1.
                                <emph rend="italic">The Athen&#230;um</emph>, 22 June 1895, p. 801. <emph rend="italic">Yellow Nineties 2.0
                                </emph>, edited by Lorraine Janzen Kooistra, Ryerson
                                University Centre for Digital Humanities, 2020.
                                https://www.1890s.ca/EG1-review-the-athenaeum-1895/
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway. </p>
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                <title level="a"><emph rend="bold">Our Library Table</emph></title>
                
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            <p><emph rend="indent"></emph>We have received from “Patrick Geddes &#38; Colleagues,” of Edinburgh 
                (London, Fisher Unwin), the first number of the <emph rend="italic">Evergreen</emph>, so called 
                after the well-known miscellany of Allan Ramsay. Messrs. Constable &#38; Co. have done their 
                best by providing luxurious type and paper, and the illustrations are of varying excellence. 
                The calf-love of ‘Robene and Makyn,’ as set forth by Henryson, is dramatically illustrated. 
                Anoteher pathetic study is the ‘Pipes of Arcady,’ and the drawing of the Tron and St. Giles's 
                gives the due touch of local colour. It is an excellent arrangement that the full-page 
                illustrations are faced by fair spaces of blank paper, which rest the eye. 
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